The Monkey's Paw The Lady of the Barge and Others, Part 2.

- By W.W. Jacobs
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English fiction writer (1863–1943) W. W. JacobsPortrait of Jacobs by Elliott & FryBornWilliam Wymark Jacobs(1863-09-08)8 September 1863London, EnglandDied1 September 1943(1943-09-01) (aged 79)Islington, London, EnglandOccupationShort story writer, novelistPeriod1885–1943 William Wymark Jacobs (8 September 1863 – 1 September 1943) was an English author of short fiction and drama. He is best known for his story "The Monkey's Paw". Early life[edit] He was born in 1863 at 5, Crombie’s Row, Mile End Old Town (not Wapping, as is often stated),[1] London, to William Gage Jacobs, wharf manager, and his wife Sophia.[2] His father managed the South Devon wharf in Lower East Smithfield, by the St Katherine Docks and, according to the Oxford Dictionary of National Biography, "the young Jacobs spent much time on Thames-side, growing familiar with the life of the neighbourhood" and "ran wild in Wapping".[3] Jacobs and his siblings were still young when their mother died. Their father then married his housekeeper and had seven more children.[4] Jacobs attended a private London school before Birkbeck College (Birkbeck Literary and Scientific Institution, now part of the University of London),[5] where he befriended William Pett Ridgcap. Jacobs' baptism record Early work[edit] In 1879, Jacobs began work as a clerk in the Post Office Savings Bank. By 1885 he had his first short story published, but success came slowly. Yet Arnold Bennett in 1898 was astonished to hear that Jacobs had turned down £50 for six short stories. He was financially secure enough to be able to leave the post office in 1899. Literature[edit] Jacobs is remembered for a macabre tale, "The Monkey's Paw", (published 1902 in a short-story collection, The Lady of the Barge)[6] and several other ghost stories, including "The Toll House" (from the 1909 collection Sailors' Knots) and "Jerry Bundler" (from the 1901 Light Freights).[6][7] Most of his work was humorous. His favourite subject was marine life – "men who go down to the sea in ships of moderate tonnage," said Punch, reviewing his first collection, Many Cargoes,[8] which gained popular success on publication in 1896. Michael Sadleir has said of Jacobs's fiction, "He wrote stories of three kinds: describing the misadventures of sailor-men ashore; celebrating the artful dodger of a slow-witted village; and tales of the macabre."[9] W. W. Jacobs Many Cargoes was followed by the novel The Skipper's Wooing in 1897, and another collection of short stories, Sea Urchins (1898), confirmed his popularity. Other titles included Captains All, Sailors' Knots, and Night Watches. The title of the last reflects the popularity of an enduring character: the night-watchman on the wharf in Wapping, recounting the preposterous adventures of his acquaintances Ginger Dick, Sam Small, and Peter Russet. These three characters, pockets full after a long voyage, took lodgings together, set on enjoying a long spell ashore, but the crafty inhabitants of dockland London soon relieved them of their funds, assisted by their own fecklessness and credulity. Jacobs showed a delicacy of touch in his use of the coarse vernacular of the East End of London, which attracted the respect of such writers as P. G. Wodehouse, who mentions Jacobs in his autobiographical work Bring on the Girls!, written with Guy Bolton and published in 1954. The stories in Many Cargoes had varied previous serial publication, while those in Sea Urchins were for the most part published in Jerome K. Jerome's Idler. From October 1898, Jacobs's stories appeared in the Strand, which provided him with financial security almost up to his death. John Drinkwater described Jacobs's fiction as "in the Dickens tradition".[5] Dramatic work[edit] Jacobs's short-story output declined somewhat around the time of the First World War. His literary efforts thereafter were mainly adaptations of his own short stories for the stage. His first stage work, The Ghost of Jerry Bundler, opened in London in 1899, was revived in 1902, and was eventually published in 1908. He wrote 18 plays altogether, some in collaboration with other writers. Adult life[edit] Jacobs married Agnes Eleanor Williams in 1900 at West Ham, Essex. Agnes was later a noted suffragette. The 1901 Census records their living with a first child, a three-month-old daughter, at Kings Place Road, Buckhurst Hill, Essex. Also recorded in the household were his journalist sister Amy, his sister-in-law, Nancy Williams, a cook, and an additional domestic servant. Altogether the Jacobs had two sons and three daughters.