EXCERPT FROM PETER PAN: "WHEN WENDY GREW UP"

- By J.M. Barrie
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British novelist and playwright (1860–1937) SirJ. M. BarrieBt OMPortrait by Herbert Rose Barraud, 1892BornJames Matthew Barrie(1860-05-09)9 May 1860Kirriemuir, Angus, ScotlandDied19 June 1937(1937-06-19) (aged 77)London, EnglandResting placeKirriemuir Cemetery, AngusOccupationNovelistplaywrightEducationGlasgow AcademyForfar AcademyDumfries AcademyAlma materUniversity of EdinburghPeriodVictorianEdwardianGenreChildren's literaturedramafantasyNotable worksThe Little White BirdPeter PanThe Admirable CrichtonSpouse Mary Ansell ​ ​(m. 1894; div. 1909)​ChildrenGuardian of the Llewelyn Davies boysSignatureWebsitejmbarrie.co.ukjmbarriesociety.co.uk Sir James Matthew Barrie, 1st Baronet, OM (/ˈbæri/; 9 May 1860 – 19 June 1937) was a Scottish novelist and playwright, best remembered as the creator of Peter Pan. He was born and educated in Scotland and then moved to London, where he wrote several successful novels and plays. There he met the Llewelyn Davies boys, who inspired him to write about a baby boy who has magical adventures in Kensington Gardens (first included in Barrie's 1902 adult novel The Little White Bird), then to write Peter Pan, or The Boy Who Wouldn't Grow Up, a 1904 West End "fairy play" about an ageless boy and an ordinary girl named Wendy who have adventures in the fantasy setting of Neverland. Although he continued to write successfully, Peter Pan overshadowed his other work, and is credited with popularising the name Wendy.[1] Barrie unofficially adopted the Davies boys following the deaths of their parents. Barrie was made a baronet by George V on 14 June 1913,[2] and a member of the Order of Merit in the 1922 New Year Honours.[3] Before his death, he gave the rights to the Peter Pan works to Great Ormond Street Hospital for Children in London, which continues to benefit from them. Childhood and adolescence[edit] James Matthew Barrie was born in Kirriemuir, Angus, to a conservative Calvinist family. His father, David Barrie, was a modestly successful weaver. His mother, Margaret Ogilvy, assumed her deceased mother's household responsibilities at the age of eight. Barrie was the ninth child of ten (two of whom died before he was born), all of whom were schooled in at least the three Rs in preparation for possible professional careers.[4] He was a small child and drew attention to himself with storytelling.[5] He grew to only 5 ft 31⁄2 in. (161 cm) according to his 1934 passport.[6] When James Barrie was six years old, his elder brother David (their mother's favourite) died in an ice-skating accident on the day before his 14th birthday.[7] This left his mother devastated, and Barrie tried to fill David's place in his mother's attentions, even wearing David's clothes and whistling in the manner that he did. One time, Barrie entered her room and heard her say, "Is that you?" "I thought it was the dead boy she was speaking to", wrote Barrie in his biographical account of his mother Margaret Ogilvy (1896) "and I said in a little lonely voice, 'No, it's no' him, it's just me.'" Barrie's mother found comfort in the fact that her dead son would remain a boy forever, never to grow up and leave her.[8] Eventually, Barrie and his mother entertained each other with stories of her brief childhood and books such as Robinson Crusoe, works by fellow Scotsman Walter Scott, and The Pilgrim's Progress.[9] At the age of eight, Barrie was sent to the Glasgow Academy in the care of his eldest siblings, Alexander and Mary Ann, who taught at the school. When he was 10, he returned home and continued his education at the Forfar Academy. At 14, he left home for Dumfries Academy, again under the watch of Alexander and Mary Ann. He became a voracious reader and was fond of penny dreadfuls and the works of Robert Michael Ballantyne and James Fenimore Cooper. At Dumfries, he and his friends spent time in the garden of Moat Brae house, playing pirates "in a sort of Odyssey that was long afterwards to become the play of Peter Pan".[10][11] They formed a drama club, producing his first play Bandelero the Bandit, which provoked a minor controversy following a scathing moral denunciation from a clergyman on the school's governing board.[9] Literary career[edit] Barrie in 1892 Barrie knew that he wished to follow a career as an author. However, his family attempted to persuade him to choose a profession such as the ministry. With advice from Alexander, he was able to work out a compromise: he would attend a university but would study literature.[12] Barrie enrolled at the University of Edinburgh where he wrote drama reviews for the Edinburgh Evening Courant. He graduated and obtained an M.A. on 21 April 1882.[12] Following a job advertisement found by his sister in The Scotsman, he worked for a year and a half as a staff journalist on the Nottingham Journal.[12] Back in Kirriemuir, he submitted a piece to the St. James's Gazette, a London newspaper, using his mother's stories about the town where she grew up (renamed "Thrums"). The editor "liked that Scotch thing" so well that Barrie ended up writing a series of these stories.[9] They served as the basis for his first novels: Auld Licht Idylls (1888), A Window in Thrums (1889),[13] and The Little Minister (1891). Some of Barrie's novels The stories depicted the "Auld Lichts", a strict religious sect to which his grandfather had once belonged.[14] Modern literary criticism of these early works has been unfavourable, tending to disparage them as sentimental and nostalgic depictions of a parochial Scotland, far from the realities of the industrialised 19th century, seen as characteristic of what became known as the Kailyard School.[15] Despite, or perhaps because of, this, they were popular enough at the time to establish Barrie as a successful writer.[14] Following that success, he published Better Dead (1888) privately and at his own expense, but it failed to sell.[16] His two "Tommy" novels, Sentimental Tommy (1896) and Tommy and Grizel (1900), were about a boy and young man who clings to childish fantasy, with an unhappy ending. The English novelist George Gissing read the former in November 1896 and wrote that he "thoroughly dislike[d it]".[17] Meanwhile, Barrie's attention turned increasingly to works for the theatre, beginning with a biography of Richard Savage, written by Barrie and H. B. Marriott Watson; it was performed only once and critically panned. He immediately followed this with Ibsen's Ghost, or Toole Up-to-Date (1891), a parody of Henrik Ibsen's dramas Hedda Gabler and Ghosts.[14] Ghosts had been unlicensed in the UK until 1914,[18] but had created a sensation at the time from a single "club" performance. Peter Pan statue (1912) by Sir George Frampton in Kensington Gardens, London The production of Ibsen's Ghost at Toole's Theatre in London was seen by William Archer, the translator of Ibsen's works into English. Apparently comfortable with the parody, he enjoyed the humour of the play and recommended it to others. Barrie's third play Walker, London (1892) resulted in his being introduced to a young actress named Mary Ansell. He proposed to her and they were married on 9 July 1894. Barrie bought her a Saint Bernard puppy, Porthos, who played a part in the 1902 novel The Little White Bird. He used Ansell's first name for many characters in his novels.