THE LAST LEAF

- By O. Henry
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American short story writer (1862–1910) Not to be confused with Oh Henry! or O'Henry Sound Studios. O. HenryPortrait by W. M. Vanderweyde (1909)BornWilliam Sidney Porter(1862-09-11)September 11, 1862Greensboro, North Carolina, U.S.DiedJune 5, 1910(1910-06-05) (aged 47)New York City, U.S.Resting placeRiverside Cemetery, Asheville, NCPen nameO. Henry, Olivier Henry, Oliver Henry[1]OccupationWriterGenreShort storySpouseAthol Estes (1887–1897) Sarah Coleman (1907–1909)Children2 William Sydney Porter (September 11, 1862 – June 5, 1910), better known by his pen name O. Henry, was an American writer known primarily for his short stories, though he also wrote poetry and non-fiction. His works include "The Gift of the Magi", "The Duplicity of Hargraves", and "The Ransom of Red Chief", as well as the novel Cabbages and Kings. Porter's stories are known for their naturalist observations, witty narration, and surprise endings. Born in Greensboro, North Carolina, Porter worked at his uncle's pharmacy after finishing school and became a licensed pharmacist at age 19. In March 1882, he moved to Texas, where he initially lived on a ranch, and later settled in Austin, where he met his first wife, Athol Estes Roach. While working as a drafter for the Texas General Land Office, Porter began developing characters for his short stories. He later worked for the First National Bank of Austin, where he wrote The Rolling Stone weekly in newspapers. After moving to Houston in 1895, he was charged with embezzlement stemming from an audit of the bank and fled to Honduras before trial. During his stay in Honduras, he began writing Cabbages and Kings, which originated the term "banana republic". Porter surrendered to U.S. authorities when he learned his wife was dying from tuberculosis, and he cared for her until her death in July 1897. He began his five-year prison sentence in March 1898 at the Ohio Penitentiary, where he served as a night druggist. Porter wrote 14 stories from prison under various pseudonyms, one being O. Henry. Released from prison early for good behavior, Porter moved to Pittsburgh to be with his daughter Margaret before relocating to New York City, where he wrote 381 short stories. He married once more to Sarah (Sallie) Lindsey Coleman before she left him in 1909. Porter died on June 5, 1910, after years of deteriorating health. Porter's legacy includes the O. Henry Award, an annual prize awarded to outstanding short stories. Biography[edit] This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (September 2014) (Learn how and when to remove this template message) Early life[edit] William Sidney Porter was born on September 11, 1862, in Greensboro, North Carolina, during the American Civil War. He changed the spelling of his middle name to Sydney in 1898. His parents were Algernon Sidney Porter (1825–88), a physician, and Mary Jane Virginia Swaim Porter (1833–65). William's parents had married on April 20, 1858. When William was three, his mother died after giving birth to her third child, and he and his father moved into the home of his paternal grandmother. As a child, Porter was always reading, everything from classics to dime novels; his favorite works were Lane's translation of One Thousand and One Nights and Burton's The Anatomy of Melancholy.[2] Porter graduated from his aunt Evelina Maria Porter's elementary school in 1876. He then enrolled at the Lindsey Street High School. His aunt continued to tutor him until he was 15. In 1879, he started working in his uncle's drugstore in Greensboro, and on August 30, 1881, at the age of 19, Porter was licensed as a pharmacist. At the drugstore, he also showed his natural artistic talents by sketching the townsfolk. Life in Texas[edit] Porter as a young man in Austin Porter traveled along with James K. Hall to Texas in March 1882, hoping that a change of air would help alleviate a persistent cough he had developed. He took up residence on the sheep ranch of Richard Hall, James Hall's son, in La Salle County and helped out as a shepherd, ranch hand, cook, and baby-sitter. While on the ranch, he learned bits of Spanish and German from the mix of indigenous and immigrant ranch hands. He also spent time reading classic works of literature. Porter's health did improve. He traveled with Richard to Austin, Texas, in 1884, where he decided to remain and was welcomed into the home of Richard's friends, Joseph Harrell, and his wife. Porter resided with the Harrells for three years. He went to work briefly for the Morley Brothers Drug Company as a pharmacist. Porter then moved on to work for the Harrell Cigar Store located in the Driskill Hotel. He also began writing as a sideline and wrote many of his early stories in the Harrell house. As a young bachelor, Porter led an active social life in Austin. He was known for his wit, story-telling, and musical talents. He played both the guitar and mandolin. He sang in the choir at St. David's Episcopal Church and became a member of the "Hill City Quartette", a group of young men who sang at gatherings and serenaded young women of the town. The Porter family, early 1890s – Athol, daughter Margaret, William Porter met and began courting Athol Estes, 17 years old and from a wealthy family. Historians believe Porter met Athol at the laying of the cornerstone of the Texas State Capitol on March 2, 1885. Her mother objected to the match because Athol was ill, suffering from tuberculosis. On July 1, 1887, Porter eloped with Athol and they were married in the parlor of the home of the Reverend R. K. Smoot, pastor of the Central Presbyterian Church, where the Estes family attended church. The couple continued to participate in musical and theater groups, and Athol encouraged her husband to pursue his writing. Athol gave birth to a son in 1888, who died hours after birth, and then a daughter Margaret Worth Porter in September 1889. Porter's friend Richard Hall became Texas Land Commissioner and offered Porter a job. Porter started as a draftsman at the Texas General Land Office (GLO) on January 12, 1887, at a salary of $100 a month, drawing maps from surveys and field notes. The salary was enough to support his family, but he continued his contributions to magazines and newspapers. In the GLO building, he began developing characters and plots for such stories as "Georgia's Ruling" (1900), and "Buried Treasure" (1908). The castle-like building he worked in was woven into some of his tales such as "Bexar Scrip No. 2692" (1894). His job at the GLO was a political appointment by Hall. Hall ran for governor in the election of 1890 but lost. Porter resigned on January 21, 1891, the day after the new governor, Jim Hogg, was sworn in. Porter as a clerk at the First National Bank in Austin, c. 1892 The same year, Porter began working at the First National Bank of Austin as a teller and bookkeeper at the same salary he had made at the GLO. The bank was operated informally, and Porter was apparently careless in keeping his books and may have embezzled funds. In 1894, he was accused by the bank of embezzlement and lost his job but was not indicted at