Blood Royal A Novel

- By Grant Allen
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Canadian science writer For the Australian Paralympic cyclist, see Grant Allen (cyclist). Grant AllenPortrait of Grant Allen, by Elliott & FryBornCharles Grant Blairfindie Allen(1848-02-24)24 February 1848Wolfe Island near Kingston, Canada WestDied25 October 1899(1899-10-25) (aged 51)Hindhead, Haslemere, EnglandOccupationWriterNationalityCanadianAlma materOxfordNotable worksThe Woman Who DidThe Evolution of the Idea of GodThe British BarbariansSpouses Caroline Anne Bootheway ​ ​(m. 1868; died 1872)​ Ellen Jerrard ​(m. 1873)​ Children1 Charles Grant Blairfindie Allen (February 24, 1848 – October 25, 1899) was a Canadian science writer and novelist, educated in England. He was a public promoter of evolution in the second half of the nineteenth century.[1] Biography[edit] Early life and education[edit] Allen was born on Wolfe Island near Kingston, Canada West (known as Ontario after Confederation), the second son of Catharine Ann Grant and the Rev. Joseph Antisell Allen, a Protestant minister from Dublin, Ireland.[2] His mother was a daughter of the fifth Baron de Longueuil. Allen was educated at home until, at age 13, he and his parents moved to the United States, then to France, and finally to the United Kingdom.[3] He was educated at King Edward's School in Birmingham and at Merton College in Oxford, both in the United Kingdom.[4] After graduation, Allen studied in France, taught at Brighton College in 1870–71, and in his mid-twenties became a professor at Queen's College, a black college in Jamaica.[5] Despite being the son of a minister, Allen became an atheist and a socialist. Writing career[edit] After leaving his professorship, in 1876 he returned to England, where he turned his talents to writing, gaining a reputation for his essays on science and for literary works. A 2007 book by Oliver Sacks cites with approval one of Allen's early articles, "Note-Deafness" (a description of what became known as amusia, published in 1878 in the learned journal Mind).[6] Allen's first books dealt with scientific subjects, and include Physiological Æsthetics (1877) and Flowers and Their Pedigrees (1886) He was first influenced by associationist psychology as expounded by Alexander Bain and by Herbert Spencer, the latter who especially espoused the transition from associationist psychology to Darwinian functionalism. In Allen's many articles on flowers and on perception in insects, Darwinian arguments replaced the old Spencerian terms, leading to a radically new vision of plant life that influenced H.G. Wells and helped transform later botanical research.[7] On a personal level, a long friendship that started when Allen met Spencer on his return from Jamaica grew uneasy over the years. Allen wrote a critical and revealing biographical article on Spencer that was published after Spencer's death. After assisting Sir W. W. Hunter with his Gazetteer of India in the early 1880s, Allen turned his attention to fiction, and between 1884 and 1899 produced about 30 novels. In 1895, his scandalous book titled The Woman Who Did, promulgating certain startling views on marriage and kindred questions, became a bestseller. The book told the story of an independent woman who has a child out of wedlock.[8] Owing to his concern with these subjects, Allen was associated with Thomas Hardy, whose novel Jude the Obscure (1895) was published the same year as The Woman Who Did. In his career, Allen wrote two novels under female pseudonyms. One of these, the short novel The Type-writer Girl, he wrote under the name Olive Pratt Rayner. Another work, The Evolution of the Idea of God (1897), propounds a theory of religion on heterodox lines comparable to Herbert Spencer's "ghost theory".