[14] Barrie also authored Jane Annie, a comic opera for Richard D'Oyly Carte (1893), which failed; he persuaded Arthur Conan Doyle to revise and finish it for him. In 1901 and 1902, he had back-to-back successes; Quality Street was about a respectable, responsible old maid who poses as her own flirtatious niece to try to win the attention of a former suitor returned from the war. The Admirable Crichton was a critically acclaimed social commentary with elaborate staging, about an aristocratic family and their household servants whose social order is inverted after they are shipwrecked on a desert island. Max Beerbohm thought it "quite the best thing that has happened, in my time, to the British theatre".[19] The character of "Peter Pan" first appeared in The Little White Bird. The novel was published in the UK by Hodder & Stoughton in 1902, and serialised in the US in the same year in Scribner's Magazine.[20] Barrie's more famous and enduring work Peter Pan, or The Boy Who Wouldn't Grow Up had its first stage performance on 27 December 1904 at the West End’s Duke of York's Theatre.[21] This play introduced audiences to the name Wendy; it was inspired by a young girl named Margaret Henley who called Barrie "Friendy", but could not pronounce her Rs very well. The Bloomsbury scenes show the societal constraints of late Victorian and Edwardian middle class domestic reality, contrasted with Neverland, a world where morality is ambivalent. George Bernard Shaw described the play as "ostensibly a holiday entertainment for children but really a play for grown-up people", suggesting deeper social metaphors at work in Peter Pan. Barrie had a long string of successes on the stage after Peter Pan, many of which discuss social concerns, as Barrie continued to integrate his work and his beliefs. The Twelve Pound Look (1910) concerns a wife leaving her 'typical' husband once she can gain an independent income. Other plays, such as Mary Rose (1920) and Dear Brutus (1917), revisit the idea of the ageless child and parallel worlds. Barrie was involved in the 1909 and 1911 attempts to challenge the censorship of the theatre by the Lord Chamberlain, along with a number of other playwrights.[22] In 1911, Barrie developed the Peter Pan play into the novel Peter and Wendy. In April 1929, Barrie gave the copyright of the Peter Pan works to Great Ormond Street Hospital, a leading children's hospital in London. The current status of the copyright is somewhat complex. His final play was The Boy David (1936), which dramatised the Biblical story of King Saul and the young David. Like the role of Peter Pan, that of David was played by a woman, Elisabeth Bergner, for whom Barrie wrote the play.[23] Social connections[edit] Sir James Barrie, around 1895 Barrie moved in literary circles and had many famous friends in addition to his professional collaborators. Novelist George Meredith was an early social patron. He had a long correspondence with fellow Scot Robert Louis Stevenson, who lived in Samoa at the time. Stevenson invited Barrie to visit him, but the two never met.[24] [25] He was also friends with fellow Scots writer S. R. Crockett. George Bernard Shaw was his neighbour in London for several years, and once participated in a Western that Barrie scripted and filmed. H. G. Wells was a friend of many years, and tried to intervene when Barrie's marriage fell apart. Barrie met Thomas Hardy through Hugh Clifford while he was staying in London.[25] He was friends with Nobel prize winner John Galsworthy.[26] Barrie remained tied to his Scottish roots and visited his hometown of Kirriemuir regularly with his wards. When choosing his first personal secretary, Barrie chose E. V. Lucas's wife, Elizabeth Lucas, who had Scottish roots through her American parentage.[27] After Elizabeth Lucas moved to Paris, France, Barrie chose Cynthia Asquith as his personal secretary. After the First World War, Barrie sometimes stayed at Stanway House near the village of Stanway in Gloucestershire. He paid for the pavilion at Stanway cricket ground.[28] In 1887, he founded an amateur cricket team for friends of similarly limited playing ability, and named it the Allahakbarries under the mistaken belief that "Allah akbar" meant "Heaven help us" in Arabic (rather than "God is great").[29] Some of the best known British authors from the era played on the team at various times, including H. G. Wells, Rudyard Kipling, Arthur Conan Doyle, P. G. Wodehouse, Jerome K. Jerome, G. K. Chesterton, A. A. Milne, E. W. Hornung, A. E. W. Mason, Walter Raleigh, E. V. Lucas, Maurice Hewlett, Owen Seaman (editor of Punch), Bernard Partridge, George Cecil Ives, George Llewelyn Davies (see below) and the son of Alfred Tennyson. In 1891, Barrie joined the newly formed Authors Cricket Club and also played for its cricket team, the Authors XI, alongside Doyle, Wodehouse and Milne. The Allahakbarries and the Authors XI continued to exist side by side until 1912.[9][30] Barrie befriended Africa explorer Joseph Thomson and Antarctica explorer Robert Falcon Scott.[31] He was godfather to Scott's son Peter,[32] and was one of the seven people to whom Scott wrote letters in the final hours of his life during his expedition to the South Pole, asking Barrie to take care of his wife Kathleen and son Peter. Barrie was so proud of the letter that he carried it around for the rest of his life.[33] In 1896, his agent Addison Bright persuaded him to meet with Broadway producer Charles Frohman, who became his financial backer and a close friend, as well.[34] Frohman was responsible for producing the debut of Peter Pan in both England and the US, as well as other productions of Barrie's plays. He famously declined a lifeboat seat when the RMS Lusitania was sunk by a German U-boat in the North Atlantic. Actress Rita Jolivet stood with Frohman, George Vernon and Captain Alick Scott at the end of Lusitania's sinking, but she survived the sinking and recalled Frohman paraphrasing Peter Pan: 'Why fear death? It is the most beautiful adventure that life gives us.'[35] His secretary from 1917, Cynthia Asquith, was the daughter-in-law of H. H. Asquith, British Prime Minister from 1908 to 1916.[36] In the 1930s, Barrie met and told stories to the young daughters of the Duke of York, the future Queen Elizabeth II and Princess Margaret.[36] After meeting him, the three-year-old Princess Margaret announced, "He is my greatest friend and I am his greatest friend".[25] Marriage[edit] Blue plaque on 100 Bayswater Road, London where Barrie lived and wrote Peter Pan Barrie became acquainted with actress Mary Ansell in 1891, when he asked his friend Jerome K. Jerome for a pretty actress to play a role in his play Walker, London. The two became friends, and she helped his family to care for him when he fell very ill in 1893 and 1894.[9] They married in Kirriemuir on 9 July 1894,[37] shortly after Barrie recovered, and Mary retired from the stage. The wedding was a small ceremony in his parents' home, in the Scottish tradition.[38] The relationship was reportedly unconsummated, and the couple had no children.[39] In 1895, the Barries bought a house on Gloucester Road, in South Kensington.