The Box-Car Children

- By Gertrude Chandler Warner
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American author This article is about the children's book author. For the radio actress, see Gertrude Warner. Gertrude Chandler WarnerBorn(1890-04-16)April 16, 1890Putnam, ConnecticutDiedAugust 30, 1979(1979-08-30) (aged 89)ConnecticutNationalityAmericanKnown forThe Boxcar Children book series Gertrude Chandler Warner (April 16, 1890 – August 30, 1979) was an American author, mainly of children's stories. She was most famous for writing the original book of The Boxcar Children and for the next 18 books in the series. Biography[edit] Warner was born on April 16, 1890, in Connecticut, to Edgar Morris Warner and Jane Elizabeth Carpenter Warner. Her family included an older sister, Frances, and a younger brother, John. Her middle name of Chandler came from her mother's ancestors, the Chandlers, who had settled in nearby Woodstock, CT in 1686.[1] Her father Edgar Warner had graduated from Harvard Law School in 1872 and practiced law in Putnam, CT. The Warners' house on Main Street was located across from the railroad station.[2] When she was five, Warner dreamed of being an author. Late, she accomplished that dream and started writing The Boxcar Children. Albert Whitman & Company Retrieved and began writing in ten-cent blank books as soon as she was able to hold a pencil. She wrote an Article on Warner in Something About the Author, Volume 9, ed. Anne Commire, Detroit: Gale Research, 1976, pp. 195–96.</ref> Her first book was an imitation of Florence Kate Upton's Golliwog stories and was titled Golliwog at the Zoo; It "consisted of verses illustrated with watercolors of the two Dutch clocks and the Goliwag. Warner presented this book to her grandfather, and every Christmas afterwards, she would give him a hand-made book as a present. While growing up, Warner loved to read, and her favorite book was Alice's Adventures in Wonderland. Being in a musical family, she was predisposed to play an instrument; in her case, she chose the cello, and her father bought her a cello kit at a young age. However, because of her frequent illnesses, Warner never finished high school. After leaving, she studied with a tutor and finished her secondary education. In 1918, while she was teaching Sunday School, Warner was called to teach first grade, mainly because male teachers were being called to serve in World War I. Warner continued teaching as a grade school teacher in Putnam from 1918 to 1950. Also during this time, she returned to school for education courses at Yale University's summer school. Warner was a lover of nature. While growing up, she had butterfly and moth collections, pressed wildflowers, learned of all the birds in her backyard and other places, and kept a garden to see what butterflies were doing. She used these interests in teaching her grade school students, and also used nature themes in her books. For instance, in the second book of The Boxcar Children Surprise Island, the Alden children make a nature museum from the flowers, shells and seaweed they have collected and the shapes of birds they have observed. One of her students recalled the wildflower and stone-gathering contests that Warner sponsored when she was a teacher. As well as her books in the The Boxcar Children series, Warner wrote many other books for children, including The World in a Barn (1927), Windows into Alaska 1928), The World on a Farm 1931)and Peter Piper, Missionary Parakeet (1967). With her sister, Frances Lester Warner, she cowrote "Life's Minor Collisions," a series of essays about humorous conflicts of temperament among friends and families. The sisters took the essays in turn, Frances writing the odd-numbered pieces and Gertrude the even. Warner never married. She lived in her parents' home for almost 40 years, then moved to her grandmother's house. In 1962, she moved to a brown-shingled house, Jill C. Wheeler, Gertrude Chandler Warner, Abdo Publishing Co, and lived there with her companion, a retired nurse. In her later life, before she died at age 89, Warner became a volunteer for the American Red Cross, a Cancer Society and other charitable organizations to help kids and adults in need from suffering. She is buried in Grove Street Cemetery, in Putnam. The Boxcar Children series[edit] Warner once said that she did much of her writing while convalescing from illnesses or accidents, and that she conceived the idea of The Boxcar Children while sick at home. Of this, she said – "I had to stay at home from school because of an attack of bronchitis. Having written a series of eight books to order for a religious organization, I decided to write a book just to suit myself. What would I like to do? Well, I would like to live in a freight car, or a caboose. I would hang my wash out on the little back piazza and cook my stew on the little rusty stove found in the caboose."