the time. He then worked full-time on his humorous weekly called The Rolling Stone, which he started while working at the bank. The Rolling Stone featured satire on life, people, and politics and included Porter's short stories and sketches. Although eventually reaching a top circulation of 1,500, The Rolling Stone failed in April 1895 because the paper never provided an adequate income. However, his writing and drawings had caught the attention of the editor at the Houston Post. Porter and his family moved to Houston in 1895, where he started writing for the Post. His salary was only $25 a month, but it rose steadily as his popularity increased. Porter gathered ideas for his column by loitering in hotel lobbies and observing and talking to people there. This was a technique he used throughout his writing career. While he was in Houston, federal auditors audited the First National Bank of Austin and found the embezzlement shortages that led to his firing. A federal indictment followed, and he was arrested on charges of embezzlement. Flight and return[edit] Porter in his thirties After his arrest, Porter's father-in-law posted his bail. He was due to stand trial on July 7, 1896, but the day before, as he was changing trains to get to the courthouse, he got scared. He fled, first to New Orleans and later to Honduras, with which the United States had no extradition treaty at that time. Porter lived in Honduras for six months, until January 1897. There he became friends with Al Jennings, a notorious train robber, who later wrote a book about their friendship.[3] He holed up in a Trujillo hotel, where he wrote Cabbages and Kings, which notably coined the term "banana republic".[4] Porter had sent Athol and Margaret back to Austin to live with Athol's parents. Unfortunately, Athol became too ill to meet Porter in Honduras as he had planned. When he learned that his wife was dying, Porter returned to Austin in February 1897 and surrendered to the court, pending trial. Athol Estes Porter died from tuberculosis (then known as consumption) on July 25, 1897. Porter had little to say in his own defense at his trial and was found guilty on February 17, 1898, of embezzling $854.08. He was sentenced to five years in prison and imprisoned on March 25, 1898, at the Ohio Penitentiary in Columbus, Ohio. Porter was a licensed pharmacist and was able to work in the prison hospital as the night druggist. He was given his own room in the hospital wing, and there is no record that he actually spent time in the cell block of the prison. He had 14 stories published under various pseudonyms while he was in prison but was becoming best known as "O. Henry", a pseudonym that first appeared over the story "Whistling Dick's Christmas Stocking" in the December 1899 issue of McClure's Magazine. A friend of his in New Orleans would forward his stories to publishers so that they had no idea that the writer was imprisoned. Porter was released on July 24, 1901, for good behavior after serving three years. He reunited with his daughter Margaret, now age 11, in Pittsburgh, Pennsylvania, where Athol's parents had moved after Porter's conviction. Later life and death[edit] Porter's most prolific writing period started in 1902, when he moved to New York City to be near his publishers. While there, he wrote 381 short stories. He wrote a story a week for over a year for the New York World Sunday Magazine. His wit, characterization, and plot twists were adored by his readers but often panned by critics. Porter married again in 1907 to childhood sweetheart Sarah (Sallie) Lindsey Coleman, whom he met again after revisiting his native state of North Carolina. Coleman was herself a writer and wrote a romanticized and fictionalized version of their correspondence and courtship in her novella Wind of Destiny.[5] Porter was a heavy drinker, and by 1908, his markedly deteriorating health affected his writing. In 1909, Sarah left him, and he died on June 5, 1910, of cirrhosis of the liver, complications of diabetes, and an enlarged heart. According to one account, he died of cerebral hemorrhage.[6] After funeral services in New York City, he was buried in the Riverside Cemetery in Asheville, North Carolina.[7] His daughter Margaret Worth Porter had a short writing career from 1913 to 1916. She married cartoonist Oscar Cesare of New York in 1916; they were divorced four years later. She died of tuberculosis in 1927 and was buried next to her father. According to the cemetery, as of 2023, people have been leaving $1.87 in change (the amount of Della's savings at the beginning of "The Gift of the Magi") on Porter's grave for at least 30 years. The cemetery says the money is given to area libraries.[8] Stories[edit] Portrait used as frontispiece in Waifs and Strays (posthumous, 1917) Most of Porter's stories are set in his own time, the early 20th century. He had an obvious affection for New York City, which he called "Bagdad-on-the-Subway",[9] and many of his stories are set there, while others are set in small towns or in other cities. They frequently feature working class characters, such as policemen and waitresses, as well as criminals and social outcasts. In his day he was called the American answer to French naturalist Guy de Maupassant, whose work was similarly concerned with the struggles of common people and often had twist endings. Cabbages and Kings was his first collection of stories, followed by The Four Million. The second collection opens with a reference to Ward McAllister's claim that there were "...only 'Four Hundred' people in New York City who were really worth noticing. But a wiser man has arisen—the census taker—and his larger estimate of human interest has been preferred in marking out the field of these little stories of the Four Million." His final work was "Dream", a short story intended for the magazine The Cosmopolitan. It was never completed.[10] Among his most famous stories are: "The Gift of the Magi" is about a young couple, Jim and Della, who are short of money but desperately want to buy each other Christmas gifts. Unbeknownst to Jim, Della sells her most valuable possession, her beautiful hair, in order to buy a platinum fob chain for Jim's watch; while unbeknownst to Della, Jim sells his own most valuable possession, his watch, to buy jeweled combs for Della's hair. The essential premise of this story has been copied, re-worked, parodied, and otherwise re-told countless times in the century since it was written. "The Ransom of Red Chief" in which two men kidnap a boy of ten years old to ransom him. The boy turns out to be so spoiled and obnoxious that the desperate men ultimately pay the boy's father $250 to take him back. "The Cop and the Anthem" about a New York City hobo named Soapy who sets out to get arrested so that he can be a guest of the city jail instead of sleeping out in the cold winter. Despite his best efforts at committing petty theft, vandalism, disorderly conduct, and "flirting" with a young prostitute, Soapy fails to draw the attention of the police. Dejected, he stops in front of a church, where an organ anthem inspires him to clean up his life; however, he is charged with loitering, and