[9] Allen's theory became well known and brief references to it appear in a review by Marcel Mauss, Durkheim's nephew, in the articles of William James and in the works of Sigmund Freud. G. K. Chesterton wrote on what he considered the flawed premise of the idea, arguing that the idea of God preceded human mythologies, rather than developing from them. Chesterton said of Allen's book on the evolution of the idea of God: "it would be much more interesting if God wrote a book on the evolution of the idea of Grant Allen".[10] Allen also became a pioneer in science fiction, with the novel The British Barbarians (1895) This book, published about the same time as H. G. Wells's The Time Machine (which appeared in January–May 1895, and which includes a mention of Allen[3][11]), also described time travel, although the plot is quite different. Allen's short story The Thames Valley Catastrophe (published December 1897 in The Strand Magazine) describes the destruction of London by a sudden and massive volcanic eruption. Ancestry[edit] Ancestors of Grant Allen 4. Henry Francis Allen 2. Joseph Antisell Allen 20. Christopher Antisell 10. Joseph Antisell 21. Anne Palmer 5. Eliza Josephine Antisell 11. Elizabeth Gilbert 1. Charles Grant Blairfindie Allen 24. David Grant 12. David Alexander Grant 25. Elizabeth Richardson 6. Charles William Grant, 5th Baron de Longueuil 26. Charles-Jacques Le Moyne, 3rd Baron de Longueuil 13. Marie-Charles Le Moyne, 4th Baroness de Longueuil 27. Marie-Anne Catherine Fleury 3. Catharine Ann Grant 28. Nathaniel Coffin 14. John Coffin 29. Elizabeth Barnes 7. Caroline Coffin 30. William Matthews 15. Anne Matthews 31. Anne Radcliffe Wilson Personal life[edit] Allen married twice, first to Caroline Ann Bootheway (1846–1871) and secondly to Ellen Jerrard (b, 1853) with whom he had one son, Jerrard Grant Allen (1878–1946), a theatrical agent/manager who in 1913 married the actress and singer Violet Englefield. They had a son, Reginald "Reggie" Grant Allen (1910-1985).[citation needed] Grant Allen's nephew, Grant Richards, was a writer and publisher who founded the Grant Richards publishing house. Allen encouraged his nephew's interest in books and publishing and helped him obtain his first positions in the book trade.[12] Richards was later to publish a number of books written by his uncle, including The Evolution of the Idea of God and those in the book series Grant Allen's Historical Guides.[13] Allen's nieces by marriage, novelist Netta Syrett, and artists Mabel Syrett and Nellie Syrret all contributed work to The Yellow Book.[14][15] In 1893 Allen left London for the hills around the Devil's Punch Bowl, enthusing on the advantages of the change of scene: "Up here on the free hills, the sharp air blows in upon us, limpid and clear from a thousand leagues of open ocean; down there in the stagnant town, it stagnates and ferments."[16] Death and posthumous publication[edit] Grant Allen died of liver cancer at his home on Hindhead, Haslemere, Surrey, England, on 25 October 1899.[17] He died before finishing Hilda Wade. The novel's final episode, which he dictated from his bed to his friend and neighbour Dr Arthur Conan Doyle, appeared under the appropriate title "The Episode of the Dead Man Who Spoke" in the Strand Magazine in 1900. Legacy[edit] Many histories of detective fiction mention Allen as an innovator. The illustrious Colonel Clay is a precursor of other gentleman rogue characters; he notably bears a strong resemblance to Maurice Leblanc's Arsène Lupin, introduced some years later, and both Miss Cayley's Adventures and Hilda Wade feature early female detectives. The Scene of the Crime Festival, an annual festival celebrating Canadian mystery fiction, takes place annually on Wolfe Island, Ontario, near Kingston, Allen's birthplace and honors Allen.