The Great Taboo

- By Grant Allen
Font Size
Canadian science writer For the Australian Paralympic cyclist, see Grant Allen (cyclist). Grant AllenPortrait of Grant Allen, by Elliott & FryBornCharles Grant Blairfindie Allen(1848-02-24)24 February 1848Wolfe Island near Kingston, Canada WestDied25 October 1899(1899-10-25) (aged 51)Hindhead, Haslemere, EnglandOccupationWriterNationalityCanadianAlma materOxfordNotable worksThe Woman Who DidThe Evolution of the Idea of GodThe British BarbariansSpouses Caroline Anne Bootheway ​ ​(m. 1868; died 1872)​ Ellen Jerrard ​(m. 1873)​ Children1 Charles Grant Blairfindie Allen (February 24, 1848 – October 25, 1899) was a Canadian science writer and novelist, educated in England. He was a public promoter of evolution in the second half of the nineteenth century.[1] Biography[edit] Early life and education[edit] Allen was born on Wolfe Island near Kingston, Canada West (known as Ontario after Confederation), the second son of Catharine Ann Grant and the Rev. Joseph Antisell Allen, a Protestant minister from Dublin, Ireland.[2] His mother was a daughter of the fifth Baron de Longueuil. Allen was educated at home until, at age 13, he and his parents moved to the United States, then to France, and finally to the United Kingdom.[3] He was educated at King Edward's School in Birmingham and at Merton College in Oxford, both in the United Kingdom.[4] After graduation, Allen studied in France, taught at Brighton College in 1870–71, and in his mid-twenties became a professor at Queen's College, a black college in Jamaica.[5] Despite being the son of a minister, Allen became an atheist and a socialist. Writing career[edit] After leaving his professorship, in 1876 he returned to England, where he turned his talents to writing, gaining a reputation for his essays on science and for literary works. A 2007 book by Oliver Sacks cites with approval one of Allen's early articles, "Note-Deafness" (a description of what became known as amusia, published in 1878 in the learned journal Mind).[6] Allen's first books dealt with scientific subjects, and include Physiological Æsthetics (1877) and Flowers and Their Pedigrees (1886) He was first influenced by associationist psychology as expounded by Alexander Bain and by Herbert Spencer, the latter who especially espoused the transition from associationist psychology to Darwinian functionalism. In Allen's many articles on flowers and on perception in insects, Darwinian arguments replaced the old Spencerian terms, leading to a radically new vision of plant life that influenced H.G. Wells and helped transform later botanical research.[7] On a personal level, a long friendship that started when Allen met Spencer on his return from Jamaica grew uneasy over the years. Allen wrote a critical and revealing biographical article on Spencer that was published after Spencer's death. After assisting Sir W. W. Hunter with his Gazetteer of India in the early 1880s, Allen turned his attention to fiction, and between 1884 and 1899 produced about 30 novels. In 1895, his scandalous book titled The Woman Who Did, promulgating certain startling views on marriage and kindred questions, became a bestseller. The book told the story of an independent woman who has a child out of wedlock.[8] Owing to his concern with these subjects, Allen was associated with Thomas Hardy, whose novel Jude the Obscure (1895) was published the same year as The Woman Who Did. In his career, Allen wrote two novels under female pseudonyms. One of these, the short novel The Type-writer Girl, he wrote under the name Olive Pratt Rayner. Another work, The Evolution of the Idea of God (1897), propounds a theory of religion on heterodox lines comparable to Herbert Spencer's "ghost theory".[9] Allen's theory became well known and brief references to it appear in a review by Marcel Mauss, Durkheim's nephew, in the articles of William James and in the works of Sigmund Freud. G. K. Chesterton wrote on what he considered the flawed premise of the idea, arguing that the idea of God preceded human mythologies, rather than developing from them. Chesterton said of Allen's book on the evolution of the idea of God: "it would be much more interesting if God wrote a book on the evolution of the idea of Grant Allen".