sentenced to three months in prison. "A Retrieved Reformation" tells the tale of safecracker Jimmy Valentine, a man recently freed from prison. He goes to a town bank to case it before he robs it. As he walks to the door, he catches the eye of the banker's beautiful daughter. They immediately fall in love and Valentine decides to give up his criminal career. He moves into the town, taking up the identity of Ralph Spencer, a shoemaker. Just as he is about to leave to deliver his specialized tools to an old associate, a lawman who recognizes him arrives at the bank. Jimmy and his fiancée and her family are at the bank, inspecting a new safe when a child accidentally gets locked inside the airtight vault. Knowing it will seal his fate, Valentine opens the safe to rescue the child. However, much to Valentine's surprise, the lawman denies recognizing him and lets him go. "The Duplicity of Hargraves" tells the story of the Talbots, a father and daughter from the Old South, newly poor after the Civil War, who move to Washington, DC. An actor, Hargraves, offers Mr. Talbot money, which he is too proud to accept. But when Talbot is approached by an old man, a former slave who gives him money to settle an old family debt, he accepts it. It is later revealed that Hargraves secretly portrayed the slave. "The Caballero's Way" in which Porter's most famous character, the Cisco Kid, is introduced. It was first published in 1907 in the July issue of Everybody's Magazine and collected in the book Heart of the West that same year. In later film and TV depictions, the Kid would be portrayed as a dashing adventurer, perhaps skirting the edges of the law, but primarily on the side of the angels. In the original short story, the only story by Porter to feature the character, the Kid is a murderous, ruthless border desperado, whose trail is dogged by a heroic Texas Ranger. Pen name[edit] Porter used a number of pen names (including "O. Henry" or "Olivier Henry") in the early part of his writing career; other names included S.H. Peters, James L. Bliss, T.B. Dowd, and Howard Clark.[11] Nevertheless, the name "O. Henry" seemed to garner the most attention from editors and the public, and was used exclusively by Porter for his writing by about 1902. He gave various explanations for the origin of his pen name.[12] In 1909, he gave an interview to The New York Times, in which he gave an account of it: It was during these New Orleans days that I adopted my pen name of O. Henry. I said to a friend: "I'm going to send out some stuff. I don't know if it amounts to much, so I want to get a literary alias. Help me pick out a good one." He suggested that we get a newspaper and pick a name from the first list of notables that we found in it. In the society columns we found the account of a fashionable ball. "Here we have our notables," said he. We looked down the list and my eye lighted on the name Henry, "That'll do for a last name," said I. "Now for a first name. I want something short. None of your three-syllable names for me." "Why don't you use a plain initial letter, then?" asked my friend. "Good," said I, "O is about the easiest letter written, and O it is." A newspaper once wrote and asked me what the O stands for. I replied, "O stands for Olivier, the French for Oliver." And several of my stories accordingly appeared in that paper under the name Olivier Henry.[13] William Trevor writes in the introduction to The World of O. Henry: Roads of Destiny and Other Stories (Hodder & Stoughton, 1973) that "there was a prison guard named Orrin Henry" in the Ohio State Penitentiary "whom William Sydney Porter ... immortalised as O. Henry". According to J. F. Clarke, it is from the name of the French pharmacist Etienne Ossian Henry, whose name is in the U.S. Dispensary which Porter used working in the prison pharmacy.[14] Writer and scholar Guy Davenport offers his own hypothesis: "The pseudonym that he began to write under in prison is constructed from the first two letters of Ohio and the second and last two of penitentiary."[12] Legacy[edit] The O. Henry Award is an annual prize named after Porter and given to outstanding short stories. A film was made in 1952 featuring five stories, called O. Henry's Full House. The episode garnering the most critical acclaim[15] was "The Cop and the Anthem" starring Charles Laughton and Marilyn Monroe. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi". Strictly Business is a 1962 Soviet comedy film, directed by Leonid Gaidai, based on three short stories by O. Henry: "The Roads We Take", "Makes the Whole World Kin", and "The Ransom of Red Chief". The premiere of the film was timed to coincide with the 100th anniversary of the birth of the writer. Henry was particularly popular in Russia in the 1920s, and was described by the critic Deming Brown in 1953 as "remain[ing] a minor classic in Russia".[16] In 1962, the Soviet Postal Service issued a stamp commemorating O. Henry's 100th birthday. A 1957 television series, The O. Henry Playhouse, was syndicated in 39 episodes to 188 markets.[17] Actor Thomas Mitchell portrayed O. Henry in each episode as he interacted with his characters or related his latest story to his publisher or a friend.[18] The 1986 Indian anthology television series Katha Sagar adapted several of Henry's short stories as episodes including "The Last Leaf". An opera in one long act, The Furnished Room, with music by Daniel Steven Crafts and libretto by Richard Kuss, is based on O. Henry's story of the same name. The O. Henry House and O. Henry Hall, both in Austin, Texas, are named for him. O. Henry Hall, now owned by the Texas State University System, previously served as the federal courthouse in which O. Henry was convicted of embezzlement. The O. Henry House has been the site of the O. Henry Pun-Off, an annual spoken word competition inspired by Porter's love of language, since 1978. (Dr. Samuel E. Gideon, a historical architect and professor at the University of Texas at Austin, was a strong advocate for the saving of the O. Henry House in Austin.) Porter has elementary schools named for him in Greensboro, North Carolina (William Sydney Porter Elementary),[19] and Garland, Texas (O. Henry Elementary), as well as a middle school in Austin, Texas (O. Henry Middle School).[20] The O. Henry Hotel in Greensboro is also named for Porter, as is US 29, which is O. Henry Boulevard. Asheville, North Carolina, where Porter is buried, has O. Henry Avenue, the location of the Asheville Citizen-Times building.[21] On September 11, 2012, the United States Postal Service issued a stamp commemorating the 150th anniversary of O. Henry's birth.[22] On November 23, 2011, Barack Obama quoted O. Henry while granting pardons to two turkeys named "Liberty" and "Peace".[23] In response, political science professor P. S. Ruckman Jr. and Texas attorney Scott Henson filed a formal application for a posthumous pardon in September 2012, the same month that the U.S. Postal Service issued its O. Henry stamp.[24] Previous attempts were made to obtain such a pardon for Porter in the administrations of Woodrow Wilson, Dwight Eisenhower, and Ronald Reagan,[25] but no one had ever bothered to file a formal application.