[18] A metal arch commemorating Allen, was designed by Lucy Quinnell and installed at the entrance to Allen Court in Dorking, Surrey in 2013.[19] Quotes[edit] This section is a candidate for copying over to Wikiquote using the Transwiki process. "What a misfortune it is that we should thus be compelled to let our boys' schooling interfere with their education!"[20] Partial bibliography[edit] The British Barbarians, 1895 Books[edit] (1877) Physiological Esthetics (1879) The Colour-Sense: Its Origin and Development (1881) Evolutionist at Large (1881) Vignettes from Nature (1882) The Colours of Flowers (1883) Colin Clout's Calendar (1883) Flowers and Their Pedigrees (1884) Philistia. Allen's FIRST NOVEL (1884) Strange Stories. Short Stories (1885) Babylon. A novel in 3 volumes (1885) Charles Darwin. (English Worthies) (1886) For Mamie's Sake (1886) In All Shades (1887) The Beckoning Hand and Other Stories. Short Stories (1888) This Mortal Coil: A Novel (1888) Force and Energy (1888) The Devil's Die (1888) The White Man's Foot (1889) Falling in Love (1889) The Tents of Shem (1890) Wednesday the Tenth (1890) The Great Taboo (1891) Dumaresq's Daughter (1891) What's Bred in the Bone (1892) Pallinghurst Barrow. Short Story. (1892) The Duchess of Powysland (1893) The Scallywag (1893) Michael's Crag (1894) The Lower Slopes (1894) Post-Prandial Philosophy (1895) The British Barbarians (1895) At Market Value (1895) The Story of the Plants (1895) The Desire of the Eyes (1895) The Woman Who Did (1896) The Jaws of Death (1896) A Bride from the Desert (1896) Under Sealed Orders (1896) Moorland Idylls (1897) Kalee's Shrine (1897) An African Millionaire: Episodes in the Life of the Illustrious Colonel Clay (1897) The Evolution of the Idea of God (1897) Paris (Grant Allen's Historical Guides) (1897) Florence (Grant Allen's Historical Guides) (1897) Cities of Belgium (Grant Allen's Historical Guides) (1897) The Type-writer Girl (as Olive Pratt Rayner) (1897) Tom, Unlimited (as Martin Leach Warborough) (1898) Flashlights on Nature: A popular account of the life histories of some familiar insects, birds, plants, etc. with 150 illustrations by Frederick Enock. London: Grant Richards. 1898. OCLC 153673491 (all editions).[21] (1898) The Incidental Bishop (1898) Venice. (Grant Allen's Historical Guides) (1899) The European Tour (1899) A Splendid Sin (1899) Miss Cayley's Adventures. Detective novel (1899) Twelve Tales: With a Headpiece, a Tailpiece, and an Intermezzo (1900) Hilda Wade. Detective novel finished by Arthur Conan Doyle (1900) Linnet (1901) The Backslider (1901) In Nature's Workshop (1908) Evolution in Italian Art (1909) The Hand of God (1909) The Plants Selected articles[edit] (1878) "Hellas and Civilization," Gentleman's Magazine, Vol. CCXLIII, pp. 156–170 (1878) "Nation-making: A Theory of National Characters," Gentleman's Magazine, Vol. CCXLIII, pp. 580–591 (1880) "Why Keep India?," The Contemporary Review, Vol. XXXVIII, pp. 544–556 (1880) "The Growth of Sculpture," The Cornhill Magazine, Vol. XLII, pp. 273–293 (1880) "The English Chronicle," Gentleman's Magazine, Vol. CCXLVI, pp. 543–559 (1880) "The Venerable Bede," Gentleman's Magazine, Vol. CCXLIX, pp. 84–100 (1880) "The Dog's Universe," Gentleman's Magazine, Vol. CCXLIX, pp. 287–301 (1880) "Evolution and Geological Time," Gentleman's Magazine, Vol. CCXLIX, pp. 563–579 (1881) "The Story of Wulfgeat," Gentleman's Magazine, Vol. CCLI, pp. 551–561 (1882) "An English Shire," Gentleman's Magazine, Vol. CCLII, pp. 49–70 (1882) "The Welsh in the West Country," Gentleman's Magazine, Vol. CCLIII, pp. 179–197 (1882) "The Colours of Flowers," The Cornhill Magazine, Vol. XLV, pp. 19–34 (1882) "An English Weed," The Cornhill Magazine, Vol. XLV, pp. 542–554 (1883) "Honeysuckle," Gentleman's Magazine, Vol. CCLV, pp. 313–322 (1884) "The Garden Snail," Gentleman's Magazine, Vol. CCLVI, pp. 25–34 (1884) "Our