[10] Allen also became a pioneer in science fiction, with the novel The British Barbarians (1895) This book, published about the same time as H. G. Wells's The Time Machine (which appeared in January–May 1895, and which includes a mention of Allen[3][11]), also described time travel, although the plot is quite different. Allen's short story The Thames Valley Catastrophe (published December 1897 in The Strand Magazine) describes the destruction of London by a sudden and massive volcanic eruption. Ancestry[edit] Ancestors of Grant Allen 4. Henry Francis Allen 2. Joseph Antisell Allen 20. Christopher Antisell 10. Joseph Antisell 21. Anne Palmer 5. Eliza Josephine Antisell 11. Elizabeth Gilbert 1. Charles Grant Blairfindie Allen 24. David Grant 12. David Alexander Grant 25. Elizabeth Richardson 6. Charles William Grant, 5th Baron de Longueuil 26. Charles-Jacques Le Moyne, 3rd Baron de Longueuil 13. Marie-Charles Le Moyne, 4th Baroness de Longueuil 27. Marie-Anne Catherine Fleury 3. Catharine Ann Grant 28. Nathaniel Coffin 14. John Coffin 29. Elizabeth Barnes 7. Caroline Coffin 30. William Matthews 15. Anne Matthews 31. Anne Radcliffe Wilson Personal life[edit] Allen married twice, first to Caroline Ann Bootheway (1846–1871) and secondly to Ellen Jerrard (b, 1853) with whom he had one son, Jerrard Grant Allen (1878–1946), a theatrical agent/manager who in 1913 married the actress and singer Violet Englefield. They had a son, Reginald "Reggie" Grant Allen (1910-1985).[citation needed] Grant Allen's nephew, Grant Richards, was a writer and publisher who founded the Grant Richards publishing house. Allen encouraged his nephew's interest in books and publishing and helped him obtain his first positions in the book trade.[12] Richards was later to publish a number of books written by his uncle, including The Evolution of the Idea of God and those in the book series Grant Allen's Historical Guides.[13] Allen's nieces by marriage, novelist Netta Syrett, and artists Mabel Syrett and Nellie Syrret all contributed work to The Yellow Book.[14][15] In 1893 Allen left London for the hills around the Devil's Punch Bowl, enthusing on the advantages of the change of scene: "Up here on the free hills, the sharp air blows in upon us, limpid and clear from a thousand leagues of open ocean; down there in the stagnant town, it stagnates and ferments."[16] Death and posthumous publication[edit] Grant Allen died of liver cancer at his home on Hindhead, Haslemere, Surrey, England, on 25 October 1899.[17] He died before finishing Hilda Wade. The novel's final episode, which he dictated from his bed to his friend and neighbour Dr Arthur Conan Doyle, appeared under the appropriate title "The Episode of the Dead Man Who Spoke" in the Strand Magazine in 1900. Legacy[edit] Many histories of detective fiction mention Allen as an innovator. The illustrious Colonel Clay is a precursor of other gentleman rogue characters; he notably bears a strong resemblance to Maurice Leblanc's Arsène Lupin, introduced some years later, and both Miss Cayley's Adventures and Hilda Wade feature early female detectives. The Scene of the Crime Festival, an annual festival celebrating Canadian mystery fiction, takes place annually on Wolfe Island, Ontario, near Kingston, Allen's birthplace and honors Allen.[18] A metal arch commemorating Allen, was designed by Lucy Quinnell and installed at the entrance to Allen Court in Dorking, Surrey in 2013.[19] Quotes[edit] This section is a candidate for copying over to Wikiquote using the Transwiki process. "What a misfortune it is that we should thus be compelled to let our boys' schooling interfere with their education!"[20] Partial bibliography[edit] The British Barbarians, 1895 Books[edit] (1877) Physiological Esthetics (1879) The Colour-Sense: Its Origin and Development (1881) Evolutionist at Large (1881) Vignettes from Nature (1882) The Colours of Flowers (1883) Colin Clout's Calendar (1883) Flowers and Their Pedigrees (1884) Philistia. Allen's FIRST NOVEL (1884) Strange Stories. Short Stories (1885) Babylon. A novel in 3 volumes (1885) Charles Darwin. (English Worthies) (1886) For Mamie's Sake (1886) In All Shades (1887) The Beckoning Hand and Other Stories. Short Stories (1888) This Mortal Coil: A Novel (1888) Force and Energy (1888) The Devil's Die (1888) The White Man's Foot (1889) Falling in Love (1889) The Tents of Shem (1890) Wednesday the Tenth (1890) The Great Taboo (1891) Dumaresq's Daughter (1891) What's Bred in the Bone (1892) Pallinghurst Barrow. Short Story. (1892) The Duchess of Powysland (1893) The