[26] Ruckman and Henson argued that Porter deserved a pardon because (1) he was a law-abiding citizen prior to his conviction; (2) his offense was minor; (3) he had an exemplary prison record; (4) his post-prison life clearly indicated rehabilitation; (5) he would have been an excellent candidate for clemency in his time, had he but applied for pardon; (6) by today's standards, he remains an excellent candidate for clemency; and (7) his pardon would be a well-deserved symbolic gesture and more.[24] The pardon remains ungranted. In 2021 the Library of America included O. Henry in their list by publishing a collection of 101 of his stories, edited by Ben Yagoda.[27] Bibliography[edit] Stories[edit] Collections: Cabbages and Kings (1904), novel consisting of linked stories. Collection of 19 short stories: "The Proem: By the Carpenter", "'Fox-in-the-Morning'", "The Lotus and the Bottle", "Smith", "Caught", "Cupid's Exile Number Two", "The Phonograph and the Graft", "Money Maze", "The Admiral", "The Flag Paramount", "The Shamrock and the Palm", "The Remnants of the Code", "Shoes", "Ships", "Masters of Arts", "Dicky", "Rouge et Noir", "Two Recalls", "The Vitagraphoscope" The Four Million (1906), collection of 25 short stories: "Tobin's Palm", "The Gift of the Magi", "A Cosmopolite in a Cafe", "Between Rounds", "The Skylight Room", "A Service of Love", "The Coming-Out of Maggie", "Man About Town", "The Cop and the Anthem", "An Adjustment of Nature", "Memoirs of a Yellow Dog", "The Love-Philtre of Ikey Schoenstein", "Mammon and the Archer", "Springtime à la Carte", "The Green Door", "From the Cabby's Seat", "An Unfinished Story", "The Caliph, Cupid and the Clock", "Sisters of the Golden Circle", "The Romance of a Busy Broker", "After Twenty Years", "Lost on Dress Parade", "By Courier", "The Furnished Room", "The Brief Debut of Tildy" The Trimmed Lamp (1907), collection of 25 short stories: "The Trimmed Lamp", "A Madison Square Arabian Night", "The Rubaiyat of a Scotch Highball", "The Pendulum", "Two Thanksgiving Day Gentlemen", "The Assessor of Success", "The Buyer from Cactus City", "The Badge of Policeman O'Roon", "Brickdust Row" (made into the 1918 film, Everybody's Girl), "The Making of a New Yorker", "Vanity and Some Sables", "The Social Triangle", "The Purple Dress", "The Foreign Policy of Company 99", "The Lost Blend", "A Harlem Tragedy", "'The Guilty Party'", "A Midsummer Knight's Dream", "According to Their Lights", "The Last Leaf", "The Count and the Wedding Guest", "The Country of Elusion", "The Ferry of Unfulfilment", "The Tale of a Tainted Tenner", "Elsie in New York" Heart of the West (1907), collection of 19 short stories: "Hearts and Crosses", "The Ransom of Mack", "Telemachus, Friend", "The Handbook of Hymen", "The Pimienta Pancakes", "Seats of the Haughty", "Hygeia at the Solito", "An Afternoon Miracle", "The Higher Abdication", "Cupid à la Carte", "The Caballero's Way", "The Sphinx Apple", "The Missing Chord", "A Call Loan", "The Princess and the Puma", "The Indian Summer of Dry Valley Johnson", "Christmas by Injunction", "A Chaparral Prince", "The Reformation of Calliope" The Gentle Grafter (1908), collection of 14 short stories: "The Octopus Marooned", "Jeff Peters as a Personal Magnet", "Modern Rural Sports", "The Chair of Philanthromathematics", "The Hand That Riles the World", "The Exact Science of Matrimony", "A Midsummer Masquerade", "Shearing the Wolf", "Innocents of Broadway", "Conscience in Art", "The Man Higher Up", "Tempered Wind", "Hostages to Momus", "The Ethics of Pig" The Voice of the City (1908), collection of 25 short stories: "The Voice of the City", "The Complete Life of John Hopkins", "A Lickpenny Lover", "Dougherty's Eye-opener", "'Little Speck in Garnered Fruit'", "The Harbinger", "While the Auto Waits", "A Comedy in Rubber", "One Thousand Dollars", "The Defeat of the City", "The Shocks of Doom", "The Plutonian Fire", "Nemesis and the Candy Man", "Squaring the Circle", "Roses, Ruses and Romance", "The City of Dreadful Night", "The Easter of the Soul", "The Fool-killer", "Transients in Arcadia", "The Rathskeller and the Rose", "The Clarion Call", "Extradited from Bohemia", "A Philistine in Bohemia", "From Each According to His Ability", "The Memento" Roads of Destiny (1909), collection of 22 short stories: "Roads of Destiny", "The Guardian of the Accolade", "The Discounters of Money", "The Enchanted Profile", "Next to Reading Matter", "Art and the Bronco", "Phoebe", "A Double-dyed Deceiver", "The Passing of Black Eagle", "A Retrieved Reformation", "Cherchez la Femme", "Friends in San Rosario", "The Fourth in Salvador", "The Emancipation of Billy", "The Enchanted Kiss", "A Departmental Case", "The Renaissance at Charleroi", "On Behalf of the Management", "Whistling Dick's Christmas Stocking", "The Halberdier of the Little Rheinschloss", "Two Renegades", "The Lonesome Road" Options (1909), collection of 16 short stories: "'The Rose of Dixie'", "The Third Ingredient", "The Hiding of Black Bill", "Schools and Schools", "Thimble, Thimble", "Supply and Demand", "Buried Treasure", "To Him Who Waits", "He Also Serves", "The Moment of Victory", "The Head-hunter", "No Story", "The Higher Pragmatism", "Best-seller", "Rus in Urbe", "A Poor Rule" The Two Women (1910), collection of 2 short stories: "A Fog in Santone", "Blind Man's Holiday" Strictly Business (1910), collection of 23 short stories: "Strictly Business", "The Gold That Glittered", "Babes in the Jungle", "The Day Resurgent", "The Fifth Wheel", "The Poet and the Peasant", "The Robe of Peace", "The Girl and the Graft", "The Call of the Tame", "The Unknown Quantity", "The Thing's the Play", "A Ramble in Aphasia", "A Municipal Report", "Psyche and the Pskyscraper", "A Bird of Bagdad", "Compliments of the Season", "A Night in New Arabia", "The Girl and the Habit", "Proof of the Pudding", "Past One at Rooney's", "The Venturers", "The Duel", "'What You Want'" Whirligigs (1910), collection of 24 short stories: "The World and the Door", "The Theory and the Hound", "The Hypotheses of Failure", "Calloway's Code", "A Matter of Mean Elevation", "Girl", "Sociology in Serge and Straw", "The Ransom of Red Chief", "The Marry Month of May", "A Technical Error", "Suite Homes and Their Romance", "The Whirligig of Life", "A Sacrifice Hit", "The Roads We Take [ru]", "A Blackjack Bargainer", "The Song and the Sergeant", "One Dollar's Worth", "A Newspaper Story", "Tommy's Burglar", "A Chaparral Christmas Gift", "A Little Local Colour", "Georgia's Ruling", "Blind Man's Holiday", "Madame Bo-Peep of the Ranches" Sixes and Sevens (1911), collection of 25 short stories: "The Last of the Troubadours", "The Sleuths", "Witches' Loaves", "The Pride of the Cities", "Holding Up a Train", "Ulysses and the Dogman", "The Champion of the Weather", "Makes the Whole World Kin", "At Arms with Morpheus", "A Ghost of a Chance", "Jimmy Hayes and Muriel", "The Door of Unrest", "The Duplicity of Hargraves", "Let Me Feel Your Pulse", "October and June", "The Church with an Overshot-Wheel", "New York by Camp Fire Light", "The Adventures of Shamrock Jolnes", "The Lady Higher Up", "The Greater Coney", "Law and Order", "Transformation