[40] Barrie would take long walks in nearby Kensington Gardens, and in 1900 the couple moved into a house directly overlooking the gardens at 100 Bayswater Road. Mary had a flair for interior design and set about transforming the ground floor, creating two large reception rooms with painted panelling and adding fashionable features, such as a conservatory.[41] In the same year, Mary found Black Lake Cottage at Farnham in Surrey, which became the couple's "bolt hole" where Barrie could entertain his cricketing friends and the Llewelyn Davies family.[42] Beginning in mid-1908, Mary had an affair with Gilbert Cannan (who was twenty years younger than she[43] and an associate of Barrie in his anti-censorship activities), including a visit together to Black Lake Cottage, known only to the house staff. When Barrie learned of the affair in July 1909, he demanded that she end it, but she refused. To avoid the scandal of divorce, he offered a legal separation if she would agree not to see Cannan any more, but she still refused. Barrie sued for divorce on the grounds of infidelity; the divorce was granted in October 1909.[44][45] Knowing how painful the divorce was for him, some of Barrie's friends wrote to a number of newspaper editors asking them not to publish the story. In the event, only three newspapers did.[46][47] Barrie continued to support Mary financially even after she married Cannan, by giving her an annual allowance, which was handed over at a private dinner held on her and Barrie's wedding anniversary.[43] Llewelyn Davies family[edit] Jack Llewelyn Davies acting in Barrie's pirate adventure, The Boy Castaways of Black Lake Island, 1901 The Llewelyn Davies family played an important part in Barrie's literary and personal life, consisting of Arthur (1863–1907), Sylvia (1866–1910) (daughter of George du Maurier),[48] and their five sons: George (1893–1915), John (Jack) (1894–1959), Peter (1897–1960), Michael (1900–1921) and Nicholas (Nico) (1903–1980). Barrie became acquainted with the family in 1897, meeting George and Jack (and baby Peter) with their nurse (nanny) Mary Hodgson in London's Kensington Gardens. He lived nearby and often walked his Saint Bernard dog Porthos in the park. He entertained the boys regularly with his ability to wiggle his ears and eyebrows, and with his stories.[49] He did not meet Sylvia until a chance encounter at a dinner party in December. She told Barrie that Peter had been named after the title character in her father's novel, Peter Ibbetson.[50] Michael Llewelyn Davies as Peter Pan, 1906. Photo was taken by Barrie at Cudlow House in Rustington, West Sussex Barrie became a regular visitor at the Davies household and a common companion to Sylvia and her boys, despite the fact that both he and she were married to other people.[6] In 1901, he invited the Davies family to Black Lake Cottage, where he produced an album of captioned photographs of the boys acting out a pirate adventure, entitled The Boy Castaways of Black Lake Island. Barrie had two copies made, one of which he gave to Arthur, who misplaced it on a train.[51] The only surviving copy is held at the Beinecke Rare Book and Manuscript Library at Yale University.[52] The character of Peter Pan was invented to entertain George and Jack. Barrie would say, to amuse them, that their little brother Peter could fly. He claimed that babies were birds before they were born; parents put bars on nursery windows to keep the little ones from flying away. This grew into a tale of a baby boy who did fly away.[53] Barrie’s Saint Bernard dog Porthos in 1899 Arthur Llewelyn Davies died in 1907, and "Uncle Jim" became even more involved with the Davies family, providing financial support to them. (His income from Peter Pan and other works was easily adequate to provide for their living expenses and education.)[54] Following Sylvia's death in 1910, Barrie claimed that they had recently been engaged to be married.[55] Her will indicated nothing to that effect but specified her wish for "J. M. B." to be trustee and guardian to the boys, along with her mother Emma, her brother Guy du Maurier and Arthur's brother Compton. It expressed her confidence in Barrie as the boys' caretaker and her wish for "the boys to treat him (& their uncles) with absolute confidence & straightforwardness & to talk to him about everything."[56] When copying the will informally for Sylvia's family a few months later, Barrie inserted himself elsewhere: Sylvia had written that she would like Mary Hodgson, the boys' nurse, to continue taking care of them, and for "Jenny" (referring to Hodgson's sister) to come and help her; Barrie instead wrote, "Jimmy" (Sylvia's nickname for him).[57] Barrie and Hodgson did not get along well but served together as surrogate parents until the boys were grown.[58] Barrie also had friendships with other children, both before he met the Davies boys and after they had grown up, and there has since been unsubstantiated speculation that Barrie was a paedophile.[59][60] One source for the speculation is a scene in the novel The Little White Bird, in which the protagonist helps a small boy undress for bed, and at the boy's request they sleep in the same bed.[61] However, there is no evidence that Barrie had sexual contact with children, nor that he was suspected of it at the time. Nico, the youngest of the brothers, denied as an adult that Barrie ever behaved inappropriately. "I don't believe that Uncle Jim ever experienced what one might call 'a stirring in the undergrowth' for anyone—man, woman, or child", he stated.[62] "He was an innocent—which is why he could write Peter Pan."[63] His relationships with the surviving Davies boys continued well beyond their childhood and adolescence. The Peter Pan statue in Kensington Gardens, erected secretly overnight for May Morning in 1912, was supposed to be modelled upon old photographs of Michael dressed as the character. However, the sculptor, Sir George Frampton, used a different child as a model, leaving Barrie disappointed with the result. "It doesn't show the devil in Peter", he said.[64] Barrie suffered bereavements with the boys, losing the two to whom he was closest in their early twenties. George was killed in action in 1915, in the First World War.[65] Michael, with whom Barrie corresponded daily while at boarding school and university, drowned in 1921, with his friend, Rupert Buxton,[66] at a known danger spot at Sandford Lock near Oxford, one month short of his 21st birthday.[67] Some years after Barrie's death, Peter compiled his Morgue from family letters and papers, interpolated with his own informed comments on his family and their relationship with Barrie. Peter died in 1960 by throwing himself in front of an Underground train at Sloane Square station. Death[edit] Gravestone of J. M. Barrie in Kirriemuir Cemetery Barrie died of pneumonia at a nursing home in Manchester Street, Marylebone on 19 June 1937.[68] He was buried at Kirriemuir next to his parents and two of his siblings.[69] His birthplace at 9 Brechin Road is maintained as a museum by the National Trust for Scotland.