Scallywag (1893) Michael's Crag (1894) The Lower Slopes (1894) Post-Prandial Philosophy (1895) The British Barbarians (1895) At Market Value (1895) The Story of the Plants (1895) The Desire of the Eyes (1895) The Woman Who Did (1896) The Jaws of Death (1896) A Bride from the Desert (1896) Under Sealed Orders (1896) Moorland Idylls (1897) Kalee's Shrine (1897) An African Millionaire: Episodes in the Life of the Illustrious Colonel Clay (1897) The Evolution of the Idea of God (1897) Paris (Grant Allen's Historical Guides) (1897) Florence (Grant Allen's Historical Guides) (1897) Cities of Belgium (Grant Allen's Historical Guides) (1897) The Type-writer Girl (as Olive Pratt Rayner) (1897) Tom, Unlimited (as Martin Leach Warborough) (1898) Flashlights on Nature: A popular account of the life histories of some familiar insects, birds, plants, etc. with 150 illustrations by Frederick Enock. London: Grant Richards. 1898. OCLC 153673491 (all editions).[21] (1898) The Incidental Bishop (1898) Venice. (Grant Allen's Historical Guides) (1899) The European Tour (1899) A Splendid Sin (1899) Miss Cayley's Adventures. Detective novel (1899) Twelve Tales: With a Headpiece, a Tailpiece, and an Intermezzo (1900) Hilda Wade. Detective novel finished by Arthur Conan Doyle (1900) Linnet (1901) The Backslider (1901) In Nature's Workshop (1908) Evolution in Italian Art (1909) The Hand of God (1909) The Plants Selected articles[edit] (1878) "Hellas and Civilization," Gentleman's Magazine, Vol. CCXLIII, pp. 156–170 (1878) "Nation-making: A Theory of National Characters," Gentleman's Magazine, Vol. CCXLIII, pp. 580–591 (1880) "Why Keep India?," The Contemporary Review, Vol. XXXVIII, pp. 544–556 (1880) "The Growth of Sculpture," The Cornhill Magazine, Vol. XLII, pp. 273–293 (1880) "The English Chronicle," Gentleman's Magazine, Vol. CCXLVI, pp. 543–559 (1880) "The Venerable Bede," Gentleman's Magazine, Vol. CCXLIX, pp. 84–100 (1880) "The Dog's Universe," Gentleman's Magazine, Vol. CCXLIX, pp. 287–301 (1880) "Evolution and Geological Time," Gentleman's Magazine, Vol. CCXLIX, pp. 563–579 (1881) "The Story of Wulfgeat," Gentleman's Magazine, Vol. CCLI, pp. 551–561 (1882) "An English Shire," Gentleman's Magazine, Vol. CCLII, pp. 49–70 (1882) "The Welsh in the West Country," Gentleman's Magazine, Vol. CCLIII, pp. 179–197 (1882) "The Colours of Flowers," The Cornhill Magazine, Vol. XLV, pp. 19–34 (1882) "An English Weed," The Cornhill Magazine, Vol. XLV, pp. 542–554 (1883) "Honeysuckle," Gentleman's Magazine, Vol. CCLV, pp. 313–322 (1884) "The Garden Snail," Gentleman's Magazine, Vol. CCLVI, pp. 25–34 (1884) "Our Debt to Insects," Gentleman's Magazine, Vol. CCLVI, pp. 452–469 (1886) "A Thinking Machine," Gentleman's Magazine, Vol. CCLX, pp. 30–41 (1889) "From Africa," Gentleman's Magazine, Vol. CCLXVII, pp. 547–557 (1890) "The Girl of the Future," Universal Review, Vol. VII, p. 57 (1891) "Democracy and Diamonds," The Contemporary Review, Vol. LIX, pp. 669–677 Further reading[edit] Allen, Grant (1894) "Physiological Aesthetics' and 'Philistia'." In: My First Book. With an Introduction by Jerome K. Jerome. London: Chatto & Windus. Bleiler, Everett (1948) The Checklist of Fantastic Literature. Chicago: Shasta Publishers, p. 104. Chislett, William (1967) "Grant Allen, Naturalist and Novelist." In: Moderns and Near-moderns. Freeport, N.Y.: Books for Libraries Press, pp. 198–211. Clodd, Edward (1900) Grant Allen: A Memoir. London: Grant Richards. Jackson, Holbrook (1913) The Eighteen Nineties. London: Grant Richards Ltd. Le Gallienne, Richard (1910) "Grant Allen." In: Attitudes and Avowals. New York: John Lane Company. Melchiori, Barbara Arnett (2000) Grant Allen: The Downward Path which Leads to Fiction. Rome: Bulzoni Editore ISBN 88-8319-526-4 Morton, Peter (2005) "The Busiest Man in England": Grant Allen and the Writing Trade, 1875–1900. London: Palgrave. Tompkins, Herbert W. (1904) "Grant Allen," The Gentleman's Magazine, Vol. CCXCVIII, pp. 134–149. Sources[edit] Works by Grant Allen at LibriVox (public domain audiobooks) Works by Grant Allen at Project Gutenberg Works by Grant Allen at Faded Page (Canada) Works by or about Grant Allen at Internet Archive Allen, Grant. "Works by Grant Allen". Hathi Trust. Allen, Grant. "Works by Grant Allen". Project Gutenberg Australia. James, Russell (August 2010). Pocket Guide to Victorian Writers and Poets (paperback ed.). Archived from the original on June 