of Martin Burney", "The Caliph and the Cad", "The Diamond of Kali", "The Day We Celebrate" Rolling Stones (1912), collection of 23 short stories: "The Dream", "A Ruler of Men", "The Atavism of John Tom Little Bear", "Helping the Other Fellow", "The Marionettes", "The Marquis and Miss Sally", "A Fog in Santone", "The Friendly Call", "A Dinner at ———", "Sound and Fury" (1903), "Tictocq", "Tracked to Doom", "A Snapshot at the President", "An Unfinished Christmas Story", "The Unprofitable Servant", "Aristocracy Versus Hash", "The Prisoner of Zembla", "A Strange Story", "Fickle Fortune, or How Gladys Hustled", "An Apology", "Lord Oakhurst's Curse", "Bexar Scrip No. 2692.", "Queries and Answers" 12 poems: "The Pewee", "Nothing to say", "The Murderer" Some Postscripts: "Two Portraits", "A Contribution", "The Old Farm", "Vanity", "The Lullaby Boy", "Chanson de Bohême", "Hard to Forget", "Drop a Tear in This Slot", "Tamales" letters: "Some Letters" Waifs and Strays (1917), collection of 12 short stories: "The Red Roses of Tonia", "Round The Circle", "The Rubber Plant's Story", "Out of Nazareth", "Confessions of a Humorist", "The Sparrows in Madison Square", "Hearts and Hands", "The Cactus", "The Detective Detector", "The Dog and the Playlet", "A Little Talk About Mobs", "The Snow Man" O. Henryana (1920), collection of 7 short stories: "The Crucible", "A Lunar Episode", "Three Paragraphs", "Bulger's Friend", "A Professional Secret", "The Elusive Tenderloin", "The Struggle of the Outliers" Postscripts (1923), collection of 103 short stories, 26 poems and 4 articles: "The Sensitive Colonel Jay", "Taking No Chances", "A Matter of Loyalty", "The Other Side of It", "Journalistically Impossible", "The Power of Reputation", "The Distraction of Grief", "A Sporting Interest", "Had A Use for It", "The Old Landmark", "A Personal Insult", "Toddlekins" (poem), "Reconciliation", "Buying a Piano", "Too Late", "Nothing to say" (poem), "'Goin Home fur Christmas'" (poem), "Just a Little Damp", "Her Mysterious Charm", "Convinced", "His Dilemma", "Something for Baby" (poem), "Some Day", "A Green Hand", "A Righteous Outburst", "Getting at the Facts", "Just for a Change" (poem), "Too Wise", "A Fatal Error", "Prompt" (poem), "An Opportunity Declined", "Correcting a Great Injustice", "A Startling Demonstration", "Leap Year Advice" (article), "After Supper", "His Only Opportunity", "Getting Acquainted", "Answers to Inquiries" (article), "City Peril", "Hush Money", "Relieved", "No Time to Lose", "A Villainous Trick", "A Forced March" (poem), "Book Review" (article), "A Conditional Pardon", "Inconsistency" (poem), "Bill Nye", "To a Portrait" (poem), "A Guarded Secret", "A Pastel", "Jim" (poem), "Board and Ancestors", "An X-Ray Fable", "A Universal Favorite", "Spring" (poem), "The Sporting Editor on Culture", "A Question of Direction", "The Old Farm" (poem), "Willing to Compromise", "Ridiculous", "Guessed Everything Else", "The Prisoner of Zembla", "Lucky Either Way", "The Bad Man", "Slight Mistake", "Delayed", "A Good Story Spoiled", "Revenge", "No Help for It", "Riley's Luck" (poem), "Not So Much a Tam Fool", "A Guess-Proof Mystery Story", "Futility" (poem), "Wounded Veteran", "Her Ruse", "Why Conductors Are Morose", "The Pewee" (poem), "'Only to Lie-'" (poem), "The Sunday Excursionist", "Decoration Day", "Charge of the White Brigade" (poem), "An Inspiration", "Coming To Him", "His Pension", "Winner", "Hungry Henry's Ruse", "A Proof Of Love" (poem), "One Consolation", "An Unsuccessful Experiment", "Superlatrives" (poem), "By Easy Stages", "Even Worse", "The Shock", "The Cynic", "Speaking of Big Winds", "An Original Idea", "Calculations", "A Valedictory", "Solemn Thoughts", "Explaining It", "Her Failing", "A Disagreement", "An E for a Knee" (poem), "The Unconquerable" (poem), "An Expensive Veracity", "Grounds for Uneasiness", "It Covers Errors" (poem), "Recognition", "His Doubt", "A Cheering Thought", "What It Was", "Vanity" (poem), "Identified", "The Apple", "How It Started", "How Red Conlin Told the Widow", "Why He Hesitated", "Turkish Questions" (poem), "Somebody Lied", "Marvelous", "The Confession of a Murderer", "Get Off the Earth" (poem), "The Stranger's Appeal", "The Good Boy", "The Colonel's Romance", "A Narrow Escape", "A Year's Supply", "Eugene Field" (poem), "Slightly Mixed", "Knew What Was Needed", "Some Ancient News Notes" (article), "A Sure Method" O. Henry Encore (1939), collection of 27 short stories, 7 sketches and 10 poems: Part one. Stories: "A Night Errant", "In Mezzotint", "The Dissipated Jeweller", "How Willie Saved Father", "The Mirage on the Frio", "Sufficient Provocation", "The Bruised Reed", "Paderewski's Hair", "A Mystery of Many Centuries", "A Strange Case", "Simmons' Saturday Night", "An Unknown Romance", "Jack the Giant Killer", "The Pint Flask", "An Odd Character", "A Houston Romance", "The Legend of San Jacinto", "Binkley's Practical School of Journalism", "A New Microbe", "Vereton Villa", "Whisky Did It", "Nothing New Under the Sun", "Led Astray", "A Story for Men", "How She Got in the Swim", "The Barber Talks", "Barber Shop Adventure" Part two. Sketches: "Did You See the Circus", "Thanksgiving Remarks", "When the Train Comes in", "Christmas Eve", "New Year's Eve and Now it Came to Houston", "'Watchman, What of the Night?'", "Newspaper Poets" Part three. Newspaper Poetry: "Topical Verse", "Cap Jessamines", "The Cricket", "My Broncho", "The Modern Venus", "Celestial Sounds", "The Snow", "Her Choice", "'Little Things, but Ain't They Whizzers?'", "Last Fall of the Alamo" Uncollected short stories: "Tictocq, the Great French Detective" (1894) "Tictocq, the Great French Detective; or, A Soubrette's Diamonds" (1894) "A Blow All 'Round" (1895) "A Chicago Proposal" (1895) "A Fishy Story" (1895) "A Foretaste" (1895) "A Literal Caution" (1895) "A Philadelphia Diagnosis" (1895) "A Thousand Dollar Poem, was what the Literary Judgment of the Business Manager Lost for the Paper" (1895) "All Right" (1895) "And Put Up a Dime" (1895) "Arrived" (1895) "As Her Share" (1895) "Ballad of the Passionate Eye" (1895) "Cheaper in Quantities" (1895) "Didn't Want Him Back" (1895) "Do You Know?" (1895) "Enlarging His Field" (1895) "Entirely Successful" (1895) "Extremes Met" (1895) "False to His Colors" (1895) "Family Pride" (1895) "He Was Behind With His Board" (1895) "Her Reckoning" (1895) "His Last Chance" (1895) "Making the Most of It" (1895) "Might Be" (1895) "Military or Millinery?" (1895) "No Chestnuts Were Served" (1895) "No Earlier" (1895) "Not Hers" (1895) "Not Official Statistics, However" (1895) "Palmistry" (1895) "Prodigality" (1895) "Professional, But Doubtful" (1895) "Prudent Precautions" (1895) "Same Thing" (1895) "Self Conceit" (1895) "Silver Question Settled" (1895) "Sunday Journalism, Memoranda of the Sabbath Editor of the New York Daily for Next Sunday's Contents" (1895) "The Fate It Deserved" (1895) "The Man at the Window" (1895) "The Modern Kind" (1895) "The New Hero" (1895) "The Odor Located" (1895) "The Teacher Taught" (1895) "The White Feather" (1895) "Uncle Sam's Wind" (1895) "Whole Handfuls" (1895) "Will She Fight as She Jokes? Here Are Some Translations of Recent Spanish Humour" (1895) "Yellow