Debt to Insects," Gentleman's Magazine, Vol. CCLVI, pp. 452–469 (1886) "A Thinking Machine," Gentleman's Magazine, Vol. CCLX, pp. 30–41 (1889) "From Africa," Gentleman's Magazine, Vol. CCLXVII, pp. 547–557 (1890) "The Girl of the Future," Universal Review, Vol. VII, p. 57 (1891) "Democracy and Diamonds," The Contemporary Review, Vol. LIX, pp. 669–677 Further reading[edit] Allen, Grant (1894) "Physiological Aesthetics' and 'Philistia'." In: My First Book. With an Introduction by Jerome K. Jerome. London: Chatto & Windus. Bleiler, Everett (1948) The Checklist of Fantastic Literature. Chicago: Shasta Publishers, p. 104. Chislett, William (1967) "Grant Allen, Naturalist and Novelist." In: Moderns and Near-moderns. Freeport, N.Y.: Books for Libraries Press, pp. 198–211. Clodd, Edward (1900) Grant Allen: A Memoir. London: Grant Richards. Jackson, Holbrook (1913) The Eighteen Nineties. London: Grant Richards Ltd. Le Gallienne, Richard (1910) "Grant Allen." In: Attitudes and Avowals. New York: John Lane Company. Melchiori, Barbara Arnett (2000) Grant Allen: The Downward Path which Leads to Fiction. Rome: Bulzoni Editore ISBN 88-8319-526-4 Morton, Peter (2005) "The Busiest Man in England": Grant Allen and the Writing Trade, 1875–1900. London: Palgrave. Tompkins, Herbert W. (1904) "Grant Allen," The Gentleman's Magazine, Vol. CCXCVIII, pp. 134–149. Sources[edit] Works by Grant Allen at LibriVox (public domain audiobooks) Works by Grant Allen at Project Gutenberg Works by Grant Allen at Faded Page (Canada) Works by or about Grant Allen at Internet Archive Allen, Grant. "Works by Grant Allen". Hathi Trust. Allen, Grant. "Works by Grant Allen". Project Gutenberg Australia. James, Russell (August 2010). Pocket Guide to Victorian Writers and Poets (paperback ed.). Archived from the original on June 15, 2011. Includes Grant Allen. References[edit] ^ "Grant Allen Biography". The Literature Network. Archived from the original on October 3, 2019. Retrieved September 26, 2013. ^ Rand, Theodore H. (1900). Treasury of Canadian Verse. New York: Dutton. p. 387. ^ a b John Robert Colombo, ed. (1979). "Grant Allen – The Child of the Phalanstery". Other Canadas An Anthology of Science Fiction and Fantasy. McGraw-Hill Ryerson. p. 30. ISBN 0-07-082953-5. ^ Head, Dominic (2006). The Cambridge Guide to Literature in English. Cambridge University Press. pp. 19. ISBN 0-521-83179-2. ^ Chisholm, Hugh, ed. (1911). "Allen, Grant" . Encyclopædia Britannica. Vol. 1 (11th ed.). Cambridge University Press. p. 691. ^ Sacks, Oliver (2007). Musicophilia: Tales of Music and the Brain. Pan Macmillan (published 2011). ISBN 9780330471138. Archived from the original on June 23, 2016. Retrieved November 29, 2015. The first extended description of amusia in the medical literature was an 1878 paper by Grant Allen in the journal Mind [...] Allen's lengthy paper included a superb case of a young man whom he had "abundant opportunities of observing and experimenting upon" - the sort of detailed case study that established experimental neurology and psychology in the latter part of the nineteenth century. ^ Endersby, Jim (2016). "Deceived by orchids: sex, science, fiction and Darwin" (PDF). The British Journal for the History of Science. 49 (2): 205–229. doi:10.1017/S0007087416000352. PMID 27278105. S2CID 23027055. Archived (PDF) from the original on July 19, 2018. Retrieved September 18, 2019. ^ Cameron, Brooke (2008). "Grant Allen's The Woman Who Did: Spencerian Individualism and Teaching New Women to Be Mothers". English Literature in Transition, 1880–1920. 