Sweet Rocket

- By Mary Johnston
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American novelist For other people named Mary Johnston, see Mary Johnston (disambiguation). Not to be confused with Maria I. Johnston (1835–1921), also an author and women's right advocate from Virginia.. Mary JohnstonJohnston no later than 1900Born(1870-11-21)November 21, 1870Buchanan, Virginia, U.S.DiedMay 9, 1936(1936-05-09) (aged 65)Warm Springs, Virginia, U.S.Resting placeHollywood CemeteryRichmond, Virginia, U.S.OccupationNovelist, activistNationalityAmericanNotable worksTo Have and to Hold, Audrey, The Long Roll Mary Johnston (November 21, 1870 – May 9, 1936)[1] was an American novelist and women's rights advocate from Virginia. She was one of America's best selling authors during her writing career and had three silent films adapted from her novels.[2][3][4] Johnston was also an active member of the Equal Suffrage League of Virginia, using her writing skills and notability to draw attention to the cause of women's suffrage in Virginia.[5][6] Early life[edit] Mary Johnston was born in the small town of Buchanan, Virginia, the eldest child of John William Johnston, an American Civil War veteran, and Elizabeth Dixon Alexander Johnston. Due to frequent illness, she was educated at home by family and tutors.[7] She grew up with a love of books and was financially independent enough to devote herself to writing. When Johnston was 16, her father's work with the Georgia Pacific Railroad caused the family to move to Birmingham, Alabama. Shortly after the move, Johnston began attending the Atlanta Female Institute and College of Music in Atlanta, Georgia. She attended the school for three months; this was the only formal education Johnston would receive.[5][7] After her mother's death in 1889, Johnston acted as her father's companion and as a surrogate mother for her five younger siblings.[5][7] Johnston's family moved to New York 1892. They returned to Birmingham in 1896, and then moved to Richmond, Virginia in 1902.[5] Career[edit] 1902 advertisement for Audrey Johnston wrote historical books and novels that often combined romance with history. Her first book, Prisoners of Hope (1898), dealt with colonial times in Virginia as did her second novel, To Have and to Hold (1900), and later, Sir Mortimer (1904). The Goddess of Reason (1907) uses the theme of the French Revolution, and in Lewis Rand (1908) the author portrayed political life at the dawn of the 19th century. To Have and to Hold was serialized in The Atlantic Monthly in 1899 and published in book form 1900, by Houghton Mifflin. The book proved enormously popular and was the bestselling novel in the United States in 1900. Johnston's next work, titled Audrey, was the fifth bestselling book in the U.S. in 1902, and Sir Mortimer, serialized in Harper's Monthly magazine from November 1903 through April 1904, was published in 1904. Her best-selling 1911 novel on the American Civil War, The Long Roll, brought Johnston into open conflict with Stonewall Jackson's widow, Mary Anna Jackson.[8] Beyond her native America, Johnston's novels were also very popular in Canada and in England. During her long career Johnston wrote, in addition to 23 novels, numerous short stories, two long narrative poems, and one play. Her book titled Hagar (1913), considered to be one of the first feminist novels as well as somewhat autobiographical, captures the early days of women's rights. Johnston's deep focus on female suffrage in the United States is documented by her letters and correspondence with women working for the right to vote. But Hagar created a controversy among men and tradition-minded women, who were upset by the book's progressive ideas. Many refused to purchase it and subsequent Johnston novels.[9] During her life, Johnston was close friends with Gone with the Wind author Margaret Mitchell, who once commented: "I hesitate to write about the South after having read Mary Johnston."[9] Film adaptations[edit] Three of Johnston's books were adapted to film. Audrey was made into a 1916 silent film of the same name, and her blockbuster work To Have and to Hold was made into silent films both in 1916 and in 1922. Pioneers of the Old South was adapted as the film Jamestown [fr] (1923).[2][3] Women's suffrage advocacy[edit] Portrait published in 1909 Johnston was an early an active member of the Equal Suffrage League of Virginia (ESL), which was founded in November 1909 by other Richmond-area activists like Lila Meade Valentine, Ellen Glasgow, and Kate Waller Barrett.[10] She chaired the ESL's legislative and lecture committees and served as vice president from 1911 to 1914.[5] On December 12, 1909, the Richmond Times-Dispatch published a pro-suffragist article written by Johnston entitled “The Status of Women.” The ESL would go on to reprint this article, along with another entitled "These Things Can Be Done" in Virginia Suffrage News, a monthly paper created to increase communication among the suffrage leagues across the state of Virginia.[6][11] Johnston's writings in support of women's suffrage also appeared in national publications, including the Atlantic Monthly and Woman's Journal and Suffrage News.[5] In 1910, Johnston took elocution lessons to improve her public speaking skills. She would go on to deliver several speeches in support of women's suffrage. In January 1912, she addressed Virginia's General Assembly. In December of that year, she spoke at the governors' conference at its annual meeting in Richmond. She also spoke at the closing event of the 1913 Woman Suffrage Procession in Washington, D.C.