15, 2011. Includes Grant Allen. References[edit] ^ "Grant Allen Biography". The Literature Network. Archived from the original on October 3, 2019. Retrieved September 26, 2013. ^ Rand, Theodore H. (1900). Treasury of Canadian Verse. New York: Dutton. p. 387. ^ a b John Robert Colombo, ed. (1979). "Grant Allen – The Child of the Phalanstery". Other Canadas An Anthology of Science Fiction and Fantasy. McGraw-Hill Ryerson. p. 30. ISBN 0-07-082953-5. ^ Head, Dominic (2006). The Cambridge Guide to Literature in English. Cambridge University Press. pp. 19. ISBN 0-521-83179-2. ^ Chisholm, Hugh, ed. (1911). "Allen, Grant" . Encyclopædia Britannica. Vol. 1 (11th ed.). Cambridge University Press. p. 691. ^ Sacks, Oliver (2007). Musicophilia: Tales of Music and the Brain. Pan Macmillan (published 2011). ISBN 9780330471138. Archived from the original on June 23, 2016. Retrieved November 29, 2015. The first extended description of amusia in the medical literature was an 1878 paper by Grant Allen in the journal Mind [...] Allen's lengthy paper included a superb case of a young man whom he had "abundant opportunities of observing and experimenting upon" - the sort of detailed case study that established experimental neurology and psychology in the latter part of the nineteenth century. ^ Endersby, Jim (2016). "Deceived by orchids: sex, science, fiction and Darwin" (PDF). The British Journal for the History of Science. 49 (2): 205–229. doi:10.1017/S0007087416000352. PMID 27278105. S2CID 23027055. Archived (PDF) from the original on July 19, 2018. Retrieved September 18, 2019. ^ Cameron, Brooke (2008). "Grant Allen's The Woman Who Did: Spencerian Individualism and Teaching New Women to Be Mothers". English Literature in Transition, 1880–1920. 51 (3): 281–301. doi:10.2487/elt.51.3(2008)0025. S2CID 144989371. ^ "Review of The Evolution of the Idea of God by Grant Allen". The Journal of Religion. January 1899. doi:10.1086/477043. Archived from the original on January 24, 2021. Retrieved November 9, 2016. ^ Chesterton, G. K. (1926). The Everlasting Man. London: Hodder and Stoughton. p. 20. ^ Chapter V of the Heinemann text and Chapter VII of the Holt text ^ Grant Richards (1872–1948) Archived April 21, 2019, at the Wayback Machine, Dumbarton Oaks Research Library and Collection, doaks.org. Retrieved 20 April 2019. ^ Grant Allen's Historical Guides (Grant Richards) - Book Series List Archived April 20, 2019, at the Wayback Machine, publishinghistory.com. Retrieved 20 April 2019. ^ Nelson, Carolyn Christensen (November 7, 2000). A New Woman Reader: Fiction, Articles and Drama of the 1890s. Broadview Press. ISBN 978-1-55111-295-4. Archived from the original on January 24, 2021. Retrieved November 19, 2020. ^ Stetz, Margaret D. (2019). "Netta Syrett (1865-1943) Y90s Biographies". Yellow Nineties 2.0. Ryerson University Centre for Digital Humanities. ^ Quoted in Richard Mabey, Dreams of the Good Life (Penguin 2015) pp. 47-48. ^ Van Arsdel, Rosemary T. (October 2005). "Allen, (Charles) Grant Blairfindie (1848–1899)". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/373. (Subscription or UK public library membership required.) ^ "'Scene of the Crime' Festival Honoring Grant Allen". Archived from the original on December 4, 2018. Retrieved June 26, 2007. ^ Younger, Rebecca (July 2, 2013). "Dorking arch pays tribute to 19th Century writer". Get Surrey. Archived from the original on January 12, 2021. Retrieved January 10, 2021. ^ Allen, Grant. "Post-Prandial Philosophy (1894)". Project Gutenberg. Retrieved August 31, 2022. ^ In 1899 an edition was published by George Newnes Ltd (see e.g. OCLC 987667702; Allen 1899 at the Internet Archive) See also: review in: The Zoologist, 4th series, vol. 3 (1899), issue 691 (January), p. 33/4. Many later editions were published.  This article incorporates text from a publication now in the public domain: Cousin, John William (1910). A Short Biographical Dictionary of English Literature. London: J. M. Dent & Sons – via Wikisource. Cotton, James Sutherland (1901). "Allen, Grant" . In Lee, Sidney (ed.). Dictionary of National Biography (1st supplement). London: Smith, Elder & Co. External links[edit] Wikisource has original works by or about:Grant Allen Wikimedia Commons has media related to Grant Allen. The Grant Allen Website Works by Grant Allen at Project Gutenberg Works by Grant Allen at LibriVox (public domain audiobooks) "Grant Allen: Evolutionist at Large". GrantAllen.org. Archived from the original on September 12, 2009. Retrieved June 24, 2009. Authority control databases International FAST ISNI VIAF National Norway Spain 2 France BnF data Germany Israel United States Latvia Japan Czech Republic Australia Korea Netherlands Poland Portugal Vatican Academics CiNii zbMATH Artists MusicBrainz People Deutsche Biographie Trove Other SNAC IdRef