Specials, Latest Style of News Write Ups adopted by the sulphur-hued journals" (1895) "A Tragedy" (1896, as The Postman) "At an Auction" (1896) "Telegram" (1896) "His Courier" (1902) "The Flag" (1902) "The Guardian of the Scutcheon" (1903, as Olivier Henry) "The Lotus and the Cockleburrs" (1903) "The Point of the Story" (1903, as Sydney Porter) "The Quest of Soapy" (1908) "A Christmas Pi" (1909, as O. H-nry) "Adventures in Neurasthenia" (1910) "Last Story" (1910) Poems[edit] Uncollected poems: "Already Provided" (1895) "Archery" (1895) "At Cockcrow" (1895) "Honeymoon Vapourings" (1895) "Never, Until Now" (1895) "Ornamental" (1895) "The Imported Brand" (1895) "The Morning glory" (1895) "The White Violet" (1895) "To Her" (XRay) Photograph" (1895) "Unseeing" (1895) "Promptings" (1899) "Sunset in the Far North" (1901) "The Captive" (1901) "Uncaptured Joy" (1901) "April" (1903) "Auto Bugle Song" (1903) "June" (1903) "Remorse" (1903) "Spring in the City" (1903) "To a Gibson Girl" (1903) "Two Chapters" (1903) "A Floral Valentine" (1905) Non-fiction[edit] Later Definitions (1895) The Reporter's Private Lexicon (1903) Letter 1883 (1912) Letters 1884, 1885 (1912) Letters 1905 (1914) Letters from Prison to his Daughter Margaret (1916) Letter 1901 (1917) Letters (1921) Letters to Lithopolis: from O. Henry to Mabel Wagnalls (1922) Letters (1923) Letter (1928) Letters 1906, 1909 (1931) Letters, etc. of 1883 (1931) References[edit] ^ "The Marquis and Miss Sally", Everybody's Magazine, vol 8, issue 6, June 1903, appeared under the byline "Oliver Henry" ^ Chisholm, Hugh, ed. (1922). "Henry, O." . Encyclopædia Britannica (12th ed.). London & New York: The Encyclopædia Britannica Company. ^ "Biography: O. Henry". North Carolina History. Retrieved March 10, 2014. ^ Chapman, Peter (2008). Bananas: How the United Fruit Company Shaped the World. Cannongate, New York. pp. 68–69, 108.{{cite book}}: CS1 maint: location missing publisher (link) ^ Current-Garcia, Eugene (1993). O. Henry: A Study of the Short Fiction (First ed.). New York City: Twayne Publishers, Macmillan Publishing Co. p. 123. ISBN 0-8057-0859-6. ^ Brown CT (October 1967). "O. Henry the pharmacist". Mil Med. 132 (10): 823–825. doi:10.1093/milmed/132.10.823. PMID 4965475. ^ Darty, Joshua (2018). Asheville's Riverside Cemetery. Arcadia. ISBN 9781467128193. ^ Boyle, John (November 30, 2023). "Answer Man: What happens to coins on O. Henry's gravesite in Riverside Cemetery? Any hope for dangerous Riverside Drive interchange?". Asheville Watchdog. Retrieved December 3, 2023. ^ Henry, O. "A Madison Square Arabian Night," from The Trimmed Lamp: "Oh, I know what to do when I see victuals coming toward me in little old Bagdad-on-the-Subway. I strike the asphalt three times with my forehead and get ready to spiel yarns for my supper. I claim descent from the late Tommy Tucker, who was forced to hand out vocal harmony for his pre-digested wheaterina and spoopju." The Trimmed Lamp, Project Gutenberg text ^ Henry, O. "Dream". Read Book Online website. Archived from the original on October 19, 2014. Retrieved April 22, 2014. ^ "Porter, William Sydney (O. Henry)". Ncpedia.org. ^ a b Guy Davenport, The Hunter Gracchus and Other Papers on Literature and Art, Washington, D.C.: Counterpoint, 1996. ^ "'O. Henry' on Himself, Life, and Other Things" (PDF), New York Times, April 4, 1909, p. SM9. ^ Joseph F. Clarke (1977). Pseudonyms. BCA. p. 83. ^ Crowther, Bosley (October 17, 1952). "THE SCREEN IN REVIEW; Four O. Henry Short Stories Offered in Fox Movie at Trans-Lux 52d Street". New York Times. Retrieved November 17, 2017. ^ Brown, Deming (October 1953). "O. Henry in Russia". The Russian Review. 12 (4): 253–258. doi:10.2307/125957. JSTOR 125957. Retrieved February 18, 2024. ^ The Billboard, May 13, 1957. ^ "Celebrating The O. Henry Playhouse". ohenryplayhouse.com. Retrieved February 14, 2022. ^ Arnett, Ethel Stephens (1973). For Whom Our Public Schools Were Named, Greensboro, North Carolina. Piedmont Press. p. 245. ^ "O. Henry Middle School, Austin, TX". Archive.austinisd.org. Archived from the original on October 4, 2011. Retrieved March 25, 2014. ^ Burgess, Joel (October 31, 2023). "Halloween in haunted Asheville?: DIY tour of the city's ghost sites". Asheville Citizen-Times. ^ "Celebrating Master Storyteller O. Henry's 150th Birthday Anniversary". U.S. Postal Service. About.usps.com. Retrieved March 25, 2014. ^ Mark Memmot, "Obama Quotes O. Henry on 'Purely American' Nature of Thanksgiving", The Two-Way, NPR.org. Retrieved September 26, 2013. ^ a b Jim Schlosser, "Please Mr. President, Pardon O. Henry Archived September 28, 2013, at the Wayback Machine", O. Henry Magazine, October 2013. Retrieved September 26, 2013. ^ "Presidential Pardons: Few from Obama, and None for O. Henry". Go.bloomberg.com. February 21, 2013. Archived from the original on June 26, 2014. Retrieved March 25, 2014. ^ Edith Evan Asbury, "For O. Henry, a Hometown Festival", The New York Times, April 13, 1985. Retrieved September 26, 2013. ^ "O. Henry: 101 Stories Edited by Ben Yagoda". Library of America. Retrieved September 14, 2021. Further reading[edit] Smith, C. Alphonso (November 1916). "The Strange Case of Sydney Porter and 'O. Henry'". The World's Work: A History of Our Time. XXXIII (1): 54–64. Retrieved February 26, 2019. External links[edit] Works by O. Henry in eBook form at Standard Ebooks Works by O. Henry at Project Gutenberg Works by or about O. Henry at Internet Archive Works by O. Henry at LibriVox (public domain audiobooks) O. Henry Museum Biography and Works at LiteratureCollection.com "His Writers' Workshop? A Prison Cell", John J. Miller, The Wall Street Journal, June 8, 2010 O. Henry at IMDb O. Henry item search at the Portal to Texas History (texashistory.unt.edu) O. Henry at Library of Congress, with 235 library catalog records vteO. HenryShort stories "The Duplicity of Hargraves" (1902) "A Retrieved Reformation" (1903) "The Cop and the Anthem" (1904) "Makes the Whole World Kin" (1904) "The Last Leaf" (1905) "The Gift of the Magi" (1905) "The Skylight Room" (1906) "After Twenty Years" (1906) "Conscience in Art" (1907) "The Caballero's Way" (1907) "A Lickpenny Lover" (1908) "One Thousand Dollars" (1908) "The Third Ingredient" (1908) "The Ransom of Red Chief" (1910) Novels Cabbages and Kings (1904) Story collections The Four Million (1906) Roads of Destiny (1909) Whirligigs (1910) Waifs and Strays (1917) Related O. Henry Award William Sidney Porter House O. Henry House and Museum O. Henry Hall A Night in New Arabia (1917 film) O. Henry's Full House (1952 film) Strictly Business (1962 film) The Trust That Went Bust (1983 miniseries) Katha Sagar (1986 miniseries) O. Henry at Wikipedia's sister projects:Definitions from WiktionaryMedia from CommonsQuotations from WikiquoteTexts from WikisourceData from Wikidata Authority control databases International FAST ISNI VIAF National Norway Chile Spain France BnF data Argentina Catalonia Germany Italy Israel Finland Belgium United States Sweden Latvia Japan Czech Republic Australia Greece Korea Croatia Netherlands Poland Portugal Vatican 2 Academics CiNii Artists MusicBrainz People Deutsche Biographie Trove Other SNAC 2 IdRef