[5] Death and legacy[edit] Three Hills, Johnston's home in Warm Springs, Virginia, 1915 Johnston's gravestone, located in Hollywood Cemetery, Richmond, Virginia, U.S. In 1936, Johnston died of Bright's disease at her home in Warm Springs, Virginia. She was 65 years old. Johnston was interred in Hollywood Cemetery in Richmond.[1][7] Three Hills, her house at Warm Springs, was added to the National Register of Historic Places in 2013.[12] Her Richmond home on Linden Row was listed in 1971.[13] Johnston was honored by the Library of Virginia as part of its 2005 class of Virginia Women in History.[14] Johnston's name is featured on the Wall of Honor on the Virginia Women's Monument, located in Capitol Square in Richmond.[15][16] Selected works[edit] Prisoners of Hope (1898) To Have and to Hold (By Order of the Company) (1900) Audrey (1902), illustrations by Frederick Coffay Yohn Pioneers of the Old South (1903) Sir Mortimer (1904), illustrator F. C. Yohn[17] The Goddess of Reason (1907), a drama in five acts Lewis Rand (1908), illustrator F. C. Yohn The Long Roll (1911), with illustrations by N. C. Wyeth Cease Firing (1912), illustrator N. C. Wyeth Hagar (1913)[18] The Witch (1914), frontispiece in color by N. C. Wyeth The Fortunes of Garin (1915), frontispiece in color by Arthur I. Keller The Wanderers (1917) Foes (1918) Michael Forth (1919) Sweet Rocket (1920) Silver Cross (1921) 1492 (1922) The Great Valley (1926) The Exile (1927) Miss Delicia Allen (1932) See also[edit] List of suffragists and suffragettes References[edit] ^ a b Kelly, William W. (2006). "Mary Johnston (1870-1936)". In Flora, Joseph M. (ed.). Southern Writers: A New Biographical Dictionary. Vogel, Amber; Giemza, Bryan. Baton Rouge, LA: Louisiana State University Press. pp. 222–223. ISBN 0-8071-3123-7. Retrieved June 24, 2010. ^ a b Jamestown. TCM.com. 1923. ^ a b Jamestown. IMDb.com. 1923. ^ "Audrey (1916)". IMDb.com. Retrieved 22 August 2019. ^ a b c d e f g Tarter, Brent. "Mary Johnston (1870–1936)". Dictionary of Virginia Biography, Library of Virginia (1998– ). Retrieved 22 August 2019. ^ a b Johnson, Olin (28 June 2017). "Mary Johnston: A Suffragist of, and Ahead of, Her Time". The UncommonWealth. Retrieved 1 December 2020. ^ a b c d Brooks, Clayton McClure, Samuel P. Menefee and Brendan Wolfe. Encyclopedia Virginia. "Mary Johnston (1870–1936)". Virginia Foundation for the Humanities. 2014-03-20. ^ Hettle, Wallace (Spring 2008). "Mary Johnston and "Stonewall" Jackson: A Virginia Feminist and the Politics of Historical Fiction" (PDF). Journal of Historical Biography. 3. ^ a b Cox Bryan, Mollie (March 3, 2016). "Ahead of her Time". Virginia Living. Cape Fear Publishing. Retrieved June 27, 2016. ^ McDaid, Jennifer Davis. "Equal Suffrage League of Virginia (1909–1920)". Encyclopedia Virginia. Retrieved 22 August 2019. ^ Johnson, Olin (12 July 2017). "Virginia Suffrage News". The UncommonWealth. Retrieved 1 December 2020. ^ "National Register of Historic Places Listings". Weekly List of Actions Taken on Properties: 2/04/13 through 2/08/13. National Park Service. 2014-01-03. ^ "National Register Information System". National Register of Historic Places. National Park Service. July 9, 2010. ^ "Virginia Women in History 2005". Retrieved 22 August 2019. ^ "Wall of Honor". Virginia Women's Monument Commission. Retrieved 23 August 2019. ^ Carrington, Ronald E. (1 November 2018). "'Wall of Honor' unveiled on new Virginia Women's Monument". Richmond Free Press. Retrieved 23 August 2019. ^ "Review of Sir Mortimer by Mary Johnston, with illustrations by F. C. Yohn". The Oxford Magazine. 23. The Proprietors: 349. May 24, 1905. ^ "A Feminist Novel: Miss Johnston's 'Hagar' a Tale and a Theory" by Helen Bullis". New York Times. November 2, 1913; transcribed by encyclopediavirginia.org{{cite news}}: CS1 maint: postscript (link) Literature portal External links[edit] Wikimedia Commons has media related to Mary Johnston. Works by Mary Johnston at Project Gutenberg Works by or about Mary Johnston at Internet Archive Works by Mary Johnston at LibriVox (public domain audiobooks) Mary Johnston at Library of Congress, with 51 library catalog records Authority control databases International FAST ISNI VIAF National France BnF data Germany Israel United States Australia Netherlands People Trove Other SNAC IdRef vteVirginia Women in History2000–20092000 Ella Graham Agnew Mary Julia Baldwin Margaret Brent Willa Cather Jennie Dean Sarah Lee Fain Ellen Glasgow Dolley Madison Pocahontas Clementina Rind Lila Meade Valentine Maggie L. Walker 2001 Rosa Dixon Bowser Elizabeth Campbell Thomasina Jordan Elizabeth Keckley Theresa Pollak Sally Louisa Tompkins Elizabeth Van Lew Edith Wilson 2002 Rebecca Adamson Janie Porter Barrett Patsy Cline Hannah Lee Corbin Christine Darden Lillian Ward McDaniel Mary-Cooke Branch Munford Jessie M. 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SWEET ROCKET I
The woman driving turned the phaeton from the highway into a narrow road. Almost immediately the forest through which they had been passing for a mile or more deepened. It was now a rich woodland, little cut, seldom touched by fire. Apparently the road knew little use. Narrow and in part grass-grown, soft from yesterday's rain, dimmed by many trees, now it bent and now it ran straight, a dun streak, cut always in front by that ancient, exquisite screen of bough and leaf. The highway dropped out of sight and mind. The woman to whom this countryside was new, sitting beside the woman driving, drew a breath of pleasure. "Oh, smell it! It goes over you like balm!"