[10] Jacobs went on to set up home in Loughton, Essex, first at the Outlook in Park Hill, and then at Feltham House in Goldings Hill, which bears a blue plaque to him. Loughton is the "Claybury" of some of the stories; Jacobs's love for the local forest scenery features in "Land Of Cockaigne". Another blue plaque appears on Jacobs's central London residence at 15 Gloucester Gate, Regents Park (later held by the Prince of Wales's Institute of Architecture). Jacobs stated that after his youthful left-wing opinions, his political position in later years was "Conservative and Individualistic".[5] On 7 January 1914, in King's Hall, Covent Garden, Jacobs was a member of the jury in the mock trial of John Jasper for the murder of Edwin Drood. At this all-star event G. K. Chesterton was Judge and George Bernard Shaw appeared as foreman of the jury.[11] In 1928 he was involved in the creation of films of his works. The first film made was titled "The Bravo". Fifty actresses were auditioned and Jacob was said to be impressed by Paddy Naismith who was chosen to play the lead role.[12] W. W. Jacobs died on 1 September 1943 at Hornsey Lane, Islington, London, at the age of 79. An obituary in The Times (2 September 1943) described him as "quiet, gentle and modest... not fond of large functions and crowds." Ian Hay remarked, "He invented an entirely new form of humorous narrative. Its outstanding characteristics were compression and understatement."[13] Bibliography[edit] Many Cargoes, 1896 The Skipper's Wooing and The Brown Man's Servant, 1897 (novel and novella) More Cargoes, 1897 Sea Urchins, 1898 (also known as More Cargoes, US) A Master of Craft, 1900 Light Freights, 1901 The Lady of the Barge, 1902 "The Monkey's Paw", "The Lady of the Barge", "Bill's Paper Chase", "The Well", "Cupboard Love", "In the Library", "Captain Rogers", "A Tiger's Skin", "A Mixed Proposal", "An Adulteration Act", "A Golden Venture", "Three at Table" Dialstone Lane, 1902 At Sunwich Port, 1902 Odd Craft, 1903 (contains "The Money Box") Captains All, 1905 Short Cruises, 1907 Salthaven, 1908 Sailors' Knots, 1909 (contains "The Toll House") Ship's Company, 1911 Night Watches, 1914 The Castaways, 1916 Deep Waters, 1919 Sea Whispers, 1926 Short stories[edit] "Mrs Bunker's Chaperon", Henry's Christmas Annual, 1895 "Contraband of War", The Idler Magazine, February 1896 "In Borrowed Plumes", The Minster Magazine, February 1896 "A Benefit Performance", To-Day, August 1896 "A Love Passage", The Idler Magazine, February 1896 "The Brown Man's Servant", Pearson's Magazine, December 1896 "Wapping-on-Thames", Windsor Magazine, June 1897 "Rule of Three", The Graphic, 1 July 1897 "The Skipper's Wooing", Windsor Magazine, July 1897 "The Monkey's Paw" Film adaptations[edit] 1922 A Master of Craft 1936 Our Relations, a Laurel and Hardy feature film with a "suggested by" credit to Jacobs's "The Money Box" 1937 Beauty and the Barge 1955 Footsteps in the Fog, from the short story "The Interruption" 2013 The Monkey's Paw, and versions in 1915, 1923, 1933 and 1948 See also[edit] List of adaptations of The Monkey's Paw Patrick Wymark Olwen Wymark References[edit] ^ Crombie’s Row was north of the Commercial Road, in Mile End Old Town, between present-day Sidney Street and Jubilee Street. Jacobs was baptised at Christchurch, Watney Street, which was just across the Commercial Road in Shadwell. Those places have been demolished, but can be located in Stanford, Edward (1872). Stanford's Library Map of London and Its Suburbs (Map). London: Stanford. Retrieved 13 April 2023. and Edward Weller's map of 1868. Jacobs himself accurately gave his birthplace as "Middlesex, Mile End E" in the 1911 census, and it is so recorded in the England and Wales, Civil Registration Birth Index, 1837-1915 (General Register Office. England and Wales Civil Registration Indexes. London, England). The "Wapping" version, though stated in the Oxford Dictionary of National Biography, is unsupported, and may derive from his childhood play in the docks of east London. ^ Baptisms Solemnised in the Parish of Christ Church, St George in the East, County of Middlesex, in the year 1863, page 22 (London Metropolitan Archives). ^ Sadleir, Michael; Basu, Sayoni (2011). "Jacobs, William Wymark". In Basu, Sayoni (ed.). Oxford Dictionary of National Biography. Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/34145. (Subscription or UK public library membership required.) ^ Loughton and District Historical Society Newsletter, No. 186. September/October 2010, p. 6. [1] ^ a b c "Jacobs, William", in Stanley J. Kunitz and Howard Haycraft, Twentieth Century Authors, A Biographical Dictionary of Modern Literature, (Third Edition). New York, The H. W. Wilson Company, 1950, pp. 721–723. ^ a b Norman Donaldson, "W. W. Jacobs", E. F. Bleiler, ed. Supernatural Fiction Writers. New York: Scribner's, 1985, pp. 383–388. ISBN 0684178087 ^ Mike Ashley, Who's Who in Horror and Fantasy Fiction. Elm Tree Books, 1977, ISBN 0-241-89528-6, p. 102. ^ Lemon, Mark; Mayhew, Henry; Taylor, Tom; Brooks, Shirley; Burnand, F. C. (Francis Cowley); Seaman, Owen. "Punch". [London, Punch Publications Ltd., etc.] Retrieved 11 May 2021 – via Internet Archive. ^ John Sutherland, The Stanford Companion to Victorian Fiction. Stanford University Press, 1990. ISBN 0804718423, pp. 324–325. ^ Michael Sadleir "Jacobs, William Wymark (1863–1943)", rev. Sayoni Basu, Oxford Dictionary of National Biography (Oxford, UK: OUP, 2004 Retrieved 13 October 2016. ^ Programme, The Trial of John Jasper for the Murder of Edwin Drood, at King's Hall, Covent Garden, January 7th 1914. Copy in a private collection, annotated by the original owner.) ^ "A full life". issuu. Retrieved 19 April 2022. ^ Sandra Kemp, Charlotte Mitchell and David Trotter, eds., "Jacobs, W. W.", The Oxford Companion to Edwardian Fiction, Oxford: OUP, 1997, ISBN 9780191727382 External links[edit] Wikisource has original works by or about:W. W. Jacobs Wikimedia Commons has media related to W. W. Jacobs. W. W. Jacobs Collection at the Harry Ransom Center William Wymark Jacobs letters at Columbia University Works by W. W. Jacobs in eBook form at Standard Ebooks Works by W. W. Jacobs at Project Gutenberg Works by or about W. W. Jacobs at Internet Archive Works by W. W. Jacobs at LibriVox (public domain audiobooks) Works by W. W. Jacobs, at Hathi Trust The Monkey's Paw can be read online at American Literature Archived 16 June 2012 at the Wayback Machine The Toll House" Full text. W. W. Jacobs at IMDb Authority control databases International FAST ISNI VIAF National Spain France BnF data Catalonia Germany Israel Finland United States Sweden Japan Czech Republic Korea Netherlands Poland Portugal Academics CiNii Artists MusicBrainz People Trove Other SNAC IdRef
THE MONKEY'S PAW I.
Without, the night was cold and wet, but in the small parlour of Laburnam Villa the blinds were drawn and the fire burned brightly. Father and son were at chess, the former, who possessed ideas about the game involving radical changes, putting his king into such sharp and unnecessary perils that it even provoked comment from the white-haired old lady knitting placidly by the fire.
"Hark at the wind," said Mr. White, who, having seen a fatal mistake after it was too late, was amiably desirous of preventing his son from seeing it. "I'm listening," said the latter, grimly surveying the board as he stretched out his hand. "Check." "I should hardly think that he'd come to-night," said his father, with his hand poised over the board.
"Mate," replied the son. "That's the worst of living so far out," bawled Mr. White, with sudden and unlooked-for violence; "of all the beastly, slushy, out-of-the-way places to live in, this is the worst. Pathway's a bog, and the road's a torrent. I don't know what people are thinking about. I suppose because only two houses in the road are let, they think it doesn't matter."
"Never mind, dear," said his wife, soothingly; "perhaps you'll win the next one." Mr. White looked up sharply, just in time to intercept a knowing glance between mother and son. The words died away on his lips, and he hid a guilty grin in his thin grey beard. "There he is," said Herbert White, as the gate banged to loudly and heavy footsteps came toward the door.
The old man rose with hospitable haste, and opening the door, was heard condoling with the new arrival. The new arrival also condoled with himself, so that Mrs. White said, "Tut, tut!" and coughed gently as her husband entered the room, followed by a tall, burly man, beady of eye and rubicund of visage. "Sergeant-Major Morris," he said, introducing him.