THE LAST LEAF

"Last Autumn Leaves" by Lorenzo Tomada is licensed under CC by-NC-ND 2.0.

1 In a little district west of Washington Square the streets have run crazy and broken themselves into small strips called "places." These "places" make strange angles and curves. One Street crosses itself a time or two. An artist once discovered a valuable possibility in this street. Suppose a collector with a bill for paints, paper and canvas should, in traversing this route, suddenly meet himself coming back, without a cent having been paid on account!

2 So, to quaint old Greenwich Village the art people soon came prowling, hunting for north windows and eighteenth-century gables and Dutch attics and low rents. Then they imported some pewter mugs and a chafing dish or two from Sixth Avenue, and became a "colony."

3 At the top of a squatty, three-story brick Sue and Johnsy had their studio. "Johnsy" was familiar for Joanna. One was from Maine; the other from California. They had met at the table d'hÔte of an Eighth Street "Delmonico's," and found their tastes in art, chicory salad and bishop sleeves so congenial that the joint studio resulted.

4 That was in May. In November a cold, unseen stranger, whom the doctors called Pneumonia, stalked about the colony, touching one here and there with his icy fingers. Over on the east side this ravager strode boldly, smiting his victims by scores, but his feet trod slowly through the maze of the narrow and moss-grown "places."

5 Mr. Pneumonia was not what you would call a chivalric old gentleman. A mite of a little woman with blood thinned by California zephyrs was hardly fair game for the red-fisted, short-breathed old duffer. But Johnsy he smote; and she lay, scarcely moving, on her painted iron bedstead, looking through the small Dutch window-panes at the blank side of the next brick house.

6 One morning the busy doctor invited Sue into the hallway with a shaggy, gray eyebrow.

7 "She has one chance in let us say, ten," he said, as he shook down the mercury in his clinical thermometer. "And that chance is for her to want to live. Your little lady has made up her mind that she's not going to get well. Has she anything on her mind?"

8 "She she wanted to paint the Bay of Naples some day." said Sue.

9 "Paint? bosh! Has she anything on her mind worth thinking twice a man for instance?"

10 "A man?" said Sue, with a jew's-harp twang in her voice. "Is a man worth but, no, doctor; there is nothing of the kind."

11 "Well, it is the weakness, then," said the doctor. "I will do all that science, so far as it may filter through my efforts, can accomplish. But whenever my patient begins to count the carriages in her funeral procession I subtract 50 percent from the curative power of medicines. If you will get her to ask one question about the new winter styles in cloak sleeves I will promise you a one-in-five chance for her, instead of one in ten."

12 After the doctor had gone Sue went into the workroom and cried a Japanese napkin to a pulp. Then she swaggered into Johnsy's room with her drawing board, whistling ragtime.

13 Johnsy lay, scarcely making a ripple under the bedclothes, with her face toward the window. Sue stopped whistling, thinking she was asleep.

14 She arranged her board and began a pen-and-ink drawing to illustrate a magazine story. Young artists must pave their way to Art by drawing pictures for magazine stories that young authors write to pave their way to Literature.

15 As Sue was sketching a pair of elegant horseshow riding trousers and a monocle of the figure of the hero, an Idaho cowboy, she heard a low sound, several times repeated. She went quickly to the bedside.

16 Johnsy's eyes were open wide. She was looking out the window and counting counting backward.

17 "Twelve," she said, and little later "eleven"; and then "ten," and "nine"; and then "eight" and "seven", almost together.

18 Sue looked solicitously out of the window. What was there to count? There was only a bare, dreary yard to be seen, and the blank side of the brick house twenty feet away. An old, old ivy vine, gnarled and decayed at the roots, climbed half way up the brick wall. The cold breath of autumn had stricken its leaves from the vine until its skeleton branches clung, almost bare, to the crumbling bricks.

19 "What is it, dear?" asked Sue.