CHAPTER I. IN MID PACIFIC.
"Man overboard!"
It rang in Felix Thurstan's ears like the sound of a bell. He gazed about him in dismay, wondering what had happened. The first intimation he received of the accident was that sudden sharp cry from the bo'sun's mate. Almost before he had fully taken it in, in all its meaning, another voice, farther aft, took up the cry once more in an altered form: "A lady! a lady! Somebody overboard! Great heavens, it is her! It's Miss Ellis! Miss Ellis!"
Next instant Felix found himself, he knew not how, struggling in a wild grapple with the dark, black water. A woman was clinging to him-clinging for dear life. But he couldn't have told you himself that minute how it all took place. He was too stunned and dazzled.
He looked around him on the seething sea in a sudden awakening, as it were, to life and consciousness. All about, the great water stretched dark and tumultuous. White breakers surged over him. Far ahead the steamer's lights gleamed red and green in long lines upon the ocean. At first they ran fast; then they slackened somewhat. She was surely slowing now; they must be reversing engines and trying to stop her. They would put out a boat. But what hope, what chance of rescue by night, in such a wild waste of waves as that? And Muriel Ellis was clinging to him for dear life all the while, with the despairing clutch of a half-drowned woman!
The people on the Australasian, for their part, knew better what had occurred. There was bustle and confusion enough on deck and on the captain's bridge, to be sure: "Man overboard!"-three sharp rings at the engine bell:-"Stop her short!-reverse engines!-lower the gig!-look sharp, there, all of you!" Passengers hurried up breathless at the first alarm to know what was the matter. Sailors loosened and lowered the boat from the davits with extraordinary quickness. Officers stood by, giving orders in monosyllables with practised calm. All was hurry and turmoil, yet with a marvellous sense of order and prompt obedience as well. But, at any rate, the people on deck hadn't the swift swirl of the boisterous water, the hampering wet clothes, the pervading consciousness of personal danger, to make their brains reel, like Felix Thurstan's. They could ask one another with comparative composure what had happened on board; they could listen without terror to the story of the accident.
It was the thirteenth day out from Sydney, and the Australasian was rapidly nearing the equator. Toward evening the wind had freshened, and the sea was running high against her weather side. But it was a fine starlit night, though the moon had not yet risen; and as the brief tropical twilight faded away by quick degrees in the west, the fringe of cocoanut palms on the reef that bounded the little island of Boupari showed out for a minute or two in dark relief, some miles to leeward, against the pale pink horizon. In spite of the heavy sea, many passengers lingered late on deck that night to see the last of that coral-girt shore, which was to be their final glimpse of land till they reached Honolulu, en route for San Francisco.
Bit by bit, however, the cocoanut palms, silhouetted with their graceful waving arms for a few brief minutes in black against the glowing background, merged slowly into the sky or sank below the horizon. All grew dark. One by one, as the trees disappeared, the passengers dropped off for whist in the saloon, or retired to the uneasy solitude of their own state-rooms. At last only two or three men were left smoking and chatting near the top of the companion ladder; while at the stern of the ship Muriel Ellis looked over toward the retreating island, and talked with a certain timid maidenly frankness to Felix Thurstan.