[3] This original version of The Boxcar Children was published by Rand McNally and Company in 1924.[4] It included 4 color illustrations by Dorothy Lake Gregory. In 1942, Warner rewrote the book with a prescribed vocabulary of six hundred words and a text of about 15,000 words, so that it could be used as a children's school reader.[3] This edition featured numerous black-and-white silhouette illustrations by L. Kate Deal. Warner continued writing other things, but did not continue with The Boxcar Children series until her retirement from teaching. The second book in the series, Surprise Island, was published in 1949.[5] Warner once acknowledged that The Boxcar Children was criticized for depicting children with little parental supervision; her critics thought that this would encourage child rebellion. Her response was, however, that the children liked it for that very reason.[6] In her books, Warner "liked to stress the Aldens' independence and resourcefulness and their solid New England devotion to using up and making do."[7] Today, Albert Whitman & Company publishes the extremely popular series of Warner's original 19 stories. Other authors have contributed to the series, adding approximately 150 books to The Boxcar Children series.[8] In 2020, Gertrude Chandler Warner's The Box-Car Children, the first book in the series went into the public domain.[9] Boxcar Children Museum[edit] Boxcar at the museum in 2018 On July 3, 2004, the Gertrude Chandler Warner Boxcar Children Museum opened in Putnam, Connecticut. It is located across the street from Warner's childhood home and is housed in an authentic 1920s New Haven R.R. boxcar. The museum is dedicated to Warner's life and work, and includes original signed books, photos and artifacts from her life and career as a teacher in Putman. Included is the desk at which a 9-year-old Warner wrote her first story titled Golliwog at the Zoo. There is also a re-creation of the living space created by the Aldens – the Boxcar Children themselves.[10] See also[edit] Children's literature portal List of Boxcar Children novels References[edit] ^ Mary Ellen Ellsworth, Gertrude Chandler Warner and The Boxcar Children, Chicago: Albert Whitman & Co., 2013, p. 8. ^ Ellsworth, pp. 7–8. ^ a b Article on Warner in Something About the Author, Volume 9, ed. Anne Commire, Detroit: Gale Research, 1976, pp. 195–96. ^ The original version is available here: https://www.gutenberg.org/ebooks/42796 ^ "Gertrude Warner Papers - The de Grummond Children's Literature Collection". The University of Southern Mississippi. 2001. Retrieved 2021-04-14. ^ "The Boxcar Children: A Museum Caper", Gail Braccidiferro, The New York Times, June 20, 2004. ^ This quote taken from the short biography on Warner available in every volume of The Boxcar Children series. ^ "The Boxcar Children Mysteries Archives". Albert Whitman & Company. Retrieved 2021-04-14. ^ Lamberson, Nicole (2020-02-20). "The Lifecycle of Copyright: 1924 Works Enter the Public Domain | Copyright: Creativity at Work". blogs.loc.gov. Retrieved 2021-04-14. ^ "The Gertrude Chandler Warner Boxcar Children Museum". The Gertrude Chandler Warner Boxcar Children Museum. Retrieved 2021-04-14. Further reading[edit] Ellsworth, Mary Ellen; DeJohn, Marie (1997). Gertrude Chandler Warner and the Boxcar Children. A. Whitman. ISBN 978-0807528372. OCLC 35096090. Wheeler, Jill C (2005). Gertrude Chandler Warner. Abdo Pub. ISBN 978-1591976097. OCLC 54372781. External links[edit] Wikisource has original works by or about:Gertrude Chandler Warner Wikimedia Commons has media related to Gertrude Chandler Warner. Library resources about Gertrude Chandler Warner Resources in your library Resources in other libraries By Gertrude Chandler Warner Online books Resources in your library Resources in other libraries Online texts[edit] Works by Gertrude Chandler Warner at Project Gutenberg Works by or about Gertrude Chandler Warner at Internet Archive Works by Gertrude Chandler Warner at LibriVox (public domain audiobooks) Full-Text of the original 1924 version of The Box-Car Children on Gutenberg.org. PDF version of the original 1924 version of The Box-Car Children on Archive.org. Life's Minor Collisions written with Frances Warner. About Warner[edit] Boxcar Children Museum Gertrude Chandler Warner at Find a Grave Gertrude Warner Museum at Putnam, CT at the Wayback Machine (archived August 27, 2014) The Box-Car Children (1924 first edition) Archived 2012-02-03 at the Wayback Machine presentation by a rare books dealer Gertrude Chandler Warner at Library of Congress, with 201 library catalog records Other[edit] Find A Grave Authority control databases International FAST ISNI VIAF National Germany United States Czech Republic Greece People Trove Other SNAC