20 "Six," said Johnsy, in almost a whisper. "They're falling faster now. Three days ago there were almost a hundred. It made my head ache to count them. But now it's easy. There goes another one. There are only five left now."

21 "Five what, dear? Tell your Sudie."

22 "Leaves. On the ivy vine. When the last one falls I must go, too. I've known that for three days. Didn't the doctor tell you?"

23 "Oh, I never heard of such nonsense," complained Sue, with magnificent scorn. "What have old ivy leaves to do with your getting well? And you used to love that vine so, you naughty girl. Don't be a goosey. Why, the doctor told me this morning that your chances for getting well real soon were let's see exactly what he said he said the chances were ten to one! Why, that's almost as good a chance as we have in New York when we ride on the street cars or walk past a new building. Try to take some broth now, and let Sudie go back to her drawing, so she can sell the editor man with it, and buy port wine for her sick child, and pork chops for her greedy self."

24 "You needn't get any more wine," said Johnsy, keeping her eyes fixed out the window. "There goes another. No, I don't want any broth. That leaves just four. I want to see the last one fall before it gets dark. Then I'll go, too."

25 "Johnsy, dear," said Sue, bending over her, "will you promise me to keep your eyes closed, and not look out the window until I am done working? I must hand those drawings in by to-morrow. I need the light, or I would draw the shade down."

26 "Couldn't you draw in the other room?" asked Johnsy, coldly.

27 "I'd rather be here by you," said Sue. "Beside, I don't want you to keep looking at those silly ivy leaves."

28 "Tell me as soon as you have finished," said Johnsy, closing her eyes, and lying white and still as fallen statue, "because I want to see the last one fall. I'm tired of waiting. I'm tired of thinking. I want to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves."

29 "Try to sleep," said Sue. "I must call Behrman up to be my model for the old hermit miner. I'll not be gone a minute. Don't try to move 'til I come back."

30 Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo's Moses beard curling down from the head of a satyr along with the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress's robe. He had been always about to paint a masterpiece, but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece. For the rest he was a fierce little old man, who scoffed terribly at softness in any one, and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above.

31 Sue found Behrman smelling strongly of juniper berries in his dimly lighted den below. In one corner was a blank canvas on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away, when her slight hold upon the world grew weaker. Old Behrman, with his red eyes plainly streaming, shouted his contempt and derision for such idiotic imaginings.

32 "Vass!" he cried. "Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I will not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der brain of her? Ach, dot poor leetle Miss Yohnsy."

33 "She is very ill and weak," said Sue, "and the fever has left her mind morbid and full of strange fancies. Very well, Mr. Behrman, if you do not care to pose for me, you needn't. But I think you are a horrid old old flibbertigibbet."

34 "You are just like a woman!" yelled Behrman. "Who said I will not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go away. Gott! yes."

35 Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill, and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the hermit miner on an upturned kettle for a rock.

36 When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade.

37 "Pull it up; I want to see," she ordered, in a whisper.

38 Wearily Sue obeyed.

39 But, lo! after the beating rain and fierce gusts of wind that had endured through the livelong night, there yet stood out against the brick wall one ivy leaf. It was the last one on the vine. Still dark green near its stem, with its serrated edges tinted with the yellow of dissolution and decay, it hung bravely from the branch some twenty feet above the ground.

40 "It is the last one," said Johnsy. "I thought it would surely fall during the night. I heard the wind. It will fall to-day, and I shall die at the same time."

41 "Dear, dear!" said Sue, leaning her worn face down to the pillow, "think of me, if you won't think of yourself. What would I do?"

42 But Johnsy did not answer. The lonesomest thing in all the world is a soul when it is making ready to go on its mysterious, far journey. The fancy seemed to possess her more strongly as one by one the ties that bound her to friendship and to earth were loosed.

43 The day wore away, and even through the twilight they could see the lone ivy leaf clinging to its stem against the wall. And then, with the coming of the night the north wind was again loosed, while the rain still beat against the windows and pattered down from the low Dutch eaves.

44 When it was light enough Johnsy, the merciless, commanded that the shade be raised.

45 The ivy leaf was still there.

46 Johnsy lay for a long time looking at it. And then she called to Sue, who was stirring her chicken broth over the gas stove.

47 "I've been a bad girl, Sudie," said Johnsy. "Something has made that last leaf stay there to show me how wicked I was. It is a sin to want to die. You may bring a me a little broth now, and some milk with a little port in it, and no; bring me a hand-mirror first, and then pack some pillows about me, and I will sit up and watch you cook."

48 And hour later she said:

"Sudie, some day I hope to paint the Bay of Naples."

49 The doctor came in the afternoon, and Sue had an excuse to go into the hallway as he left.

50 "Even chances," said the doctor, taking Sue's thin, shaking hand in his. "With good nursing you'll win. And now I must see another case I have downstairs. Behrman, his name is some kind of an artist, I believe. Pneumonia, too. He is an old, weak man, and the attack is acute. There is no hope for him; but he goes to the hospital to-day to be made more comfortable."

51 The next day the doctor said to Sue: "She's out of danger. You won. Nutrition and care now that's all."

52 And that afternoon Sue came to the bed where Johnsy lay, contentedly knitting a very blue and very useless woollen shoulder scarf, and put one arm around her, pillows and all.

53 "I have something to tell you, white mouse," she said. "Mr. Behrman died of pneumonia to-day in the hospital. He was ill only two days. The janitor found him the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were wet through and icy cold. They couldn't imagine where he had been on such a dreadful night. And then they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scattered brushes, and a palette with green and yellow colors mixed on it, and look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never fluttered or moved when the wind blew? Ah, darling, it's Behrman's masterpiece he painted it there the night that the last leaf fell."

Current Page: 1

GRADE:7

Word Lists:

Monocle : a single eyeglass, kept in position by the muscles around the eye.

Serrated : having or denoting a jagged edge; sawlike

Zephyr : a soft gentle breeze.

Masterpiece : a work of outstanding artistry, skill, or workmanship

Sue : institute legal proceedings against (a person or institution), typically for redress

Gnarled : knobbly, rough, and twisted, especially with age

Satyr : one of a class of lustful, drunken woodland gods. In Greek art they were represented as a man with a horse's ears and tail, but in Roman representations as a man with a goat's ears, tail, legs, and horns.

Daub : coat or smear (a surface) with a thick or sticky substance in a carelessly rough or liberal way

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Additional Information:

Rating: A Words in the Passage: 1060 Unique Words: 831 Sentences: 186
Noun: 594 Conjunction: 217 Adverb: 158 Interjection: 8
Adjective: 199 Pronoun: 236 Verb: 413 Preposition: 255
Letter Count: 9,737 Sentiment: Positive / Positive / Positive Tone: Neutral Difficult Words: 447
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