The Railway Children

- By E. Nesbit
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English author and poet (1858–1924) For the American model, see Evelyn Nesbit. Edith NesbitNesbit, c. 1890Born(1858-08-15)15 August 1858Kennington, Surrey (now Greater London), England[1]Died4 May 1924(1924-05-04) (aged 65)New Romney, Kent, EnglandPen nameE. NesbitOccupationWriter, poetPeriod1886–1924GenreChildren's literatureNotable worksThe Story of the Treasure SeekersThe Railway ChildrenFive Children and ItSpouse Hubert Bland ​ ​(m. 1880; died 1914)​ Thomas Tucker ​(m. 1917)​ Edith Nesbit (married name Edith Bland; 15 August 1858 – 4 May 1924) was an English writer and poet, who published her books for children as E. Nesbit. She wrote or collaborated on more than 60 such books. She was also a political activist and co-founder of the Fabian Society, a socialist organisation later affiliated to the Labour Party. Biography[edit] Nesbit was born in 1858 at 38 Lower Kennington Lane, Kennington, Surrey (now classified as Inner London),[a] the daughter of an agricultural chemist, John Collis Nesbit, who died in March 1862, before her fourth birthday.[2] Her mother was Sarah Green (née Alderton). The ill health of Edith's sister Mary meant that the family travelled for some years, living variously in Brighton, Buckinghamshire, France (Dieppe, Rouen, Paris, Tours, Poitiers, Angoulême, Bordeaux, Arcachon, Pau, Bagnères-de-Bigorre, and Dinan in Brittany), Spain and Germany. Mary was engaged in 1871 to the poet Philip Bourke Marston, but later that year she died of tuberculosis in Normandy.[3] After Mary's death, Edith and her mother settled for three years at Halstead Hall, Halstead, north-west Kent, a location that inspired The Railway Children, although the distinction has also been claimed by the Derbyshire town of New Mills.[4] When Nesbit was 17, the family moved back to Lewisham in south-east London. There is a Lewisham Council plaque to her at 28 Elswick Road.[5] In 1877, at the age of 18, Nesbit met the bank clerk Hubert Bland, her elder by three years. Seven months pregnant, she married Bland on 22 April 1880, but did not initially live with him, as Bland remained with his mother. Their marriage was tumultuous. Early on, Nesbit found that another woman believed she was Hubert's fiancée and had also borne him a child. A more serious blow came in 1886, when she discovered that her friend, Alice Hoatson, was pregnant by him. She had previously agreed to adopt Hoatson's child and allow Hoatson to live with her as their housekeeper. After she discovered the truth, she and her husband quarrelled violently and she suggested that Hoatson and the baby, Rosamund, should leave; her husband threatened to leave Edith if she disowned the baby and its mother. Hoatson remained with them as a housekeeper and secretary and became pregnant by Bland again 13 years later. Edith again adopted Hoatson's child, John.[6] Nesbit's children by Bland were Paul Cyril Bland (1880–1940), to whom The Railway Children was dedicated, Mary Iris Bland (1881–1965), who married John Austin D Phillips in 1907,[7] and Fabian Bland (1885–1900). Bland's two children by Alice Hoatson, whom Edith adopted, were Rosamund Edith Nesbit Hamilton, later Bland (1886–1950), who married Clifford Dyer Sharp on 16 October 1909,[8] and to whom The Book of Dragons was dedicated, and John Oliver Wentworth Bland (1899–1946) to whom The House of Arden and Five Children and It were dedicated.[9][10] Nesbit's son Fabian died aged 15 after a tonsil operation; Nesbit dedicated several books to him, including The Story of the Treasure Seekers and its sequels. Nesbit's adopted daughter Rosamund collaborated with her on Cat Tales. E. Nesbit's grave in St Mary in the Marsh's churchyard bears a wooden marker by her second husband, Thomas Terry Tucker. There is also a memorial plaque to her inside the church. Nesbit admired the artist and Marxian socialist William Morris.[11][12] The couple joined the founders of the Fabian Society in 1884,[13] after which their son Fabian was named,[2] and jointly edited its journal Today. Hoatson was its assistant secretary. Nesbit and Bland dallied with the Social Democratic Federation, but found it too radical. Nesbit was a prolific lecturer and writer on socialism in the 1880s. She and her husband co-wrote under the pseudonym "Fabian Bland",[14] However, the joint work dwindled as her success rose as a children's author. She was a guest speaker at the London School of Economics, which had been founded by other Fabian Society members. Edith lived from 1899 to 1920 at Well Hall, Eltham, in south-east London,[15] which makes fictional appearances in several of her books, such as The Red House. From 1911 she kept a second home on the Sussex Downs at Crowlink, Friston, East Sussex.[16] She and her husband entertained many friends, colleagues and admirers at Well Hall.[17] On 20 February 1917, some three years after Bland died, Nesbit married Thomas "the Skipper" Tucker in Woolwich, where he was captain of the Woolwich Ferry. Towards the end of her life, Nesbit moved first to Crowlink, then with the skipper to two conjoined properties which were Royal Flying Corps buildings, 'Jolly Boat' and 'Long Boat'. Nesbit lived in 'Jolly Boat' and the Skipper in 'Long Boat'. Nesbit died in 'The Long Boat' at Jesson, St Mary's Bay, New Romney, Kent, in 1924, probably from lung cancer (she "smoked incessantly"),[18] and was buried in the churchyard of St Mary in the Marsh. Her husband Thomas died at the same address on 17 May 1935. Edith's son Paul Bland was an executor of Thomas Tucker's will. Writer[edit] Nesbit's first published works were poems. She was under 20 in March 1878, when the monthly magazine Good Words printed her poem "Under the Trees".