THE FLIGHT
About seven o'clock one hot summer evening a strange family moved into the little village of Middlesex. Nobody knew where they came from, or who they were. But the neighbors soon made up their minds what they thought of the strangers, for the father was very drunk. He could hardly walk up the rickety front steps of the old tumble-down house, and his thirteen-year-old son had to help him. Toward eight o'clock a pretty, capable-looking girl of twelve came out of the house and bought a loaf of bread at the baker's. And that was all the villagers learned about the newcomers that night.
"There are four children," said the bakeshop woman to her husband the next day, "and their mother is dead. They must have some money, for the girl paid for the bread with a dollar bill."
"Make them pay for everything they get," growled the baker, who was a hard man. "The father is nearly dead with drink now, and soon they will be only beggars."
This happened sooner than he thought. The next day the oldest boy and girl came to ask the bakeshop woman to come over. Their father was dead.
She went over willingly enough, for someone had to go. But it was clear that she did not expect to be bothered with four strange children, with the bakery on her hands and two children of her own.
"Haven't you any other folks?" she asked the children. "We have a grandfather in Greenfield," spoke up the youngest child before his sister could clap her hand over his mouth.
"Hush, Benny," she said anxiously. This made the bakeshop woman suspicious. "What's the matter with your grandfather?" she asked.
"He doesn't like us," replied the oldest boy reluctantly. "He didn't want my father to marry my mother, and if he found us he would treat us cruelly."
"Did you ever see him?" "Jess has. Once she saw him." "Well, did he treat you cruelly?" asked the woman, turning upon Jess.
"Oh, he didn't see me," replied Jess. "He was just passing through our-where we used to live-and my father pointed him out to me."
"Where did you use to live?" went on the questioner. But none of the children could be made to tell. "We will get along all right alone, won't we, Henry?" declared Jess. "Indeed we will!" said Henry. "I will stay in the house with you tonight," said the woman at last, "and tomorrow we will see what can be done."
The four children went to bed in the kitchen, and gave the visitor the only other bed in the house. They knew that she did not at once go to bed, but sat by the window in the dark. Suddenly they heard her talking to her husband through the open window.
"They must go to their grandfather, that's certain," Jess heard her say. "Of course," agreed her husband. "Tomorrow we will make them tell us what his name is." Soon after that Jess and Henry heard her snoring heavily. They sat up in the dark.
"Mustn't we surely run away?" whispered Jess in Henry's ear. "Yes!" whispered Henry. "Take only what we need most. We must be far off before morning, or they will catch us." Jess sat still for a moment, thinking, for every motion she made must count.
"I will take both loaves of bread," she thought, "and Violet's little workbag. Henry has his knife. And all Father's money is in my pocket." She drew it out and counted it in the dark, squinting her eyes in the faint light of the moon. It amounted to nearly four dollars.
"You'll have to carry Benny until he gets waked up," whispered Jess. "If we wake him up here, he might cry." She touched Violet as she spoke. "Sh! Violet! Come! We're going to run away," she whispered.
The little girl made no sound. She sat up obediently and tried to make out the dim shadow of her sister. "What shall I do?" she said, light as a breath. "Carry this," said Jess, handing her the workbag and a box of matches.
Jess tiptoed over to the tin box on the table, drew out the two loaves of bread, and slipped them into the laundry bag. She peered around the room for the last time, and then dropped two small clean towels and a cake of soap into the bag. "All right. Pick him up," she said to Henry.
Henry bent over the sleeping child and lifted him carefully. Jess took the laundry bag, turned the doorknob ever so softly, opened the door ever so slowly, and they tiptoed out in a ghostly procession. Jess shut the door with as much care as she had opened it, listened to the bakeshop woman's heavy snoring for a moment, and then they turned and picked their way without a sound to the country road.
"She may wake up before morning, you know," whispered Henry. "We must do our fastest walking before then. If we can only get to another town before they find out we're gone, they won't know which way to go."