51 (3): 281–301. doi:10.2487/elt.51.3(2008)0025. S2CID 144989371. ^ "Review of The Evolution of the Idea of God by Grant Allen". The Journal of Religion. January 1899. doi:10.1086/477043. Archived from the original on January 24, 2021. Retrieved November 9, 2016. ^ Chesterton, G. K. (1926). The Everlasting Man. London: Hodder and Stoughton. p. 20. ^ Chapter V of the Heinemann text and Chapter VII of the Holt text ^ Grant Richards (1872–1948) Archived April 21, 2019, at the Wayback Machine, Dumbarton Oaks Research Library and Collection, doaks.org. Retrieved 20 April 2019. ^ Grant Allen's Historical Guides (Grant Richards) - Book Series List Archived April 20, 2019, at the Wayback Machine, publishinghistory.com. Retrieved 20 April 2019. ^ Nelson, Carolyn Christensen (November 7, 2000). A New Woman Reader: Fiction, Articles and Drama of the 1890s. Broadview Press. ISBN 978-1-55111-295-4. Archived from the original on January 24, 2021. Retrieved November 19, 2020. ^ Stetz, Margaret D. (2019). "Netta Syrett (1865-1943) Y90s Biographies". Yellow Nineties 2.0. Ryerson University Centre for Digital Humanities. ^ Quoted in Richard Mabey, Dreams of the Good Life (Penguin 2015) pp. 47-48. ^ Van Arsdel, Rosemary T. (October 2005). "Allen, (Charles) Grant Blairfindie (1848–1899)". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/373. (Subscription or UK public library membership required.) ^ "'Scene of the Crime' Festival Honoring Grant Allen". Archived from the original on December 4, 2018. Retrieved June 26, 2007. ^ Younger, Rebecca (July 2, 2013). "Dorking arch pays tribute to 19th Century writer". Get Surrey. Archived from the original on January 12, 2021. Retrieved January 10, 2021. ^ Allen, Grant. "Post-Prandial Philosophy (1894)". Project Gutenberg. Retrieved August 31, 2022. ^ In 1899 an edition was published by George Newnes Ltd (see e.g. OCLC 987667702; Allen 1899 at the Internet Archive) See also: review in: The Zoologist, 4th series, vol. 3 (1899), issue 691 (January), p. 33/4. Many later editions were published.  This article incorporates text from a publication now in the public domain: Cousin, John William (1910). A Short Biographical Dictionary of English Literature. London: J. M. Dent & Sons – via Wikisource. Cotton, James Sutherland (1901). "Allen, Grant" . In Lee, Sidney (ed.). Dictionary of National Biography (1st supplement). London: Smith, Elder & Co. External links[edit] Wikisource has original works by or about:Grant Allen Wikimedia Commons has media related to Grant Allen. The Grant Allen Website Works by Grant Allen at Project Gutenberg Works by Grant Allen at LibriVox (public domain audiobooks) "Grant Allen: Evolutionist at Large". GrantAllen.org. Archived from the original on September 12, 2009. Retrieved June 24, 2009. Authority control databases International FAST ISNI VIAF National Norway Spain 2 France BnF data Germany Israel United States Latvia Japan Czech Republic Australia Korea Netherlands Poland Portugal Vatican Academics CiNii zbMATH Artists MusicBrainz People Deutsche Biographie Trove Other SNAC IdRef
CHAPTER I. PERADVENTURE.
Chiddingwick High Street is one of the quaintest and most picturesque bits of old town architecture to be found in England. Narrow at either end, it broadens suddenly near the middle, by a sweeping curve outward, just opposite the W hite Horse, where the weekly cattle-market is held, and where the timbered gable-ends cluster thickest round the ancient stone cross, now reduced as usual to a mere stump or relic. In addition to its High Street, Chiddingwick also possesses a Mayor, a Corporation, a town pump, an Early English church, a Baptist chapel, and abundant opportunities for alcoholic refreshment. The White Horse itself may boast, indeed, of being one of the most famous old coaching inns still remaining in our midst, in spite of railways. And by its big courtyard door, one bright morning' in early spring, Mr. Edmund Plantagenet, ever bland and self-satisfied, stood sunning his portly person, and surveying the world of the little town as it unrolled itself in changeful panorama before him.