[70] Barrie left the bulk of his estate to his secretary Lady Cynthia Asquith, but excluding the rights to all Peter Pan works (which included The Little White Bird, Peter Pan in Kensington Gardens, the play Peter Pan, or The Boy Who Would Not Grow Up and the novel Peter and Wendy), whose copyright he had previously given to Great Ormond Street Hospital in London. The surviving Llewelyn Davies boys received legacies, and he made provisions for his former wife Mary Ansell to receive an annuity during her lifetime.[6] His will also left £500 to the Bower Free Church in Caithness to mark the memory of Rev James Winter who was to have married Barrie's sister in June 1892 but was killed in a fall from his horse in May 1892. Barrie had several connections to the Free Church of Scotland, including his maternal uncle Rev David Ogilvy (1822–1904), who was minister of Dalziel Church in Motherwell.[71] James and his brother William Winter (also a Free Church minister) were both born in Cortachy the sons of Rev William Winter. Cortachy is just west of Kirriemuir and the Winters seem closely connected to the Ogilvy family.[72] Biographies[edit] Books[edit] Hammerton, J. A. (1929). Barrie: the Story of a Genius. New York: Dodd, Mead & Company. Darlington, W. A. (1938). J. M. Barrie. London and Glasgow: Blackie & Son. ISBN 0-8383-1768-5. Chalmers, Patrick (1938). The Barrie Inspiration. Peter Davies. ISBN 978-1-4733-1220-3. Mackail, Denis (1941). Barrie: The Story of J. M. B. New York: C. Scribner's Sons. ISBN 0-8369-6734-8. Dunbar, Janet (1970). J. M. Barrie: The Man Behind the Image. London: Collins. ISBN 0-00-211384-8. Birkin, Andrew (2003). J. M. Barrie and the Lost Boys: The Real Story Behind Peter Pan (Revised ed.). Yale University Press. ISBN 978-0-300-09822-8. Chaney, Lisa (2006). Hide-and-Seek with Angels: A Life of J. M. Barrie. Arrow. ISBN 978-0-09-945323-9. Dudgeon, Piers (2009). Captivated: J. M. Barrie, the du Mauriers & the Dark Side of Neverland. Vintage Books. ISBN 978-0-09-952045-0. Telfer, Kevin (2010). Peter Pan's First XI: The Extraordinary Story of J. M. Barrie's Cricket Team. Sceptre. ISBN 978-0-340-91945-3. Ridley, Rosalind (2016). Peter Pan and the Mind of J. M. Barrie: An Exploration of Cognition and Consciousness. Cambridge Scholars Publishing. ISBN 978-1-4438-9107-3. Dudgeon, Piers (2016). J. M. Barrie and the Boy Who Inspired Him. Thomas Dunne Books. ISBN 978-1-250-08779-9. Journal[edit] Stokes, Sewell (November 1941). "James M Barrie". New York Theatre Arts Inc. 25 (11): 845–848. Film, television and stage[edit] The Lost Boys (1978). Ian Holm (as J.M. Barrie), Andrew Birkin (writer). BBC. The Man Who Was Peter Pan (1998) is a play by Allan Knee, a semi-biographical version of Barrie's life and relationship with the Llewelyn Davies family. Finding Neverland (2004) with Johnny Depp (as J.M. Barrie), Kate Winslet (Sylvia Llewelyn Davies), Marc Forster (director), based on Allan Knee's play. The Boy James (2012) by Alexander Wright (of Belt Up Theatre), is a one act play inspired by his life and work. Finding Neverland (2012) by Diane Paulus, is a musical about the creation of Peter Pan based on the film and starring Matthew Morrison and Laura Michelle Kelly. Honours[edit] Personal[edit] Barrie was appointed a baronet by King George V in 1913. He was made a member of the Order of Merit in 1922. In 1919 he was elected Rector of the University of St Andrews for a three-year term. In 1922 he delivered his celebrated Rectorial Address on Courage at St Andrews, and visited University College Dundee with Earl Haig to open its new playing fields, with Barrie bowling a few balls to Haig.[73] He served as Chancellor of the University of Edinburgh from 1930 to 1937.[74] Barrie was the only person to receive the Freedom of Kirriemuir in a ceremony on 7 June 1930 in Kirriemuir Town Hall where he was presented with a silver casket containing the freedom scroll. The casket was made by silversmiths Brook & Son in Edinburgh in 1929 and is decorated with images of sites in Kirriemuir which held significant memories for Barrie: Kirriemuir Townhouse, Strathview, Window in Thrums, the statue of Peter Pan in Kensington Gardens and the Barrie Cricket Pavilion. The casket is on display in the Kirrimuir Gateway to the Glens Museum in the Kirriemuir Town House.[75] Coat of arms of J. M. Barrie Crest An open book amid reeds all Proper. Escutcheon Barry of six Argent and Gules in chief a lion passant guardant counterchanged and issuant from the base reeds Proper. Motto Amour De La Bonte (Love of Goodness) [76] Legacy[edit] The Sir James Barrie Primary School in Wandsworth, South West London is named after him. The Barrie School in Silver Spring, Maryland, is also named in his honour.[77] Tributes[edit] On 9 May 2010, Google celebrated J.M. Barrie's 150th Birthday with a doodle.[78][79] Bibliography[edit] Peter Pan[edit] The Little White Bird, or Adventures in Kensington Gardens (1902) Peter Pan; or, the Boy Who Wouldn't Grow Up (staged 1904, published 1928) Peter Pan in Kensington Gardens (1906) When Wendy Grew Up: An Afterthought (written – 1908, published 1957) Peter and Wendy (novel) (1911) Other works by year[edit] Better Dead (1887) Auld Licht Idylls (1888) When a Man's Single (1888) A Window in Thrums (1889) My Lady Nicotine (1890), republished in 1926 with the subtitle A Study in Smoke The Little Minister (1891) Richard Savage (1891) Ibsen's Ghost (Toole Up-to-Date) (1891) Walker, London (1892) Jane Annie (opera), music by Ernest Ford, libretto by Barrie and Arthur Conan Doyle (1893) A Powerful Drug and Other Stories (1893) A Tillyloss Scandal (1893) Two of Them (1893) A Lady's Shoe[80] (1893) (two short stories: A Lady's Shoe, The Inconsiderate Waiter) Life in a Country Manse (1894) Scotland's Lament: A Poem on the Death of Robert Louis Stevenson (1895) Sentimental Tommy, The Story of His Boyhood (1896) Margaret Ogilvy (1896) Jess[81] (1898) Tommy and Grizel (1900) The Wedding Guest (1900) The Boy Castaways of Black Lake Island (1901) Quality Street (play) (1901) The Admirable Crichton (play) (1902) Little Mary (play) (1903) Alice Sit-by-the-Fire (play) (1905) Pantaloon (1905) What Every Woman Knows (play) (1908) Half an Hour[82] (play) (1913) Half Hours[83] (1914) includes: Pantaloon The Twelve-Pound Look Rosalind The Will The Legend of Leonora (1914) Der Tag[84] (The Tragic Man) (Short play) (1914) The New Word[85] (play) (1915) Charles Frohman: A Tribute (1915) Rosy Rapture[86] (play) (1915) A Kiss for Cinderella (play) (1916) Real Thing at Last[87] (play) (1916) Shakespeare's Legacy[88] (play) (1916) A Strange Play[89] (play) (1917) Charwomen and the War or The Old Lady Shows her Medals[90] (play) (1917) Dear Brutus[91] (1917) (play) La Politesse[92] (play) (1918) Echoes of the War (1918) Four plays, includes: The New Word The Old Lady Shows Her Medals (basis for the movie Seven Days Leave (1930), starring Gary Cooper) A Well-Remembered Voice[93] Barbara's Wedding Mary Rose (1920) 1952 production of The Twelve Pound Look at Shimer CollegeThe Twelve-Pound Look (1921) Courage, the Rectorial Address delivered at St. Andrews University (1922) The Author (1925) Biographical Introduction to Scott's Last Expedition (preface) (orig. pub. 1913, introduction included in 1925 edition only) Cricket (1926) Shall We Join the Ladies?