"It washes the travel stains away. Take off your hat." The other obeyed, turning and placing it upon the back seat beside a large and a small traveling bag. She drew off her gloves, too, then, [Pg 2]straightening herself, sighed again with happiness. "How deep it goes ... and quiet! It's thousands of miles away!" "Hundreds of thousands, and right at hand!"
Leaves were beginning to turn. Maples had lighted fires, hickories were making gold, dogwood and sumac dyeing with crimson. Ironweed, yet blooming, blotched the roadside with purple. Joe-pye lifted heads of ashy pink, goldenrod started forth, in places farewell-summer made a low mist of lilac. The road dipped into a dell. The gray horse, the phaeton, crossed a brown streamlet, sliding, murmuring. Mint filled the air. The road lifted and ran on again into mystery. Blackbirds flew across, a woodpecker tapped and tapped, a squirrel ran up an oak. But for all of faint, stealthy rustle, perpetual low sound and small movements without end, deep, deep, deep rest was the note. Rest and solitude.
The old, strong, gray horse was named Daniel. This was his road since he was a colt. Sometimes he might find upon it Whitefoot and Bess, the farm horses, drawing the farm wagon, but oftenest it was solitary like this-his road-Sweet Rocket road. The phaeton moving its wheels rolled it, droned it forth-"Sweet Rocket road-Sweet Rocket road."
"There are five miles of it," said Marget. Her tone added, "I love it-its solitariness, its ownness!" [Pg 3] "It's miraculously beautiful," answered her companion. "It aches, it is so beautiful!" "Sweet Rocket road-Sweet Rocket road," said the wheels. "Way to Sweet Rocket-way to Sweet Rocket."
"It is straight and single-minded as an arrow. No one goes but one who wishes to travel to Sweet Rocket. It is our road in and our road out. There seems to be no other." "'Seems'?" "I mean that it is the only road made with spade and pick."
They traveled again in silence. The visitor sat, a small, elderly woman, with a thin, strong, intelligent face. Something about her, alike of strength and of limitation, said, "Teacher for long years." She sat with her hands in her lap, looking at that truly beautiful road and the forest walls. But at last with a sigh of appreciation she turned to talk. "Twenty years and more since we last met! But you keep young, Marget. I had no difficulty in picking you out of the station crowd."
"Nor I you, dear Miss Darcy! But then I've always kept you in mind and heart. I owe you so much!" "Ah, Marget, not much!" "I owe you learning. It is a good deal to take a country girl, charge scarcely anything for her and see that she gets knowledge and learns how to get more-and more-"
"You are of those who reward teaching. Don't let us talk about that which was neither load nor task and so is no debt. The 'now' interests me. You look well. Your face is a rose under clear brown." "I am well." "And happy?" "Yes, happy." "I know that you couldn't be happy unless you were helping."
"I don't know how much I help. I help some." "You were never given to long letters. There really is much that I don't at all know about you! And such as they are, I have had very few letters of late years. It was the sheerest accident my finding out that this was your part of the country. I might have gone to the Conference and never known that you were not twenty miles away!"
"The day before I had your card I knew that something pleasant was going to happen." "Well, tell me what you do-" Marget Land looked over Daniel's ears, down the vista of the road. At this point hemlocks grew to either hand, cones of a green that was almost black. Between rose sycamores with pale arms and leaves like silky brown hair. At the road edge the farewell-summer made a lacework, and above it glowed the sumac torches. Blue sky roofed the autumn earth. The air[Pg 5] just flowed, neither hot nor cold, milk warm, happy. Summer and winter had made a bargain, struck a compromise, achieved a diagonal. Gold autumn, crimson autumn, violet autumn, dusky and tawny autumn-autumn balm-autumn drawn up into a gracious figure-Keats's autumn-a goddess!
She drew a light, sighing breath. "I told you that I was happy.... Isn't it strange-living? Isn't it strange and sweet the way things come about? There's magic, all right! Sweet Rocket.... I was born in the overseer's house at Sweet Rocket. That was ten years after the war and there wasn't much nor many for my father to oversee. I love my father. He was what the mountain folk call 'a getter-on.' He had ability and a lot of goodness and a lot of kindness. Education from books had not come his way, but he knew many things. He had worked hard and saved, and after the war, when he gave up overseeing, or it gave him up, and when he turned merchant in Alder, over there, he made money-as we looked at it in Virginia in those days. Some money, that is. He had ten thousand dollars in bank when old Major Linden died, and Mary Linden married and went away, and Sweet Rocket was sold for debt. He bought it-though he kept a steady face, he was so proud to buy it! I was nine years old when we moved out of the overseer's house into the big house-my mother, my father, my two brothers, and I. I[Pg 6] loved it, loved it, loved it-love it, love it, love it!"