'Who's that driving the Hector's pony, Tom?' Mr. Plantagenet asked of the hostler in a lordly voice, as a pretty girl went past in an unpretentious trap. 'She's a stranger in Chiddingwick.' For Mr. Plantagenet, as one of the oldest inhabitants, prided himself upon knowing, by sight at least, every person in the parish, from Lady Agatha herself to the workhouse children.
Tom removed the straw he was sucking from his mouth for a moment, as he answered, with the contempt of the horsy man for the inferior gentry: 'Oh, she! she ain't nobody, sir. That lot's the new governess.' Mr. Plantagenet regarded the lady in the carriage with the passing interest which a gentleman of his distinction might naturally bestow upon so unimportant a personage. He was a plethoric man, of pompous aspect, and he plumed himself on being a connoisseur in female beauty.
'Not a bad-looking little girl, though, Tom,' he responded condescendingly, closing one eye and scanning her as one might scan a two-year-old filly. 'She holds herself well. I like to see a woman who can sit up straight in her place when she's driving.'
Mr. Plantagenet's opinion on all questions of deportment was much respected at Chiddingwick; so Tom made no reply save to chow a little further the meditative straw; while Mr. Plantagenet, having by this time sufficiently surveyed the street for all practical purposes, retired into the bar-parlour of the friendly White Horse for his regulation morning brandy-and-soda.
But the new governess, all unconscious of the comments she excited, drove placidly on to the principal bookseller and stationer's. There were not many booksellers' shops in Chiddingwick; people in Surrey import their literature, if any, direct from London. But the one at whose door the pretty governess stopped was the best in the town, and would at least do well enough for the job she wanted. It bore, in fact, the proud legend, 'Wells's Select Library then by an obvious afterthought, in smaller letters, 'In connection with Mudie's.' An obsequious small boy rushed up, as she descended, to hold the Rector's horse, almost as in the days before compulsory education, when small hoys lurked unseen, on the look-out for stray ha'pence, at every street corner. Mary accepted his proffered aid with a sunny smile, and went into the shop carrying a paper parcel.
There was nobody in the place, however, to take her order; and Mary, who was a timid girl, not too sure of her position, stood for a moment irresolute, uncertain how to call the attention of the inmates. Just as she was on the point of giving it up as useless, and retiring discomfited, the door that led into the room behind the shop opened suddenly, and a young man entered. He seemed about nineteen, and he was tall and handsome, with deep-blue eyes, and long straggling locks of delicate yellow hair, that fell picturesquely though not affectedly about his ears and shoulders. He somehow reminded Mary of a painted window. She didn't know why, but instinctively, as he entered, she felt as if there were something medieval and romantic about the good-looking shopman. His face was almost statuesquely beautiful-a fair, frank, open face, like a bonny young sailor's, and the loose curls above were thrown lightly off the tall white forehead in a singularly graceful yet unstudied fashion. He was really quite Florentine. The head altogether was the head of a gentleman, and something more than that: it had the bold and clear-cut, fearless look about it that one seldom finds among our English population, except as the badge of rank and race in the very highest classes. Mary felt half ashamed of herself, indeed, for noting all these things immediately and instinctively about a mere ordinary shopman; for, after all, a shopman he was, and nothing more: though his head and face were the head and face of a gentleman of distinction, his dress was simply the every-day dress of his class and occupation. He was a son of the people. And as Mary was herself a daughter of the clergy, the eldest girl of a country rector, compelled by the many mouths and the narrow endowment at home to take a place as governess with a more favoured family at Chiddingwick Rectory, she knew she could have no possible right of any sort to take any personal interest in a bookseller's lad, however handsome and yellow-haired and distinguished-looking.
'I beg your pardon for not having come sooner,' the tall young man began in a very cultivated tone, which took Mary aback even more than did his singular and noteworthy appearance; 'but the fact is, you opened the door so very softly the bell didn't ring; and I didn't notice there was anybody in the shop, as I was busy cutting, till I happened to look up accidentally from my ream, and then I saw you. I hope I haven't kept you unnecessarily waiting?'