[94] (1928) includes: Shall We Join the Ladies? Half an Hour Seven Women Old Friends The Greenwood Hat (1930) Farewell Miss Julie Logan (1932) The Boy David (1936) M'Connachie and J. M. B. (1938) story treatment for film As You Like It (1936) The Reconstruction of the Crime (play), co-written with E.V. Lucas (undated, first published 2017) Stories by English Authors: London (selected by Scribners, as contributor) Stories by English Authors: Scotland (selected by Scribners, as contributor) preface to The Young Visiters or, Mr. Salteena's Plan by Daisy Ashford The Earliest Plays of J. M. Barrie: Bandelero the Bandit, Bohemia and Caught Napping, edited by R.D.S. Jack (2014) References[edit] ^ "History of the name Wendy". Wendy.com. Archived from the original on 18 March 2009. Retrieved 22 July 2009. ^ "No. 28733". The London Gazette. 1 July 1913. p. 4638. ^ "No. 32563". The London Gazette (Supplement). 31 December 1921. p. 10713. ^ Adams, James Eli (2012). A History of Victorian Literature. John Wiley & Sons. p. 359. ^ Moffat, Alistair (2012). "Chapter 9". Britain's Last Frontier: A Journey Along the Highland Line. Birlinn. p. 1. ^ a b c Birkin, Andrew: J. M. Barrie & the Lost Boys, Constable, 1979; revised edition, Yale University Press, 2003 ^ Birkin (2003), p. 3. ^ Birkin (2003), pp. 4–5. ^ a b c d e Chaney, Lisa. Hide-and-Seek with Angels – A Life of J. M. Barrie, London: Arrow Books, 2005 ^ McConnachie and J. M. B.: Speeches of J. M. Barrie, Peter Davies, 1938 ^ "Peter Pan project off the ground". BBC News Scotland. 6 August 2009. Retrieved 8 August 2009. ^ a b c White (1994), p. 26. ^ J. M. Barrie. "A Window in Thrums". Project Gutenberg. ^ a b c d White (1994), p. 27. ^ "Kailyard School". www.litencyc.com. ^ Birkin (2003), p. 16. ^ Coustillas, Pierre ed. London and the Life of Literature in Late Victorian England: the Diary of George Gissing, Novelist. Brighton: Harvester Press, 1978, p.427. ^ Dominic Shellard, et al. The Lord Chamberlain Regrets, 2004, British Library, pp. 77–79. ^ "Tales from the cabbage patch". The Guardian. Retrieved 2 August 2019. ^ Cox, Michael (2005). The Concise Oxford Chronology of English Literature. Oxford University Press. p. 428. ISBN 978-0198610540. ^ "Mr Barrie's New Play. A Christmas Fairy Tale". The Glasgow Herald. 28 December 1904. p. 7. Retrieved 26 May 2018. ^ Postlewait, Thomas (2004). "The London Stage, 1895–1918". The Cambridge History of British Theatre. p. 38. ISBN 978-0521651325. ^ Law, Jonathan, ed. (2013). The Methuen Drama Dictionary of the Theatre. A & C Black. pp. 44–45. ISBN 978-1408131480. ^ Shaw, Michael (ed.) (2020), A Friendship in Letters: Robert Louis Stevenson & J.M. Barrie, Sandstone Press, Inverness ISBN 978-1-913207-02-1 ^ a b c Miller, Laura (14 December 2003). "THE LAST WORD; The Lost Boy". The New York Times. Retrieved 2 August 2019. ^ Barker, Dudley (1963). A Man of Principle. London: House and Maxwell. p. 179. ISBN 1379084962. ^ Sass, Sara (2021). There Are Some Secrets. Atmosphere Press. ISBN 9781639880102. ^ Page, William (1965). The Victoria History of the County of Gloucester, Volume 6. A. Constable, limited. p. 226. ^ Tim Masters (7 May 2010). "How Peter Pan's author invented celebrity cricket". BBC News. Retrieved 2 August 2019. ^ Parkinson, Justin (26 July 2014). "Authors and actors revive cricket rivalry". BBC News Magazine. Retrieved 10 April 2019. ^ Smith, Mark (2 September 2010). "Two friends who took the world by storm". The Scotsman. Retrieved 2 September 2010. ^ Birkin (2003), p. 209. ^ White (1994), p. 36. ^ Birkin (2003), p. 38. ^ Ellis, Frederick D., The Tragedy of the Lusitania (National Publishing Company, 1915), pp. 38–39; Preston, Diana, Lusitania, An Epic Tragedy (Walker & Company, 2002), p. 204; New York Tribune, "Frohman Calm; Not Concerned About Death, Welcomed It as Beautiful Adventure, He Told Friends at End", 11 May 1915, p. 3; Marcosson, Isaac Frederick, & Daniel Frohman, Charles Frohman: Manager and Man (John Lane, The Bodley Head, 1916), p. 387; Frohman, Charles, The Lusitania Resource ^ a b "Captain Scott and J M Barrie: an unlikely friendship". The Daily Telegraph. Archived from the original on 11 January 2022. Retrieved 2 April 2015. ^ "Hall of Fame A–Z: J M Barrie (1860–1937)". National Records of Scotland. 31 May 2013. Retrieved 14 April 2018. ^ Birkin (2003), pp. 28–29. ^ Birkin (2003), pp. 179–180. ^ Stogdon, Catalina (17 May 2006). "Round the houses: Peter Pan". The Telegraph. Telegraph Media Group Limited. Archived from the original on 11 January 2022. Retrieved 14 May 2015. ^ Law, Cally (10 May 2015). "Return to Neverland". The Sunday Times. Times Newspapers Limited. Archived from the original on 18 May 2015. Retrieved 14 May 2015. ^ "JM Barrie". Surrey Monocle. 10 January 2007. Archived from the original on 7 March 2009. Retrieved 22 July 2009. Retrieved from Internet Archive 27 December 2013. ^ a b Michael Holroyd, Lytton Strachey, p. 287 ^ Birkin (2003), pp. 175–176, 181. ^ "J.M. Barrie Seeks Divorce from Wife". New York Times. 7 October 1909. Retrieved 17 April 2010. The name of James M. Barrie, the playwright, figures as a petitioner in the list of divorce cases set down for trial at the next session of the law courts here. ^ Birkin (2003), p. 181. ^ White (1994), p. 34. ^ married the 3Q of 1892 in Hampstead, London: GROMI: vol. 1a, p. 1331 ^ Birkin (2003), p. 41. ^ Birkin (2003), pp. 44–45. ^ "Andrew Birkin on J. M. Barrie". Jmbarrie.co.uk. 5 April 1960. Archived from the original on 22 July 2011. Retrieved 8 May 2010. Retrieved from Internet Archive 27 December 2013. ^ J. M. Barrie's Boy Castaways Archived 15 January 2010 at the Wayback Machine at the Beinecke Rare Book and Manuscript Library at Yale University ^ White (1994), p. 29. ^ Birkin (2003), p. 154. ^ Birkin (2003), pp. 91–92. ^ Birkin (2003), pp. 188–189. ^ Birkin (2003), p. 194. ^ Birkin (2003), pp. 196, 271. ^ Picardie, Justine (13 July 2008). "How bad was J. M. Barrie?". Telegraph. London. Archived from the original on 4 March 2009. Retrieved 22 July 2009. ^ Parker, James (22 February 2004). "The real Peter Pan – The Boston Globe". Boston.com. Retrieved 22 July 2009. ^ White, Donna R. (1994). Zaidman, Laura M. (ed.). British Children's Writers, 1880–1914. Detroit, Michigan: Gale Research. ISBN 978-0810355552. ^ Birkin (2003), Introduction to the Yale Edition. ^ Birkin (2003), p. 130. ^ Birkin (2003), pp. 142, 202. ^ "Casualty Details: Davies, George Llewelyn". Commonwealth War Graves Commission. Retrieved 24 August 2016. ^ "Audio". Jmbarrie.co.uk. Archived from the original on 30 September 2011. Retrieved 8 May 2010. ^ Birkin (2003), Introduction to the Yale Edition, pp. 291–293. ^ "Death of Sir J. M. Barrie. King Grieved at Loss of an Old Friend. Funeral on Thursday at Kirriemuil. "The End Was Peaceful"". The Glasgow Herald. 21 June 1937. p. 13. Retrieved 14 April 2018. ^ "Funeral of Sir J. M. Barrie. Thousands Assemble at Graveside "Thrums" pays its Last Respects. Distinguished Mourners and Many Tributes". The Glasgow Herald. 25 June 1937. p. 14. Retrieved 14 April 2018. ^ "National Trust for Scotland". National Trust for Scotland. Retrieved 11 March 2023. ^ Ewing, William Annals of the Free Church; James Winter ^ Ewing, William Annals of the Free Church; William Winter ^ Baxter, Kenneth (29 March 2011). "J M Barrie and Rudyard Kipling". Archives Records and Artefacts at the University of Dundee. University of Dundee. Retrieved 16 September 2016. ^ "New Chancellor. Installation of James Barrie". The Glasgow Herald. 