Grade Practice Test | Lumos Learning

MY SHADOW

by Robert Louis Stevenson

I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me, from the heels up to the head;
And I see him jump before me, when I jump into my bed.

The funniest thing about him is the way he likes to grow—
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller, like an india-rubber ball,
And he sometimes gets so little that there's none of him at all.

What literary element does the author of this poem use to create humor?

THE LAD AND THE DEIL

by Sir George Webbe Dasent

Once on a time there was a lad who was walking along a road cracking nuts, so he found one that was worm-eaten, and just at that very moment he met the Deil (Devil).

"Is it true, now," said the lad, "what they say, that the Deil can make himself as small as he chooses, and thrust himself on through a pinhole?"

"Yes, it is," said the Deil. "Oh! it is, is it? then let me see you do it, and just creep into this nut," said the lad.

So the Deil did it. Now, when he had crept well into it through the worm's hole, the lad stopped it up with a pin.

"Now, I've got you safe," he said, and put the nut into his pocket.

So when he had walked on a bit, he came to a smithy, and he turned in and asked the smith if he'd be good enough to crack that nut for him.

"Ay, that'll be an easy job," said the smith, and took his smallest hammer, laid the nut on the anvil, and gave it a blow, but it wouldn't break.

So he took another hammer a little bigger, but that wasn't heavy enough either. Then he took one bigger still, but it was still the same story; and so the smith got wroth, and grasped his great sledge-hammer.

"Now, I'll crack you to bits," he said, and let drive at the nut with all his might and main.

And so the nut flew to pieces with a bang that blew off half the roof of the smithy, and the whole house creaked and groaned as though it were ready to fall. "Why! if I don't think the Devil must have been in that nut," said the smith.

"So he was; you're quite right," said the lad, as he went away laughing.

What is ironic about this story?

The Smith and the Fairies-A Gaelic Folk Tale (Ed. Kate Douglas Wiggin)

Years ago there lived in Crossbrig a smith of the name of MacEachern. This man had an only child, a boy of about thirteen or fourteen years of age, cheerful, strong, and healthy. All of a sudden he fell ill; took to his bed and moped whole days away. No one could tell what was the matter with him, and the boy himself could not, or would not, tell how he felt. He was wasting away fast; getting thin, old, and yellow; and his father and all his friends were afraid that he would die.

At last one day, after the boy had been lying in this condition for a long time, getting neither better nor worse, always confined to bed, but with an extraordinary appetite—one day, while sadly revolving these things, and standing idly at his forge, with no heart to work, the smith was agreeably surprised to see an old man, well known for his sagacity and knowledge of out-of-the-way things, walk into his workshop. Forthwith he told him the occurrence which had clouded his life.

The old man looked grave as he listened; and after sitting a long time pondering over all he had heard, gave his opinion thus: "It is not your son you have got. The boy has been carried away by the 'Daione Sith,' and they have left a Sibhreach in his place."

"Alas! and what then am I to do?" said the smith. "How am I ever to see my own son again?"

"I will tell you how," answered the old man. "But, first, to make sure that it is not your own son you have got, take as many empty egg-shells as you can get, go into his room, spread them out carefully before his sight, then proceed to draw water with them, carrying them two and two in your hands as if they were a great weight, and arrange them when full, with every sort of earnestness around the fire."

The smith accordingly gathered as many broken egg-shells as he could get, went into the room, and proceeded to carry out all his instructions.

He had not been long at work before there arose from the bed a shout of laughter, and the voice of the seeming sick boy exclaimed, "I am eight hundred years of age, and I have never seen the like of that before." The smith returned and told the old man.

"Well, now," said the sage to him, "did I not tell you that it was not your son you had: your son is in Borracheill in a digh there (that is, a round green hill frequented by fairies). Get rid as soon as possible of this intruder, and I think I may promise you your son. You must light a very large and bright fire before the bed on which this stranger is lying. He will ask you, 'What is the use of such a fire as that?' Answer him at once, 'You will see that presently!' and then seize him, and throw him into the middle of it. If it is your own son you have got, he will call out to you to save him; but if not, the thing will fly through the roof."

The smith again followed the old man's advice: kindled a large fire, answered the question put to him as he had been directed to do, and seizing the child flung him in without hesitation. The Sibhreach gave an awful yell, and sprang through the roof, where a hole had been left to let the smoke out.

On a certain night the old man told him the green round hill, where the fairies kept the boy, would be open, and on that date the smith, having provided himself with a Bible, a dirk, and a crowing cock, was to proceed to the hill. He would hear singing and dancing, and much merriment going on, he had been told, but he was to advance boldly; the Bible he carried would be a certain safeguard to him against any danger from the fairies. On entering the hill he was to stick the dirk in the threshold, to prevent the hill from closing upon him; "and then," continued the old man, "on entering you will see a spacious apartment before you, beautifully clean, and there, standing far within, working at a forge, you will also see your own son. When you are questioned, say you come to seek him, and will not go without him."

Not long after this, the time came round, and the smith sallied forth, prepared as instructed. Sure enough as he approached the hill, there was a light where light was seldom seen before. Soon after, a sound of piping, dancing, and joyous merriment reached the anxious father on the night wind.

Overcoming every impulse to fear, the smith approached the threshold steadily, stuck the dirk into it as directed, and entered. Protected by the Bible he carried on his breast, the fairies could not touch him; but they asked him, with a good deal of displeasure, what he wanted there. He answered, "I want my son, whom I see down there, and I will not go without him."

Upon hearing this the whole company before him gave a loud laugh, which wakened up the cock he carried dozing in his arms, who at once leaped up on his shoulders, clapped his wings lustily, and crowed loud and long.

The fairies, incensed, seized the smith and his son, and throwing them out of the hill, flung the dirk after them, and in an instant all was dark.

For a year and a day the boy never did a turn of work, and hardly ever spoke a word; but at last one day, sitting by his father and watching him finishing a sword he was making for some chief, and which he was very particular about, he suddenly exclaimed, "That is not the way to do it;" and taking the tools from his father's hands he set to work himself in his place, and soon fashioned a sword, the like of which was never seen in the country before.

From that day the young man wrought constantly with his father, and became the inventor of a peculiarly fine and well-tempered weapon, the making of which kept the two smiths, father and son, in constant employment, spread their fame far and wide, and gave them the means in abundance, as they before had the disposition, to live content with all the world and very happily with each other.

Which phrase in the author's description of the smith's journey to visit the fairies does NOT help to create suspense?