The sergeant-major shook hands, and taking the proffered seat by the fire, watched contentedly while his host got out whiskey and tumblers and stood a small copper kettle on the fire. At the third glass his eyes got brighter, and he began to talk, the little family circle regarding with eager interest this visitor from distant parts, as he squared his broad shoulders in the chair and spoke of wild scenes and doughty deeds; of wars and plagues and strange peoples.
"Twenty-one years of it," said Mr. White, nodding at his wife and son. "When he went away he was a slip of a youth in the warehouse. Now look at him." "He don't look to have taken much harm," said Mrs. White, politely. "I'd like to go to India myself," said the old man, "just to look round a bit, you know."
"Better where you are," said the sergeant-major, shaking his head. He put down the empty glass, and sighing softly, shook it again. "I should like to see those old temples and fakirs and jugglers," said the old man. "What was that you started telling me the other day about a monkey's paw or something, Morris?" "Nothing," said the soldier, hastily. "Leastways nothing worth hearing."
"Monkey's paw?" said Mrs. White, curiously. "Well, it's just a bit of what you might call magic, perhaps," said the sergeant-major, offhandedly. His three listeners leaned forward eagerly. The visitor absent-mindedly put his empty glass to his lips and then set it down again. His host filled it for him.
"To look at," said the sergeant-major, fumbling in his pocket, "it's just an ordinary little paw, dried to a mummy." He took something out of his pocket and proffered it. Mrs. White drew back with a grimace, but her son, taking it, examined it curiously.
"And what is there special about it?" inquired Mr. White as he took it from his son, and having examined it, placed it upon the table. "It had a spell put on it by an old fakir," said the sergeant-major, "a very holy man. He wanted to show that fate ruled people's lives, and that those who interfered with it did so to their sorrow. He put a spell on it so that three separate men could each have three wishes from it."
His manner was so impressive that his hearers were conscious that their light laughter jarred somewhat. "Well, why don't you have three, sir?" said Herbert White, cleverly. The soldier regarded him in the way that middle age is wont to regard presumptuous youth. "I have," he said, quietly, and his blotchy face whitened.
"And did you really have the three wishes granted?" asked Mrs. White. "I did," said the sergeant-major, and his glass tapped against his strong teeth. "And has anybody else wished?" persisted the old lady.
"The first man had his three wishes. Yes," was the reply; "I don't know what the first two were, but the third was for death. That's how I got the paw." His tones were so grave that a hush fell upon the group. "If you've had your three wishes, it's no good to you now, then, Morris," said the old man at last. "What do you keep it for?"
The soldier shook his head. "Fancy, I suppose," he said, slowly. "I did have some idea of selling it, but I don't think I will. It has caused enough mischief already. Besides, people won't buy. They think it's a fairy tale; some of them, and those who do think anything of it want to try it first and pay me afterward." "If you could have another three wishes," said the old man, eyeing him keenly, "would you have them?" "I don't know," said the other. "I don't know."
He took the paw, and dangling it between his forefinger and thumb, suddenly threw it upon the fire. White, with a slight cry, stooped down and snatched it off. "Better let it burn," said the soldier, solemnly. "If you don't want it, Morris," said the other, "give it to me." "I won't," said his friend, doggedly. "I threw it on the fire. If you keep it, don't blame me for what happens. Pitch it on the fire again like a sensible man."
The other shook his head and examined his new possession closely. "How do you do it?" he inquired. "Hold it up in your right hand and wish aloud," said the sergeant-major, "but I warn you of the consequences." "Sounds like the Arabian Nights," said Mrs. White, as she rose and began to set the supper. "Don't you think you might wish for four pairs of hands for me?"