There's nowhere on earth for getting really to know people in a very short time like the deck of a great Atlantic or Pacific liner. You're thrown together so much, and all day long, that you see more of your fellow-passengers' inner life and nature in a few brief weeks than you would ever be likely to see in a long twelvemonth of ordinary town or country acquaintanceship. And Muriel Ellis had seen a great deal in those thirteen days of Felix Thurstan; enough to make sure in her own heart that she really liked him-well-so much that she looked up with a pretty blush of self-consciousness every time he approached and lifted his hat to her. Muriel was an English rector's daughter, from a country village in Somersetshire; and she was now on her way back from a long year's visit, to recruit her health, to an aunt in Paramatta. She was travelling under the escort of an amiable old chaperon whom the aunt in question had picked up for her before leaving Sydney; but, as the amiable old chaperon, being but an indifferent sailor, spent most of her time in her own berth, closely attended by the obliging stewardess, Muriel had found her chaperonage interfere very little with opportunities of talk with that nice Mr. Thurstan. And now, as the last glow of sunset died out in the western sky, and the last palm-tree faded away against the colder green darkness of the tropical night, Muriel was leaning over the bulwarks in confidential mood, and watching the big waves advance or recede, and talking the sort of talk that such an hour seems to favor with the handsome young civil servant who stood on guard, as it were, beside her. For Felix Thurstan held a government appointment at Levuka, in Fiji, and was now on his way home, on leave of absence after six years' service in that new-made colony.
"How delightful it would be to live on an island like that!" Muriel murmured, half to herself, as she gazed out wistfully in the direction of the disappearing coral reef. "With those beautiful palms waving always over one's head, and that delicious evening air blowing cool through their branches! It looks such a Paradise!"
Felix smiled and glanced down at her, as he steadied himself with one hand against the bulwark, while the ship rolled over into the trough of the sea heavily. "Well, I don't know about that, Miss Ellis," he answered with a doubtful air, eying her close as he spoke with eyes of evident admiration. "One might be happy anywhere, of course-in suitable society; but if you'd lived as long among cocoanuts in Fiji as I have, I dare say the poetry of these calm palm-grove islands would be a little less real to you. Remember, though they look so beautiful and dreamy against the sky like that, at sunset especially (that was a heavy one, that time; I'm really afraid we must go down to the cabin soon; she'll be shipping seas before long if we stop on deck much later-and yet, it's so delightful stopping up here till the dusk comes on, isn't it?)-well, remember, I was saying, though they look so beautiful and dreamy and poetical-'Summer isles of Eden lying in dark purple spheres of sea,' and all that sort of thing-these islands are inhabited by the fiercest and most bloodthirsty cannibals known to travellers."
"Cannibals!" Muriel repeated, looking up at him in surprise. "You don't mean to say that islands like these, standing right in the very track of European steamers, are still heathen and cannibal?" "Oh, dear, yes," Felix replied, holding his hand out as he spoke to catch his companion's arm gently, and steady her against the wave that was just going to strike the stern: "Excuse me; just so; the sea's rising fast, isn't it?-Oh, dear, yes; of course they are; they're all heathen and cannibals. You couldn't imagine to yourself the horrible bloodthirsty rites that may this very minute be taking place upon that idyllic-looking island, under the soft waving branches of those whispering palm-trees. Why, I knew a man in the Marquesas myself-a hideous old native, as ugly as you can fancy him-who was supposed to be a god, an incarnate god, and was worshipped accordingly with profound devotion by all the other islanders. You can't picture to yourself how awful their worship was. I daren't even repeat it to you; it was too, too horrible. He lived in a hut by himself among the deepest forest, and human victims used to be brought-well, there, it's too loathsome! Why, see; there's a great light on the island now; a big bonfire or something; don't you make it out? You can tell it by the red glare in the sky overhead." He paused a moment; then he added more slowly, "I shouldn't be surprised if at this very moment, while we're standing here in such perfect security on the deck of a Christian English vessel, some unspeakable and unthinkable heathen orgy mayn't be going on over there beside that sacrificial fire; and if some poor trembling native girl isn't being led just now, with blows and curses and awful savage ceremonies, her hands bound behind her back-Oh, look out, Miss Ellis!"