24 October 1930. p. 13. Retrieved 20 February 2018. ^ "JM Barrie silver casket on show in Kirriemuir". The Scotsman. 12 September 2013. Archived from the original on 7 February 2019. ^ Burke's Peerage. 1915. p. 193. ^ Carnival PR and Design. "The Barrie School". Barrie.org. Retrieved 22 July 2009. ^ J.M. Barrie's 150th Birthday, retrieved 7 May 2023 ^ Desk, OV Digital (7 May 2023). "9 May: Remembering J.M. Barrie on Birthday". Observer Voice. Retrieved 7 May 2023. ^ "A Lady's Shoe". www.fadedpage.com. ^ "Jess". www.fadedpage.com. ^ "Half an Hour". www.fadedpage.com. ^ "Half Hours". www.fadedpage.com. ^ "Der Tag". Retrieved 11 March 2023. ^ "The New Word". Retrieved 11 March 2023. ^ "Rosy Rapture". Retrieved 11 March 2023. ^ "Real Thing at Last". Retrieved 11 March 2023. ^ "Shakespeare's Legacy". Retrieved 11 March 2023. ^ "A Strange play". Retrieved 11 March 2023. ^ "Charwomen and the War or The Old Lady Shows Her Medals". Retrieved 11 March 2023. ^ "Dear Brutus". Retrieved 11 March 2023. ^ "La Politesse". Retrieved 11 March 2023. ^ "A Well-Remembered Voice". Retrieved 11 March 2023. ^ "Shall We Join the Ladies?". www.fadedpage.com. Further reading[edit] Craig, Cairns (1980), Fearful Selves: Character, Community and the Scottish Imagination, in Cencrastus No. 4, Winter 11980-81, pp. 29 – 32, ISSN 0264-0856 Shaw, Michael (ed.) (2020), A Friendship in Letters: Robert Louis Stevenson & J.M. Barrie, Sandstone Press, Inverness ISBN 978-1-913207-02-1 Archival collections[edit] J. M. Barrie Collection at the Beinecke Rare Book & Manuscript Library J. M. Barrie Collection at the Harry Ransom Center External links[edit] Wikimedia Commons has media related to James Barrie. Wikiquote has quotations related to J. M. Barrie. Wikisource has original works by or about:J. M. Barrie Works by James Matthew Barrie at Faded Page (Canada) Works by or about J. M. Barrie at Internet Archive Works by J. M. Barrie at LibriVox (public domain audiobooks) Works by J. M. Barrie at Project Gutenberg Works by J. M. Barrie in eBook form at Standard Ebooks Peter Pan & Wendy Darling. 11 October 1911. (Peter Pan complete) J.M Barrie & 1909 Theatre Censorship Committee – UK Parliament Living Heritage JMbarrie.co.uk site authorised by Great Ormond Street Hospital, edited by Andrew Birkin, includes database of original photographs, letters, documents and audio interviews conducted by Birkin in 1975–76 Great Ormond Street Hospital's copyright claim Archived 11 October 2010 at the Wayback Machine "Why J. M. Barrie Created Peter Pan", Anthony Lane, The New Yorker, 22 November 2004 "J. M. Barrie and Sir Arthur Conan Doyle" Archived 2 November 2005 at the Wayback Machine at The Chronicles of Sir Arthur Conan Doyle (siracd.com) Audio recording of Barrie's short play The Will—Recording by professional actors at LostPlays.com Film of Barrie from 1922 as Rector of St Andrews with Ellen Terry J. M. Barrie at IMDb J. M. Barrie at the Internet Speculative Fiction Database Plays by J. M. Barrie at the Great War Theatre website Academic offices Preceded byThe Earl Haig Rector of the University of St Andrews 1919–1922 Succeeded byRudyard Kipling Preceded byThe Earl of Balfour Chancellor of the University of Edinburgh 1930–1937 Succeeded byThe Lord Tweedsmuir Baronetage of the United Kingdom New creation Baronet(of Adelphi Terrace) 1913–1937 Extinct vteJ. M. Barrie's Peter PanUniverseCharacters Peter Pan Wendy Darling Captain Hook Mr. Smee Tinker Bell Disney version Tiger Lily Lost Boys Biographies The Lost Boys Finding Neverland Related Neverland Llewelyn Davies boys George Jack Peter Michael Peter Pan syndrome puer aeternus Peter Pan copyright Disney franchise Disney Fairies Tinker Bell cast Peter Pan (London statue) Peter Pan (Columbus, Ohio, statue) MediaLiteraryadaptationsOfficial books/plays The Little White Bird Peter Pan in Kensington Gardens Peter and Wendy (play, book) Peter Pan in Scarlet Starcatchers books Peter and the Starcatchers Peter and the Shadow Thieves Peter and the Secret of Rundoon Peter and the Sword of Mercy The Bridge to Never Land Never Land Books FilmadaptationsPeter Pan films Peter Pan (1924) Peter Pan (1988) Hook Neverland Peter Pan (2003) Pan Come Away Wendy The Lost Girls Disney's Peter Pan films Peter Pan (1953) Return to Never Land Peter Pan & Wendy Tinker Bell films Tinker Bell Tinker Bell and the Lost Treasure Tinker Bell and the Great Fairy Rescue Pixie Hollow Games Secret of the Wings Pixie Hollow Bake Off The Pirate Fairy Tinker Bell and the Legend of the NeverBeast OtheradaptationsTelevision 1954 musical 1976 musical 1989 Animated Series Fox's Peter Pan & the Pirates Jake and the Never Land Pirates Once Upon a Time Neverland Peter Pan Live! The New Adventures of Peter Pan Peter and Wendy Stage 1950 musical 1954 musical Peter Pan: A Musical Adventure Peter and the Starcatcher Peter Pan 360 Peter and Alice Peter Pan Goes Wrong Wendy & Peter Pan Disney's Peter Pan Jr. Finding Neverland (musical) Video games Peter Pan and the Pirates Hook Peter Pan: Adventures in Never Land Prose The Child Thief Graphic novels Peter Pank Lost Girls Marvel Fairy Tales Cheshire Crossing MusicAlbums Faith, Trust, and Pixie Dust Songs "Lost Boy" (Ruth B song) Somewhere in Neverland "Peter Pan" (Kelsea Ballerini song) Attractions Disney on Ice Fantasmic! Peter Pan's Flight (ride) Pixie Hollow Allusions Never Never Land Category vteJ. M. Barrie's The Admirable CrichtonFilm adaptations The Admirable Crichton (1918) Male and Female (1919) Charlemagne (1933) We're Not Dressing (1934) The Admirable Crichton (1957) TV adaptations The Admirable Crichton (1950) The Admirable Crichton (1968) Musical adaptations Our Man Crichton (1964) vteRectors of the University of St AndrewsUniversity of St Andrews Sir Ralph Abercromby Anstruther, 4th Baronet Sir William Stirling-Maxwell, 9th Baronet John Stuart Mill James Anthony Froude Charles Neaves, Lord Neaves Arthur Penrhyn Stanley Roundell Palmer, 1st Earl of Selborne Sir Theodore Martin Donald Mackay, 11th Lord Reay Arthur Balfour Frederick Hamilton-Temple-Blackwood, 1st Marquess of Dufferin and Ava John Crichton-Stuart, 3rd Marquess of Bute James Stuart Andrew Carnegie John Lubbock, 1st Baron Avebury Archibald Primrose, 5th Earl of Rosebery John Hamilton-Gordon, 1st Marquess of Aberdeen and Temair Douglas Haig, 1st Earl Haig Sir J. M. Barrie Rudyard Kipling Fridtjof Nansen Wilfred Grenfell Jan Smuts Guglielmo Marconi Robert MacGregor Mitchell, Lord MacGregor Mitchell Sir David Munro Sir George Cunningham David Cecil, 6th Marquess of Exeter David Lindsay, 28th Earl of Crawford David Maxwell Fyfe, 1st Earl of Kilmuir Robert Boothby, Baron Boothby C. P. Snow Sir John Rothenstein Learie Constantine John Cleese Alan Coren Frank Muir Tim Brooke-Taylor Katharine Whitehorn Stanley Adams Nicholas Parsons Nicky Campbell Donald Findlay Andrew Neil Sir Clement Freud Simon Pepper Kevin Dunion Alistair Moffat Catherine Stihler Srđa Popović Leyla Hussein Stella Maris Authority control databases International FAST ISNI VIAF National Norway Chile Spain France BnF data Catalonia Germany Italy Israel Finland Belgium United States Sweden Latvia Japan Czech Republic Australia Greece 2 Korea Croatia Netherlands Poland Portugal Russia 2 Vatican Academics CiNii Artists MusicBrainz Photographers' Identities RKD Artists ULAN People Deutsche Biographie Trove Other SNAC IdRef