"I remember the very way in which you used to say it, 'Sweet Rocket!'" "We became at once land poor. And my father had an illness, and, though he seemed to recover, never did quite recover. When it came to choosing and bargaining, making and laying by, he was never again the man he had been. My mother, too, who had worked so hard when she was young-too hard-began to fail. Will, my elder brother, went West. Edgar, the younger, wanted to go, too. He did not like it here. You see ... every one still said: 'The old overseer bought it. They were all born in the overseer's house. Now they rattle around in the Lindens' house! Bottom rail-!' It was still called 'the Linden place.' As I grew old enough to have cared for what they said I somehow escaped caring. But Edgar cared. It was hard on the boy.... But I loved Sweet Rocket, loved it, love it! I love the overseer's house and the big house-which isn't, of course, very big, for the place was always a simple one-simple and still and out of the way!"
She seemed to pause somewhat deeply to vision something within. Miss Darcy watched the moving walls, now standing close, now a little receding, now opening as it were into gateways through which were seen forest lawns[Pg 7] and aisles. They shut in again. A golden bough brushed the phaeton. She who had been speaking put out her hand and touched it. "How could one help but love it? To me it is forever so old and forever so new! I lock with it.... What was I saying? Well, Edgar did not like it, and my mother failed, and father had less money and less money-and still we went on ... five years, eight years, ten years. Then in one year my father died and my mother died.... Will came home. He and Edgar said that we must sell Sweet Rocket. I wasn't eighteen. We knew about the mortgage, but we didn't know about some other debts. When it was sold there was hardly anything to divide among us-"
"The Lindens didn't buy it back, then?" "No, not then. Northern people bought it. Will went back to Wyoming, and Edgar with him. I went to my mother's sister-Aunt Hester-who lived in Richmond. I went to her with my two hundred and fifty dollars a year. She's one of the best of women. I never had anything but kindness from her-and one of the greatest was when she spoke of me to you!"
She put her hand over Miss Darcy's hand. "I had been to school a little, of course. There were some books at home, and I had borrowed where I could. But in Richmond, to you, I really began to go to school." "You studied as very few study, Marget.[Pg 8] You studied as though waves of things were coming happily back into memory." "Yes. But you released something. Always fire is lit from fire. Always one comes to any that sit in darkness.... Well, I went to school for three years. Then off you go from that school to Canada, to England, to I don't know where! I stayed in Richmond and went to a business school. I learned typewriting and stenography. I began to earn my living."
"You were with Baker and Owen?" "Yes. And then I passed into library work. I went to Washington. I was in the library there for five years. I saved. I wrote a few papers that were published. I took what they brought me and what I had saved, and I left the library and I went around the world, second class and third class-and at times fourth-and I learned and enjoyed. I taught English here and there, and so I paid as I went. I came back in four years-back to Richmond and Aunt Hester, until I might look about me and see what I could do, for I must earn."
"If you had written to me then in New York-" "I felt that. But there is something-don't you know there is something?-that guides us.... I lay one night thinking of Sweet Rocket. I could always come back here, just as really-come back from the ends of the earth! I came back often. There has always been, along the[Pg 9] garden wall, sweet rocket-dame's violet, you know. Some of it is white and some is purple-shining clusters growing above your waist. I could gather them in my arms and feel them against my cheek. I could get into the dark cedars that come up from the river. I lay in Richmond, more than half feeling, more than half seeing.... There's a country, you know, out of which things come down to you.... It came down-knowledge! I meant to go back to Sweet Rocket."
She paused. "Look at that tree-" "It is so splendid! A sugar maple, isn't it? And that one?" "Mountain linden. It puts on a clear, pale gold, like the old saints' haloes." "I hear water." "It is the little stream that we cross. See how sweet and clear and sounding it goes! Hemlock Run. All right, Daniel!" Daniel bent mouth to water and drank. "No check rein?" "No." Gray horse and old phaeton moved again. The wood grew richer and deeper. "We are nearing the river."
"And then, in Richmond, you heard about Sweet Rocket?" "Aunt Hester had a letter from Alder. Richard Linden, old Major Linden's nephew, had bought Sweet Rocket. I was glad that some one[Pg 10] who must love it was there. Aunt Hester said that he had visited it once or twice as a young boy. He would remember it then as I remembered it. The second letter said that he was almost blind, and alone on the place save for the colored people. Then I saw his advertisement in the Richmond papers. He wanted a secretary, one who could read aloud well. So I answered, and was taken-five years ago."
"How old a man is he?" "He is forty-seven and I am forty-four." "You have inner youth-higher youth." "Yes. Childhood there. So has he." "Do you love him, Marget?"
"Love him? Yes! But not the once-time way, if that is what you mean. As he loves me, but not the once-time way. So we shall not marry, in the once-time way. But we live here together all the same." "Well, if it is as fair as this road-" "It is just a simple house in the bent arm of a little river and with hills all around, and behind the hills, mountains. There are fields and an orchard and garden. It is hidden like a lost place, and happy like a place for evermore finding itself."