He spoke like a gentleman; and Mary observed, almost without remarking it, that he didn't call her 'miss,' though she was hardly even aware of the unusual omission, his manner and address were so perfectly those of a courteous and wellbred equal. If she had fancied the customary title was left out on purpose, as a special tribute of disrespect to her position as governess, her sensitive little soul would have been deeply hurt by the slight, even from an utter stranger; but she felt instinctively the handsome young mail had no such intention. He didn't mean to be anything but perfectly polite, so she hardly even noticed the curious omission.
'Oh dear no,' she answered, in her timid little voice, unfolding her parcel as she spoke with a kind of shrinking fear that she must be hurting his feelings by treating him as a tradesman. 'I've only just come in; and I-well, I wanted to know whether you could bind this again for me? Or is it quite too old to be worth the trouble of binding?'
The young man took it from her hands, and looked at her as he took it. The book was a 'British Flora,' in two stout octavo volumes, and it had evidently seen wear and tear, for it was tattered and dog-eared. But he received it mechanically, without glancing at it for a moment. His eyes, in fact, were fixed hard on Mary's. A woman knows at once what a man is thinking-especially, of course, when it's herself he's thinking about; and Mary knew that minute the young man with the fine brow and the loose yellow hair was thinking in his own head how exceedingly pretty she was. That makes a girl blush under any circumstances, and all the more so when the man who thinks it is her social inferior. Now, when Mary blushed, she coloured up to her delicate shell-like ears, which made her look prettier and daintier and more charming than ever; and the young man, withdrawing his eyes guiltily and suddenly-for he, too, knew what that blush must mean-was still further confirmed in his first opinion that she was very pretty.
The young lady, however, was ashamed he should even look at her. He was accustomed to that, and yet somehow in this case it particularly hurt him. He didn't know why, but he wanted her to like him. He look up the book to cover his confusion, and examined it carefully. 'At the time of the French Revolution,' he observed, as if to himself, in a curious, far-away tone, like one who volunteers for no particular reason a piece of general information, 'many of the refugees who came to this country were compelled to take up mechanical work of the commonest description. A Rochefoucauld mended shoes-and Talleyrand was a bookbinder.'
He said it exactly as if it was a casual remark about the volume he was holding, or the comparative merits of cloth and leather, with his eyes intently fixed on the backs of the covers, and his mind to all appearance profoundly absorbed in the alternative contemplation of morocco or russia. Mary thought him the oddest young man she had ever met in her life; she fancied he must be mad, and wondered by what chance of fate or fortune he could ever have wandered into a bookseller's shop at Chiddingwick.
The young man volunteered no more stray remarks about the French Revolution, however, but continued to inspect the backs of the books with more business-like consideration. Then he turned to her quietly: 'We could do this for you very cheap in half-calf,' he said, holding it up. 'It's not at all past mending. I see it's a favourite volume; and a book of reference of the sort you're constantly using in the open air ought to have sound, stout edges. The original binding, which was cloth, is quite unsuitable, of course, for such a purpose. If you'll leave it to me, I'll do my best to make a workman-like job of it.'
There was something in the earnest way the young man spoke that made Mary feel he took a pride in his work, simple and ordinary as it was; and his instant recognition of the needs and object of the particular volume in question, which in point of fact had been her companion in many country rambles over hill or moor, seemed to her singularly different from the perfunctory habit of most common English workmen. To them, a book is just a book to be covered. She conceived in her own mind, therefore, a vague respect at once for the young man's character. But he himself was just then looking down at the volume once more, engaged in examining the inside of the binding. As he turned to the fly-leaf he gave a sudden little start of intense surprise. 'Tudor!' he murmured-'Mary Tudor! How very curious! Did this book, then, once belong to someone named Mary Tudor?'
'It belongs to me, and that's my name,' Mary answered, a little astonished, for he was gazing fixedly at her autograph on the blank page of the first volume. Never before in her experience had any shop people anywhere showed the slightest symptom of surprise at recognition of her royal surname. The young man made a sudden gesture of curious incredulity. 'I beg your pardon,' he said, jotting down something in pencil in the inside of the book; 'do I understand you to mean your own real name is Mary Tudor?'