He was only just in time to utter the warning words. He was only just in time to put one hand on each side of her slender waist, and hold her tight so, when the big wave which he saw coming struck full tilt against the vessel's flank, and broke in one white drenching sheet of foam against her stern and quarter-deck.
The suddenness of the assault took Felix's breath away. For the first few seconds he was only aware that a heavy sea had been shipped, and had wet him through and through with its unexpected deluge. A moment later, he was dimly conscious that his companion had slipped from his grasp, and was nowhere visible. The violence of the shock, and the slimy nature of the sea water, had made him relax his hold without knowing it, in the tumult of the moment, and had at the same time caused Muriel to glide imperceptibly through his fingers, as he had often known an ill-caught cricket-ball do in his school-days. Then he saw he was on his hands and knees on the deck. The wave had knocked him down, and dashed him against the bulwark on the leeward side. As he picked himself up, wet, bruised, and shaken, he looked about for Muriel. A terrible dread seized upon his soul at once. Impossible! Impossible! she couldn't have been washed overboard!
And even as he gazed about, and held his bruised elbow in his hand, and wondered to himself what it could all mean, that sudden loud cry arose beside him from the quarter-deck, "Man overboard! Man overboard!" followed a moment later by the answering cry, from the men who were smoking under the lee of the companion, "A lady! a lady! It's Miss Ellis! Miss Ellis!"
He didn't take it all in. He didn't reflect. He didn't even know he was actually doing it. But he did it, all the same, with the simple, straightforward, instinctive sense of duty which makes civilized man act aright, all unconsciously, in any moment of supreme danger and difficulty. Leaping on to the taffrail without one instant's delay, and steadying himself for an indivisible fraction of time with his hand on the rope ladder, he peered out into the darkness with keen eyes for a glimpse of Muriel Ellis's head above the fierce black water; and espying it for one second, as she came up on a white crest, he plunged in before the vessel had time to roll back to windward, and struck boldly out in the direction where he saw that helpless object dashed about like a cork on the surface of the ocean.
Only those who have known such accidents at sea can possibly picture to themselves the instantaneous haste with which all that followed took place upon that bustling quarter-deck. Almost at the first cry of "Man overboard!" the captain's bell rang sharp and quick, as if by magic, with three peremptory little calls in the engine-room below. The Australasian was going at full speed, but in a marvellously short time, as it seemed to all on board, the great ship had slowed down to a perfect standstill, and then had reversed her engines, so that she lay, just nose to the wind, awaiting further orders. In the meantime, almost as soon as the words were out of the bo'sun's lips, a sailor amidships had rushed to the safety belts hung up by the companion ladder, and had flung half a dozen of them, one after another, with hasty but well-aimed throws, far, far astern, in the direction where Felix had disappeared into the black water. The belts were painted white, and they showed for a few seconds, as they fell, like bright specks on the surface of the darkling sea; then they sunk slowly behind as the big ship, still not quite stopped, ploughed her way ahead with gigantic force into the great abyss of darkness in front of her.
It seemed but a minute, too, to the watchers on board, before a party of sailors, summoned by the whistle with that marvellous readiness to meet any emergency which long experience of sudden danger has rendered habitual among seafaring men, had lowered the boat, and taken their seats on the thwarts, and seized their oars, and were getting under way on their hopeless quest of search, through the dim black night, for those two belated souls alone in the midst of the angry Pacific.