Her husband drew the talisman from pocket, and then all three burst into laughter as the sergeant-major, with a look of alarm on his face, caught him by the arm. "If you must wish," he said, gruffly, "wish for something sensible." Mr. White dropped it back in his pocket, and placing chairs, motioned his friend to the table. In the business of supper the talisman was partly forgotten, and afterward the three sat listening in an enthralled fashion to a second instalment of the soldier's adventures in India.
"If the tale about the monkey's paw is not more truthful than those he has been telling us," said Herbert, as the door closed behind their guest, just in time for him to catch the last train, "we sha'nt make much out of it." "Did you give him anything for it, father?" inquired Mrs. White, regarding her husband closely. "A trifle," said he, colouring slightly. "He didn't want it, but I made him take it. And he pressed me again to throw it away."
"Likely," said Herbert, with pretended horror. "Why, we're going to be rich, and famous and happy. Wish to be an emperor, father, to begin with; then you can't be henpecked." He darted round the table, pursued by the maligned Mrs. White armed with an antimacassar. Mr. White took the paw from his pocket and eyed it dubiously. "I don't know what to wish for, and that's a fact," he said, slowly. "It seems to me I've got all I want."
"If you only cleared the house, you'd be quite happy, wouldn't you?" said Herbert, with his hand on his shoulder. "Well, wish for two hundred pounds, then; that 'll just do it." His father, smiling shamefacedly at his own credulity, held up the talisman, as his son, with a solemn face, somewhat marred by a wink at his mother, sat down at the piano and struck a few impressive chords. "I wish for two hundred pounds," said the old man distinctly.
A fine crash from the piano greeted the words, interrupted by a shuddering cry from the old man. His wife and son ran toward him. "It moved," he cried, with a glance of disgust at the object as it lay on the floor. "As I wished, it twisted in my hand like a snake."
"Well, I don't see the money," said his son as he picked it up and placed it on the table, "and I bet I never shall." "It must have been your fancy, father," said his wife, regarding him anxiously. He shook his head. "Never mind, though; there's no harm done, but it gave me a shock all the same." They sat down by the fire again while the two men finished their pipes. Outside, the wind was higher than ever, and the old man started nervously at the sound of a door banging upstairs. A silence unusual and depressing settled upon all three, which lasted until the old couple rose to retire for the night.
"I expect you'll find the cash tied up in a big bag in the middle of your bed," said Herbert, as he bade them good-night, "and something horrible squatting up on top of the wardrobe watching you as you pocket your ill-gotten gains." He sat alone in the darkness, gazing at the dying fire, and seeing faces in it. The last face was so horrible and so simian that he gazed at it in amazement. It got so vivid that, with a little uneasy laugh, he felt on the table for a glass containing a little water to throw over it. His hand grasped the monkey's paw, and with a little shiver he wiped his hand on his coat and went up to bed.

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Word Lists:

Fakir : a Muslim (or, loosely, a Hindu) religious ascetic who lives solely on alms.

Rubicund : (especially of someone's face) having a ruddy complexion; high-colored

Simian : relating to, resembling, or affecting apes or monkeys

Paw : an animal's foot having claws and pads.

Talisman : an object, typically an inscribed ring or stone, that is thought to have magic powers and to bring good luck

Beady : (of a person's eyes) small, round, and gleaming

Ill-gotten : acquired by illegal or unfair means

Condole : express sympathy for (someone); grieve with

Slush : partially melted snow or ice

Dubiously : with hesitation or doubt

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Additional Information:

Rating: A Words in the Passage: 1749 Unique Words: 630 Sentences: 139
Noun: 392 Conjunction: 161 Adverb: 106 Interjection: 2
Adjective: 141 Pronoun: 253 Verb: 304 Preposition: 172
Letter Count: 7,209 Sentiment: Positive / Positive / Positive Tone: Conversational Difficult Words: 324
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