'Why, yes, certainly,' Mary answered, much amused at his earnestness. 'That's my own real name-Mary Empson Tudor.' He looked at it again. 'What a singular coincidence!' he murmured to himself half inaudibly. 'It's not an uncommon name in Wales,' Mary answered, just to cover the awkwardness, for she was surprised the young man should feel any interest at all in so abstract a subject.
'Oh, that's not it,' the yellow-haired lad replied in a hasty little way. 'The coincidence is-that my name happens to be Richard Plantagenet.' As he spoke, he drew himself up, and met her gaze once more with conscious pride in his clear blue eye. For a moment their glances answered each other; then both dropped their lids together. But Richard Plantagenet's cheek had flushed crimson meanwhile, as a very fair man's often will, almost like a girl's, and a strange fluttering had seized upon his heart well-nigh before he knew it. This was not remarkable. Mary Tudor was an extremely pretty girl; and her name seemed fateful; but who was she? Who could she be? Why had she happened to come there? Richard Plantagenet determined in his own heart that moment he would surely search this out, and never rest until he had discovered the secret of their encounter.
'You shall have it on Wednesday,' he said, coming back to the book with a sudden drop from cloudland. 'Where may I send it?' This last in the common tone of business. 'To the Rectory,' Mary answered, 'addressed to Miss Tudor.' And then Richard knew at once she must be the new governess. His eye wandered to the door. He hadn't noticed till that minute the Rectory pony; but once he saw it, he understood all; for Chiddingwick was one of those very small places where everyone knows everyone else's business. And Fraulein had gone back just three weeks ago to Hanover.
There was a moment's pause: then Mary said 'Good-morning,' sidling off a little awkwardly; for she thought Richard Plantagenet's manner a trifle embarrassing for a man in his position; and she didn't even feel quite sure he wasn't going to claim relationship with her on the strength of his surname. Now, a shopman may be handsome and gentlemanly, and a descendant of kings, but he mustn't aspire to acquaintance on such grounds as these with the family of a clergyman of the Church of England.
'Good-morning,' Richard replied with a courtly bow, like a gentleman of the old school, which indeed he was. 'Your books shall be covered as well as we can do them.'
Mary returned to the pony, and Richard to his ream, which he was cutting into sermon-paper. But Mary Tudor's pretty face seemed to haunt him at his work; and he thought to himself more than once, between the clips of the knife, that if ever he married at all, that was just the sort of girl a descendant of the Plantagenets would like to marry. Yet the last time one of his house had espoused a Tudor, he said to himself very gravely, the relative roles of man and woman were reversed; for the Tudor was Henry of Richmond, 'called Henry VII., of our younger branch and the Plantagenet was Elizabeth of York, his consort. And that was how 'the estates' went out of the family.
But 'the estates' were England, Wales, and Ireland, he often complained in the bosom of the family.

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Word Lists:

Ream : 500 (formerly 480) sheets of paper.

Governess : a woman employed to teach children in a private household.

Unpretentious : not attempting to impress others with an appearance of greater importance, talent, or culture than is actually possessed

Afterthought : an item or thing that is thought of or added later

Filly : a young female horse, especially one less than four years old.

Omission : a person or thing that has been left out or excluded

Perfunctory : (of an action or gesture) carried out with a minimum of effort or reflection

Disrespect : lack of respect or courtesy

Unsuitable : not fitting or appropriate

Portly : having a stout body; somewhat fat (used especially of a man)

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Additional Information:

Rating: B Words in the Passage: 2577 Unique Words: 875 Sentences: 130
Noun: 790 Conjunction: 232 Adverb: 189 Interjection: 6
Adjective: 247 Pronoun: 275 Verb: 356 Preposition: 287
Letter Count: 11,257 Sentiment: Positive / Positive / Positive Tone: Neutral Difficult Words: 526
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