"Tell me about Mr. Linden." "No, let us wait for that. Or I can tell outward things-how we live?" "Yes." "He has only a small, fixed income. It[Pg 11] wouldn't at all go round the year, so we farm. We have an excellent man, Roger Carter, who lives in the overseer's house. Wheat, corn, buckwheat, hay, and apples! So we live and can buy-though with an elegant spareness-books and red-seal Victor records and more and more flowers for the flower garden."
"Of course you have help about the house?" "There are two colored men and a boy, and Mimy the cook and Zinia the housemaid. But with the home garden and cornfield and orchard and the two cows and the chickens and ducks and Daniel and Whitefoot and Bess there is more than enough to do. You will be surprised to see how much he does himself."
"How can he see?" "He can tell light from darkness, and the dim mass of things. And then, when you are blind, you grow so skillful with the other senses! And of course in a measure all of us are eyes to him. He has a great, strong body. He hoes and digs. He knows always what is beneath his fingers. He can weed a garden as well as I can. He gathers fruit and berries and vegetables and knows the perfect from the imperfect. He does no end of things. Perhaps he may work with his hands four hours a day."
"And then?" "There are letters. I write them, and I keep his accounts, and, of course, the house. Then we read. It is a sandwiched business, but we[Pg 12] must average three hours a day with books. He gets up very early and walks before breakfast, and usually again in the afternoon. Sometimes I drive him on this road. Sometimes I walk with him, sometimes he goes alone. After supper we read, or listen to the Victor singing and playing, or we talk, or sit by the fire, still and thinking. Or on the porch steps when weather is warm, where I can see and he can image the stars."
"I see a good life." "We are not without neighbors, though it seems so lonely. And then folk come to us. His blindness was an accident, you know. He has had life in the world as I have had life in the world. We have life in the world." "He is one, then, that may be loved?" "He is a great poet, though he would never call himself so. He just feels and acts so.... I think his face is beautiful."
"I think that your face is beautiful," thought Miss Darcy. The tawny road turned a little east. Trees yet green, trees that wore the one color the year round, blended with golden trees and scarlet trees. Wild grapes with twisted and shaggy stems and yellowing leaves, with blue grapes hanging over, ran and mounted, held by the forest arms up to the sun. Sumac that was somehow like the Indian, that seemed to hold memories of the Indian in the land, grew in each[Pg 13] minute clearing. There arose a little, rustling wind, the ineffable blue air moving lightly. Brown butterflies abounded. The sense grew strong of remoteness, of calm that was not indolence, of beauty gathered and at home.
Miss Darcy moved a little. Marget Land turned toward her. "You feel it, don't you?" "Yes." "They that come feel it. They are drawn. There are centers of integration. This is one. I do not know who started it. Probably many, working in at different times. But now it is in action." "Is that mysticism?" "No. It is fact."
The forest stopped with clean decision. The road ran through fields where the corn had been cut and shocked. The shocks stood in rows like brown wigwams. Daniel and the phaeton came down to a little river, very clear, falling and murmuring over stones above and below a ford, but at the ford a mirror, reflecting autumn hills and heaven. Across the ford stretched a little pebbly beach, crowned with trees and grass, and behind the trees stood a brick house, old-red, not so large as large houses go, but of excellent line. It had a porch with Doric pillars, weather-softened. It stood among fine trees in a small valley shut in on all sides by hills and mountains, all forested to the top. Only the road and the river seemed to have way out and in,[Pg 14] only road and river and air and birds. Valley and colored mountain walls were proportioned, modeled, tinted to some wide and deep artist's taste. The tone was rest without weakness, movement without fury, solitude that had all company.
"How could you help but love it!" said the visiting woman. "I don't try to help it.... If it burned down-if the hills sank and the wood was destroyed-still it would endure, and still I could come here. Now we cross the river. Look at the bright stones and the minnows, gliding, darting!" Up from the river, across the pebbly shore, rose cedars dark and tall. "They are like warders. Only there's nothing, really, to ward out. All things may meet here. We go this way, to the back of the house."
"It feels enchanted." "It is so simple. You might call it meek. There are people who pass who say, 'How lonely!'" They were now at the back of the house, where the road skirted the flower garden. Here was the back door, with three rounded, moss-grown steps of stone. Daniel and the phaeton stood still. The two women left the vehicle. A colored man appeared. "Miss Darcy, this is Mancy. Mancy, this is Miss Darcy, come to stay with us as long as she will." Mancy, tall and spare, with an Indian [Pg 15]great-grandmother, said that he was glad to see her, and took her bags. In the brick kitchen in the yard, Mimy was singing:

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Word Lists:

Ford : a shallow place in a river or stream allowing one to walk or drive across.

Tawny : of an orange-brown or yellowish-brown color

Silky : of or resembling silk, especially in being soft, fine, and lustrous

Autumn : the third season of the year, when crops and fruits are gathered and leaves fall, in the northern hemisphere from September to November and in the southern hemisphere from March to May

Mysticism : belief that union with or absorption into the Deity or the absolute, or the spiritual apprehension of knowledge inaccessible to the intellect, may be attained through contemplation and self-surrender

Diagonal : (of a straight line) joining two opposite corners of a square, rectangle, or other straight-sided shape.

Ineffable : too great or extreme to be expressed or described in words

Colt : a young uncastrated male horse, in particular one less than four years old.

Indolence : avoidance of activity or exertion; laziness

Wigwam : a hut or tent with a domed or conical roof made by fastening bark, hides, or reed mats over a framework of poles (as used traditionally by some North American Indian peoples).

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Rating: A Words in the Passage: 3269 Unique Words: 934 Sentences: 326
Noun: 851 Conjunction: 363 Adverb: 238 Interjection: 10
Adjective: 252 Pronoun: 414 Verb: 566 Preposition: 296
Letter Count: 13,242 Sentiment: Positive / Positive / Positive Tone: Conversational Difficult Words: 462
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