Jess agreed, and they all walked briskly along in the faint moonlight. "How far can you carry Benny?" asked Violet. "Oh, at least a mile," said Henry confidently, although his arms were beginning to ache. Benny was five years old, and he was a fat, healthy boy as well.
"I think we could all walk faster if we woke him up," said Jess decidedly. "We could each take his hand and almost carry him along." Henry knelt by the roadside and set the little fellow against his knee. "Come, Benny, you must wake up now and walk!" said Jess coaxingly.
"Go away!" Benny mumbled with his eyes shut, trying to lie down again. "Let me try," Violet offered softly. "Say, Benny, you know little Cinnamon Bear ran away to find a nice warm bed for the winter? Now, you play you're Cinnamon, and Henry and Jess will help you along, and we'll find a bed."
Violet's little plan worked. Benny was never too cross to listen to the wonderful stories his sister Violet could tell about Cinnamon Bear. He stood up bravely and marched along, yawning, while his big brother and sister almost swung him between them.
Not a soul passed them on the country road. All the houses they saw were dark and still. And when the first faint streaks of morning light showed in the sky, all four children were almost staggering with sleep.
"I must go to sleep, Henry," murmured Jess at last. Little Benny was asleep already, and Henry was carrying him again. "The first place we come to, then," panted Henry. Violet said nothing, but she kept her eyes open.
Finally she caught Henry's sleeve. "Couldn't we make that haystack do?" she asked, pointing across a newly mown field. "Indeed we could," said Henry thankfully. "What a big, enormous one it is! I was too sleepy to see it, I guess."
"And see how far away from the farmhouse and barn it is, too!" echoed Jess. The sight gave them new courage. They climbed over two stone walls, got across a brook somehow with the heavy child, and arrived at the haystack.
Henry laid his brother down and stretched his aching arms, while Jess began to burrow into the haystack. Violet, after a moment of watching her, did the same. "Here's his nest," said Jess sleepily, taking her head out of the deep round hole she had made. Henry lifted the child into the opening and was pleased to see that he curled up instantly, smiling in his sleep.
Jess pulled wisps of hay over the opening so that it was absolutely invisible, and then proceeded to dig out a similar burrow for herself. "We can stay here just-as long-as we like, can't we, Henry?" she murmured, digging with her eyes shut.
"We sure can," replied Henry. "You're an old brick, Jess. Get in, and I'll pull the hay over the hole." Violet was already curled up in her nest, which was hidden so completely that Henry spoke to her to see if she were there. Then he wriggled himself backward into the haycock without stopping to hollow it out, pulled a handful of hay over his head, and laid his head on his arm.
Just as he did so he heard a heavy voice say, "Now, then, lass, git along!" Then he heard the rumble of a milk wagon coming down a near-by lane, and he realized thankfully that they had hidden themselves just before the first farmer in the neighborhood had set off toward Middlesex with his milk cans.
"He will say he didn't meet us coming this way," thought Henry, "so they will hunt for us the other way. And that will give us time to cover a lot more ground." He dropped asleep just as the roosters all over the valley began to answer each other.

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Word Lists:

Burrow : a hole or tunnel dug by a small animal, especially a rabbit, as a dwelling.

Rickety : (of a structure or piece of equipment) poorly made and likely to collapse

Wisp : a small thin or twisted bunch, piece, or amount of something

Squint : look at someone or something with one or both eyes partly closed in an attempt to see more clearly or as a reaction to strong light

Wriggle : twist and turn with quick writhing movements

Mumble : say something indistinctly and quietly, making it difficult for others to hear

Wake : emerge or cause to emerge from a state of sleep; stop sleeping

Ghostly : of or like a ghost in appearance or sound; eerie and unnatural

Staggering : deeply shocking; astonishing

Aching : sore; throbbing with pain

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Additional Information:

Rating: A Words in the Passage: 1515 Unique Words: 534 Sentences: 133
Noun: 353 Conjunction: 118 Adverb: 131 Interjection: 9
Adjective: 80 Pronoun: 205 Verb: 286 Preposition: 154
Letter Count: 6,266 Sentiment: Positive / Positive / Positive Tone: Conversational Difficult Words: 211
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