EXCERPT FROM PETER PAN:

"Peter Pan and Wendy" by Andrew Poole is licensed under CC by-NC-ND 2.0.

I hope you want to know what became of the other boys. They were waiting below to give Wendy time to explain about them; and when they had counted five hundred they went up. They went up by the stair, because they thought this would make a better impression. They stood in a row in front of Mrs. Darling, with their hats off, and wishing they were not wearing their pirate clothes. They said nothing, but their eyes asked her to have them. They ought to have looked at Mr. Darling also, but they forgot about him.Of course Mrs. Darling said at once that she would have them; but Mr. Darling was curiously depressed, and they saw that he considered six a rather large number.

"I must say," he said to Wendy, "that you don't do things by halves," a grudging remark which the twins thought was pointed at them.

The first twin was the proud one, and he asked, flushing, "Do you think we should be too much of a handful, sir? Because, if so, we can go away

"Father!" Wendy cried, shocked; but still the cloud was on him. He knew he was behaving unworthily, but he could not help it.

"We could lie doubled up," said Nibs.

"I always cut their hair myself," said Wendy.

"George!" Mrs. Darling exclaimed, pained to see her dear one showing himself in such an unfavorable light.

Then he burst into tears, and the truth came out. He was as glad to have them as she was, he said, but he thought they should have asked his consent as well as hers, instead of treating him as a cypher in his own house.

"I don't think he is a cypher," Tootles cried instantly. "Do you think he is a cypher, Curly?"

"No, I don't. Do you think he is a cypher, Slightly?"

"Rather not. Twin, what do you think?"

It turned out that not one of them thought him a cypher; and he was absurdly gratified, and said he would find space for them all in the drawing-room if they fitted in.

"We'll fit in, sir," they assured him.

"Then follow the leader," he cried gaily. "Mind you, I am not sure that we have a drawing-room, but we pretend we have, and it's all the same. Hoop la!

"He went off dancing through the house, and they all cried "Hoop la!" and danced after him, searching for the drawing-room; and I forget whether they found it, but at any rate they found corners, and they all fitted in.

As for Peter, he saw Wendy once again before he flew away. He did not exactly come to the window, but he brushed against it in passing so that she could open it if she liked and call to him. That is what she did.

"Hullo, Wendy, good-bye," he said.

"Oh dear, are you going away?"

"Yes."

"You don't feel, Peter," she said falteringly, "that you would like to say anything to my parents about a very sweet subject?"

"No."

"About me, Peter?"

"No."

Mrs. Darling came to the window, for at present she was keeping a sharp eye on Wendy. She told Peter that she had adopted all the other boys, and would like to adopt him also.

"Would you send me to school?" he inquired craftily.

"Yes."

"And then to an office?"

"I suppose so."

"Soon I would be a man?"

"Very soon."

"I don't want to go to school and learn solemn things," he told her passionately. "I don't want to be a man. O Wendy's mother, if I was to wake up and feel there was a beard!"

"Peter," said Wendy the comforter, "I should love you in a beard;" and Mrs. Darlin sretched out her arms to him, but he repulsed her.

"Keep back, lady, no one is going to catch me and make me a man.

"But where are you going to live?"

"With Tink in the house we built for Wendy. The fairies are to put it high up among the tree tops where they sleep at nights."

"How lovely," cried Wendy so longingly that Mrs. Darling tightened her grip.

"I thought all the fairies were dead," Mrs. Darling said.

"There are always a lot of young ones," explained Wendy, who was now quite an authority, "because you see when a new baby laughs for the first time a new fairy is born, and as there are always new babies there are always new fairies. They live in nests on the tops of trees; and the mauve ones are boys and the white ones are girls, and the blue ones are just little sillies who are not sure what they are."

"I shall have such fun," said Peter, with eye on Wendy.

"It will be rather lonely in the evening," she said, "sitting by the fire."

"I shall have Tink."

"Tink can't go a twentieth part of the way round," she reminded him a little tartly.

"Sneaky tell-tale!" Tink called out from somewhere round the corner.

"It doesn't matter," Peter said.

"O Peter, you know it matters."

"Well, then, come with me to the little house."

"May I, mummy?"

"Certainly not. I have got you home again, and I mean to keep you."

"But he does so need a mother."

"So do you, my love."

"Oh, all right," Peter said, as if he had asked her from politeness merely; but Mrs. Darling saw his mouth twitch, and she made this handsome offer: to let Wendy go to him for a week every year to do his spring cleaning. Wendy would have preferred a more permanent arrangement; and it seemed to her that spring would be long in coming; but this promise sent Peter away quite gay again. He had no sense of time, and was so full of adventures that all I have told you about him is only a halfpenny-worth of them. I suppose it was because Wendy knew this that her last words to him were these rather plaintive ones:

"You won't forget me, Peter, will you, before spring cleaning time comes?"

Of course Peter promised; and then he flew away. He took Mrs. Darling's kiss with him. The kiss that had been for no one else, Peter took quite easily. Funny. But she seemed satisfied

Of course all the boys went to school; and most of them got into Class III, but Slightly was put first into Class IV and then into Class V. Class I is the top class. Before they had attended school a week they saw what goats they had been not to remain on the island; but it was too late now, and soon they settled down to being as ordinary as you or me or Jenkins minor :the younger Jenkins. It is sad to have to say that the power to fly gradually left them. At first Nana tied their feet to the bed-posts so that they should not fly away in the night; and one of their diversions by day was to pretend to fall off buses; but by and by they ceased to tug at their bonds in bed, and found that they hurt themselves when they let go of the bus. In time they could not even fly after their hats. Want of practice, they called it; but what it really meant was that they no longer believed.

Michael believed longer than the other boys, though they jeered at him; so he was with Wendy when Peter came for her at the end of the first year. She flew away with Peter in the frock she had woven from leaves and berries in the Neverland, and her one fear was that he might notice how short it had become; but he never noticed, he had so much to say about himself.

She had looked forward to thrilling talks with him about old times, but new adventures had crowded the old ones from his mind.

"Who is Captain Hook?" he asked with interest when she spoke of the arch enemy.

"Don't you remember," she asked, amazed, "how you killed him and saved all our lives?"

"I forget them after I kill them," he replied carelessly.

When she expressed a doubtful hope that Tinker Bell would be glad to see her he said, "Who is Tinker Bell?"

"O Peter," she said, shocked; but even when she explained he could not remember.

"There are such a lot of them," he said. "I expect she is no more."

I expect he was right, for fairies don't live long, but they are so little that a short time seems a good while to them.

Wendy was pained too to find that the past year was but as yesterday to Peter; it had seemed such a long year of waiting to her.But he was exactly as fascinating as ever, and they had a lovely spring cleaning in the little house on the tree tops.

Next year he did not come for her. She waited in a new frock because the old one simply would not meet; but he never came.

"Perhaps he is ill," Michael said.

"You know he is never ill."

Michael came close to her and whispered, with a shiver, "Perhaps there is no such person, Wendy!" and then Wendy would have cried if Michael had not been crying.

Peter came next spring cleaning; and the strange thing was that he never knew he had missed a year.

That was the last time the girl Wendy ever saw him. For a little longer she tried for his sake not to have growing pains; and she felt she was untrue to him when she got a prize for general knowledge. But the years came and went without bringing the careless boy; and when they met again Wendy was a married woman, and Peter was no more to her than a little dust in the box in which she had kept her toys. Wendy was grown up. You need not be sorry for her. She was one of the kind that likes to grow up. In the end she grew up of her own free will a day quicker than other girls.

All the boys were grown up and done for by this time; so it is scarcely worth while saying anything more about them. You may see the twins and Nibs and Curly any day going to an office, each carrying a little bag and an umbrella. Michael is an engine-driver. Slightly married a lady of title, and so he became a lord. You see that judge in a wig coming out at the iron door? That used to be Tootles. The bearded man who doesn't know any story to tell his children was once John.

Wendy was married in white with a pink sash. It is strange to think that Peter did not alight in the church and forbid the banns.

Years rolled on again, and Wendy had a daughter. This ought not to be written in ink but in a golden splash.

She was called Jane, and always had an odd inquiring look, as if from the moment she arrived on the mainland she wanted to ask questions. When she was old enough to ask them they were mostly about Peter Pan. She loved to hear of Peter, and Wendy told her all she could remember in the very nursery from which the famous flight had taken place. It was Jane's nursery now, for her father had bought it at the three per cents from Wendy's father, who was no longer fond of stairs. Mrs. Darling was now dead and forgotten.

There were only two beds in the nursery now, Jane's and her nurse's; and there was no kennel, for Nana also had passed away. She died of old age, and at the end she had been rather difficult to get on with; being very firmly convinced that no one knew how to look after children except herself.