It seemed but a minute or two, I say, to the watchers on board; but oh, what an eternity of time to Felix Thurstan, struggling there with his live burden in the seething water! He had dashed into the ocean, which was dark, but warm with tropical heat, and had succeeded, in spite of the heavy seas then running, in reaching Muriel, who clung to him now with all the fierce clinging of despair, and impeded his movement through that swirling water. More than that, he saw the white life-belts that the sailors flung toward him; they were well and aptly flung, in the inspiration of the moment, to allow for the sea itself carrying them on the crest of its waves toward the two drowning creatures. Felix saw them distinctly, and making a great lunge as they passed, in spite of Muriel's struggles, which sadly hampered his movements, he managed to clutch at no less than three before the great billow, rolling on, carried them off on its top forever away from him. Two of these he slipped hastily over Muriel's shoulders; the other he put, as best he might, round his own waist; and then, for the first time, still clinging close to his companion's arm, and buffeted about wildly by that running sea, he was able to look about him in alarm for a moment, and realize more or less what had actually happened.
By this time the Australasian was a quarter of a mile away in front of them, and her lights were beginning to become stationary as she slowly slowed and reversed engines. Then, from the summit of a great wave, Felix was dimly aware of a boat being lowered-for he saw a separate light gleaming across the sea-a search was being made in the black night, alas, how hopelessly! The light hovered about for many, many minutes, revealed to him now here, now there, searching in vain to find him, as wave after wave raised him time and again on its irresistible summit. The men in the boat were doing their best, no doubt; but what chance of finding any one on a dark night like that, in an angry sea, and with no clue to guide them toward the two struggling castaways? Current and wind had things all their own way. As a matter of fact, the light never came near the castaways at all; and after half an hour's ineffectual search, which seemed to Felix a whole long lifetime, it returned slowly toward the steamer from which it came-and left those two alone on the dark Pacific.
"There wasn't a chance of picking 'em up," the captain said, with philosophic calm, as the men clambered on board again, and the Australasian got under way once more for the port of Honolulu. "I knew there wasn't a chance; but in common humanity one was bound to make some show of trying to save 'em. He was a brave fellow to go after her, though it was no good of course. He couldn't even find her, at night, and with such a sea as that running."
And even as he spoke, Felix Thurstan, rising once more on the crest of a much smaller billow-for somehow the waves were getting incredibly smaller as he drifted on to leeward-felt his heart sink within him as he observed to his dismay that the Australasian must be steaming ahead once more, by the movement of her lights, and that they two were indeed abandoned to their fate on the open surface of that vast and trackless ocean.

Current Page: 1

Word Lists:

Castaway : a person who has been shipwrecked and stranded in an isolated place

Overboard : from a ship into the water

Bloodthirsty : eager to shed blood

Cannibal : a person who eats the flesh of other human beings

Seething : filled with or characterized by intense but unexpressed anger

Bulwark : a defensive wall.

Indivisible : unable to be divided or separated

Leeward : situated on or toward the side sheltered from the wind; downwind

Swirl : move in a twisting or spiraling pattern

Aptly : in a manner that is appropriate or suitable in the circumstances

More...

Additional Information:

Rating: C Words in the Passage: 2924 Unique Words: 956 Sentences: 122
Noun: 676 Conjunction: 273 Adverb: 200 Interjection: 9
Adjective: 292 Pronoun: 249 Verb: 434 Preposition: 420
Letter Count: 12,773 Sentiment: Positive / Positive / Positive Tone: Neutral (Slightly Formal) Difficult Words: 572
EdSearch WebSearch
Questions and Answers

Please wait while we generate questions and answers...

Ratings & Comments

Write a Review
5 Star
0
0
4 Star
0
0
3 Star
0
0
2 Star
0
0
1 Star
0
0
0

0 Ratings & 0 Reviews

Report an Error