MIDAS

- By Thomas Bulfinch
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American compiler of mythologies (1796–1867) Thomas BulfinchBorn(1796-07-15)July 15, 1796Newton, MassachusettsDiedMay 27, 1867(1867-05-27) (aged 70)Boston, MassachusettsOccupationBanker, writerNationalityAmericanSubjectMythology and Fable Thomas Bulfinch (July 15, 1796 – May 27, 1867[1]) was an American author born in Newton, Massachusetts, known best for Bulfinch's Mythology, a posthumous combination of his three volumes of mythologies. Life[edit] Bulfinch belonged to a well-educated merchant family of modest means.[2] His father was Charles Bulfinch, the architect of the Massachusetts State House in Boston and parts of the U.S. Capitol in Washington, D.C. Bulfinch attended Boston Latin School, Phillips Exeter Academy and Harvard College, from which he graduated in 1814. His main career was with the Merchants' Bank of Boston. Bulfinch's Mythology[edit] Bulfinch published a reorganized version of the biblical book of Psalms to illustrate the history of the Hebrews. However, he is known best as the author of Bulfinch's Mythology, an 1881 compilation of his three previous works: The Age of Fable, or Stories of Gods and Heroes (1855) The Age of Chivalry, or Legends of King Arthur (1858) Legends of Charlemagne, or Romance of the Middle Ages (1863) Bulfinch's Mythology is a classic work of popularized mythology, the standard for more than a century and still in print. The compilation, assembled posthumously by Edward Everett Hale, includes various stories belonging to the mythological traditions known as the Matter of Rome, the Matter of Britain and the Matter of France, respectively. Bulfinch wrote in his preface: "Our work is not for the learned, nor for the theologian, nor for the philosopher, but for the reader of English literature, of either sex, who wishes to comprehend the allusions so frequently made by public speakers, lecturers, essayists, and poets, and those which occur in polite conversation." The original volume was dedicated to Henry Wadsworth Longfellow, and Bulfinch described it on the title page as an "attempt to popularize mythology and extend the enjoyment of elegant literature". In his preface he outlined his purpose, which was "an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement. We have endeavored to tell them correctly, according to the ancient authorities, so that when the reader finds them referred to he may not be at a loss to recognize the reference. Thus we hope to teach mythology not as a study, but as a relaxation from study; to give our work the charm of a story-book, yet by means of it to impart a knowledge of an important branch of education. The index at the end will adapt it to the purposes of a reference, and make it a Classical Dictionary for the parlor." His obituary noted that the contents were "expurgated of all that would be offensive". The versions Bulfinch gives for the classical myths are those in Ovid and Virgil. His Norse myths are abridged from a work by Paul Henri Mallet (1730–1807), a professor at Geneva, translated by Bishop Thomas Percy as Northern Antiquities[3] (London, 1770, often reprinted). Bulfinch's versions of these myths are still being taught in many American public schools. Marie Sally Cleary, in The Bulfinch Solution: Teaching the Ancient Classics in American Schools (1990), describes the book in the context of "democratizing" classical culture for a wider American antebellum readership. The Bulfinch retellings were largely superseded in American high schools by Edith Hamilton's works on mythology, which were based directly on classical Greek texts.[4] Notes[edit] ^ His obituary is printed in full in Marie Cleary, “A Book of Decided Usefulness: Thomas Bulfinch’s ‘The Age of Fable,’” The Classical Journal 75.3 (February 1980) (pp. 248-249). ^ "Literary King's Chapel". KING'S CHAPEL. Retrieved 2022-04-18. ^ In full, Northern Antiquities: or, a Description of the Manners, Customs, Religion and Laws of the Ancient Danes, And Other Northern Nations; Including Those of Our Own Saxon ancestors. With a translation of the Edda, or system of runic mythology, and other pieces, from the ancient Islandic tongue. (London, 1770). ^ Cleary 1980:248. References[edit] Marie Sally Cleary, Myths for the Millions. Thomas Bulfinch, His America, and His Mythology Book. Kulturtransfer und Geschlechterforschung, 4. Frankfurt am Main: Peter Lang, 2007. pp. xvi, 414. External links[edit] Thomas Bulfinch at the Database of Classical Scholars Works by or about Thomas Bulfinch at Wikisource Works by Thomas Bulfinch in eBook form at Standard Ebooks Works by Thomas Bulfinch at Project Gutenberg Works by or about Thomas Bulfinch at Internet Archive Works by Thomas Bulfinch at LibriVox (public domain audiobooks) The Age Of Fable. Fully illustrated at the Wayback Machine (archived February 6, 2010) The three works of Bulfinch's Mythology at The University of Adelaide Library Thomas Bulfinch at Find a Grave Authority control databases International FAST ISNI VIAF National Norway Spain Germany Israel Belgium United States Latvia Japan Czech Republic Australia Korea Croatia Netherlands Portugal Academics CiNii People Trove Other SNAC IdRef

MIDAS

"one day when king midas was bored he took a walk in the garden..." by sparkleice is licensed under CC by-NC-ND 2.0.

Bacchus, on a certain occasion, found his old schoolmaster and foster-father, Silenus, missing. The old man had been drinking, and in that state wandered away, and was found by some peasants, who carried him to their king, Midas. Midas recognized him, and treated him hospitably, entertaining him for ten days and nights with an unceasing round of jollity.

On the eleventh day he brought Silenus back, and restored him in safety to his pupil. Whereupon Bacchus offered Midas his choice of a reward, whatever he might wish. He asked that whatever he might touch should be changed into gold. Bacchus consented, though sorry that he had not made a better choice.

Midas went his way, rejoicing in his new-acquired power, which he hastened to put to the test. He could scarce believe his eyes when he found a twig of an oak, which he plucked from the branch, become gold in his hand. He took up a stone; it changed to gold. He touched a sod; it did the same. He took up an apple from the tree; you would have thought he had robbed the garden of the Hesperides. His joy knew no bounds, and as soon as he got home, he ordered the servants to set a splendid repast on the table. Then he found to his dismay that whether he touched bread, it hardened in his hand; or put a morsel to his lip, it defied his teeth. He took a glass of wine, but it flowed down his throat like melted gold.

In consternation at the unprecedented affliction, he strove to divest himself of his power; he hated the gift he had lately coveted. But all in vain; starvation seemed to await him. He raised his arms, all shining with gold, in prayer to Bacchus, begging to be delivered from his glittering destruction. Bacchus, merciful deity, heard and consented. "Go," said he, "to River Pactolus, trace its fountain-head, there plunge yourself and body in, and wash away your fault and its punishment." He did so, and scarce had he touched the waters before the gold-creating power passed into them, and the river sands became changed into gold, as they remain to this day.

Thenceforth Midas, hating wealth and splendour, dwelt in the country, and became a worshipper of Pan, the god of the fields…

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GRADE:9

Additional Information:

Rating: B Words in the Passage: 930 Unique Words: 212 Sentences: 22
Noun: 101 Conjunction: 32 Adverb: 15 Interjection: 0
Adjective: 26 Pronoun: 61 Verb: 81 Preposition: 46
Letter Count: 1,700 Sentiment: Positive Tone: Conversational Difficult Words: 99
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