Once a week Jane's nurse had her evening off; and then it was Wendy's part to put Jane to bed. That was the time for stories. It was Jane's invention to raise the sheet over her mother's head and her own, thus making a tent, and in the awful darkness to whisper:

"What do we see now?"

"I don't think I see anything to-night," says Wendy, with a feeling that if Nana were here she would object to further conversation.

"Yes, you do," says Jane, "you see when you were a little girl."

"That is a long time ago, sweetheart," says Wendy. "Ah me, how time flies!"

"Does it fly," asks the artful child, "the way you flew when you were a little girl?"

"The way I flew? Do you know, Jane, I sometimes wonder whether I ever did really fly."

"Yes, you did."

"The dear old days when I could fly!"

"Why can't you fly now, mother?"

"Because I am grown up, dearest. When people grow up they forget the way."

"Why do they forget the way?"

"Because they are no longer gay and innocent and heartless. It is only the gay and innocent and heartless who can fly."

"What is gay and innocent and heartless? I do wish I were gay and innocent and heartless."

Or perhaps Wendy admits she does see something.

"I do believe," she says, "that it is this nursery."

"I do believe it is," says Jane. "Go on."

They are now embarked on the great adventure of the night when Peter flew in looking for his shadow.

"The foolish fellow," says Wendy, "tried to stick it on with soap, and when he could not he cried, and that woke me, and I sewed it on for him."

"You have missed a bit," interrupts Jane, who now knows the story better than her mother. "When you saw him sitting on the floor crying, what did you say?"

"I sat up in bed and I said, 'Boy, why are you crying?'"

"Yes, that was it," says Jane, with a big breath.

"And then he flew us all away to the Neverland and the fairies and the pirates and the redskins and the mermaids' lagoon, and the home under the ground, and the little house."

"Yes! which did you like best of all?"

"I think I liked the home under the ground best of all."

"Yes, so do I. What was the last thing Peter ever said to you?"

"The last thing he ever said to me was, 'Just always be waiting for me, and then some night you will hear me crowing.'"

"Yes."

"But, alas, he forgot all about me," Wendy said it with a smile. She was as grown up as that.

"What did his crow sound like?" Jane asked one evening.

"It was like this," Wendy said, trying to imitate Peter's crow.

"No, it wasn't," Jane said gravely, "it was like this;" and she did it ever so much better than her mother.

Wendy was a little startled. "My darling, how can you know?"

"I often hear it when I am sleeping," Jane said.

"Ah yes, many girls hear it when they are sleeping, but I was the only one who heard it awake."

"Lucky you," said Jane

And then one night came the tragedy. It was the spring of the year, and the story had been told for the night, and Jane was now asleep in her bed. Wendy was sitting on the floor, very close to the fire, so as to see to darn, for there was no other light in the nursery; and while she sat darning she heard a crow. Then the window blew open as of old, and Peter dropped in on the floor.

He was exactly the same as ever, and Wendy saw at once that he still had all his first teeth.

He was a little boy, and she was grown up. She huddled by the fire not daring to move, helpless and guilty, a big woman.

"Hullo, Wendy," he said, not noticing any difference, for he was thinking chiefly of himself; and in the dim light her white dress might have been the nightgown in which he had seen her first.

"Hullo, Peter," she replied faintly, squeezing herself as small as possible. Something inside her was crying "Woman, Woman, let go of me."

"Hullo, where is John?" he asked, suddenly missing the third bed.

"John is not here now," she gasped.

"Is Michael asleep?" he asked, with a careless glance at Jane.

"Yes," she answered; and now she felt that she was untrue to Jane as well as to Peter.

"That is not Michael," she said quickly, lest a judgment should fall on her.

Peter looked. "Hullo, is it a new one?"

"Yes."

"Boy or girl?"

"Girl."

Now surely he would understand; but not a bit of it.

"Peter," she said, faltering, "are you expecting me to fly away with you?"

"Of course; that is why I have come." He added a little sternly, "Have you forgotten that this is spring cleaning time?"

She knew it was useless to say that he had let many spring cleaning times pass.

"I can't come," she said apologetically, "I have forgotten how to fly."

"I'll soon teach you again."

"O Peter, don't waste the fairy dust on me."

She had risen; and now at last a fear assailed him. "What is it?" he cried, shrinking.

"I will turn up the light," she said, "and then you can see for yourself."

For almost the only time in his life that I know of, Peter was afraid. "Don't turn up the light," he cried She let her hands play in the hair of the tragic boy. She was not a little girl heart-broken about him; she was a grown woman smiling at it all, but they were wet-eyed smiles.

Then she turned up the light, and Peter saw. He gave a cry of pain; and when the tall beautiful creature stooped to lift him in her arms he drew back sharply.

"What is it?" he cried again.

She had to tell him.

"I am old, Peter. I am ever so much more than twenty. I grew up long ago."

"You promised not to!"

"I couldn't help it. I am a married woman, Peter."

"No, you're not."

"Yes, and the little girl in the bed is my baby."

"No, she's not."

But he supposed she was; and he took a step towards the sleeping child with his dagger upraised. Of course he did not strike. He sat down on the floor instead and sobbed; and Wendy did not know how to comfort him, though she could have done it so easily once. She was only a woman now, and she ran out of the room to try to think Peter continued to cry, and soon his sobs woke Jane. She sat up in bed, and was interested at once.

"Boy," she said, "why are you crying?"

Peter rose and bowed to her, and she bowed to him from the bed.

"Hullo," he said.

"Hullo," said Jane.

"My name is Peter Pan," he told her.

"Yes, I know."

"I came back for my mother," he explained, "to take her to the Neverland."

"Yes, I know," Jane said, "I have been waiting for you."

When Wendy returned diffidently she found Peter sitting on the bed-post crowing gloriously, while Jane in her nighty was flying round the room in solemn ecstasy.

"She is my mother," Peter explained; and Jane descended and stood by his side, with the look in her face that he liked to see on ladies when they gazed at him.

"He does so need a mother," Jane said.

"Yes, I know," Wendy admitted rather forlornly; "no one knows it so well as I."

"Good-bye," said Peter to Wendy; and he rose in the air, and the shameless Jane rose with him; it was already her easiest way of moving about.

Wendy rushed to the window.

"No, no," she cried.

"It is just for spring cleaning time," Jane said, "he wants me always to do his spring cleaning."

"If only I could go with you," Wendy sighed.

"You see you can't fly," said Jane.

Of course in the end Wendy let them fly away together. Our last glimpse of her shows her at the window, watching them receding into the sky until they were as small as stars.

As you look at Wendy, you may see her hair becoming white, and her figure little again, for all this happened long ago. Jane is now a common grown-up, with a daughter called Margaret; and every spring cleaning time, except when he forgets, Peter comes for Margaret and takes her to the Neverland, where she tells him stories about himself, to which he listens eagerly. When Margaret grows up she will have a daughter, who is to be Peter's mother in turn; and thus it will go on, so long as children are gay and innocent and heartless.

Current Page: 1

GRADE:7

Word Lists:

Nib : the pointed end part of a pen, which distributes the ink on the writing surface.

Sneaky : furtive; sly

Heartless : displaying a complete lack of feeling or consideration

Mauve : of a pale purple color

Darn : mend (a hole in knitted material) by interweaving yarn with a needle

Grudging : given, granted, or allowed only reluctantly or resentfully

Diffident : modest or shy because of a lack of self-confidence

Plaintive : sounding sad and mournful

Glimpse : a momentary or partial view

Passionate : showing or caused by strong feelings or a strong belief

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Additional Information:

Rating: A Words in the Passage: 920 Unique Words: 805 Sentences: 314
Noun: 1113 Conjunction: 331 Adverb: 302 Interjection: 17
Adjective: 200 Pronoun: 538 Verb: 750 Preposition: 311
Letter Count: 13,627 Sentiment: Positive / Positive / Positive Tone: Conversational Difficult Words: 374
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