[19] In all she published about 40 books for children, including novels, storybooks and picture books.[20] She also published almost as many books jointly with others. Nesbit's biographer, Julia Briggs, names her "the first modern writer for children", who "helped to reverse the great tradition of children's literature inaugurated by Lewis Carroll, George MacDonald and Kenneth Grahame, in turning away from their secondary worlds to the tough truths to be won from encounters with things-as-they-are, previously the province of adult novels".[21] Briggs also credits Nesbit with inventing the children's adventure story.[22] Noël Coward was an admirer. In a letter to an early biographer, Noel Streatfeild wrote, "She had an economy of phrase and an unparalleled talent for evoking hot summer days in the English countryside."[23] Among Nesbit's best-known books are The Story of the Treasure Seekers (1899) and The Wouldbegoods (1901), which tell of the Bastables, a middle-class family fallen on relatively hard times. The Railway Children is also popularised by a 1970 film version. Gore Vidal called the time-travel book, The Story of the Amulet, one where "Nesbit's powers of invention are at their best."[24] Her children's writing also included plays and collections of verse. Nesbit has been cited as the creator of modern children's fantasy.[25] Her innovations placed realistic contemporary children in real-world settings with magical objects (which would now be classed as contemporary fantasy) and adventures and sometimes travel to fantastic worlds.[26] This influenced directly or indirectly many later writers, including P. L. Travers (of Mary Poppins), Edward Eager, Diana Wynne Jones and J. K. Rowling. C. S. Lewis too paid heed to her in the Narnia series[27] and mentions the Bastable children in The Magician's Nephew. Michael Moorcock later wrote a series of steampunk novels around an adult Oswald Bastable of The Treasure Seekers. In 2012, Jacqueline Wilson wrote a sequel to the Psammead trilogy: Four Children and It. Nesbit also wrote for adults, including eleven novels, short stories, and four collections of horror stories. In 2011, Nesbit was accused of plagiarising the plot of The Railway Children from The House by the Railway by Ada J. Graves. The Telegraph reported that the Graves book had appeared in 1896, nine years before The Railway Children, and listed similarities between them.[28] However, not all sources agree on this finding:[29] The magazine Tor.com posited an error in the earlier news reports, saying both books had been released in the same year, 1906.[30] In The New Yorker, Jessica Winter has noted that Nesbit's books are at times "blighted by racist and colonialist language and anti-Semitic tropes". Although she was the family breadwinner and has the father in The Railway Children declare that "Girls are just as clever as boys, and don’t you forget it!", she did not champion women's rights. "She opposed the cause of women’s suffrage—mainly, she claimed, because women could swing Tory, thus harming the Socialist cause."[31] She is said to have avoided the literary moralizing that characterized the age. "And, most crucially, both books are constructed from a blueprint that is also a kind of reënactment of the author’s own childhood: an idyll torn up at its roots by the exigencies of illness, loss, and grief."[31] Legacy[edit] Places[edit] Edith Nesbit Walk and cycleway runs along the south side of Well Hall Pleasaunce in Eltham.[32] Lee Green, also in south-east London, has Edith Nesbit Gardens.[33] A 200-metre footpath in Grove Park south-east London, between Baring Road and Reigate Road, is named Railway Children Walk after the novel,[34] as is one in Oxenhope, a film location on the Keighley and Worth Valley Railway used in the 1970 film.[35] There is a Nesbit Road in St Mary's Bay, Romney Marsh, where Nesbit's home Long Boat & Jolly Boat stands.[36] Nesbit House, a care home at Badgers Mount, Kent, is located near Halstead Hall where Edith Nesbit lived when she was young.[37] Other legacy[edit] Actress Judy Parfitt portrayed Nesbit in the 1972–1973 miniseries The Edwardians[38] The Edith Nesbit Society was founded in 1996 with Dame Jacqueline Wilson as president.[39] In The Guardian in 2001, Francis Spufford placed The Story of the Amulet first on his list of greatest children's books.[40] A. S. Byatt's 2009 novel The Children's Book is inspired partly by Nesbit, who appears as a character along with Kenneth Grahame and J. M. Barrie.[41] Nesbit's life inspired a one-act, one-woman play, Larks and Magic, by Alison Neil, in 2018.[42][43][44] Several of Nesbit's horror short stories were adapted into the anthology play The Shadow In The Dark by Oliver Giggins and Ash Pryce, which also drew on elements of Nesbit's own life and fears taken from her autobiographical writings. The show premiered at the Edinburgh Horror Festival in 2023.[45] American children's book author Edward Eager considered Nesbit the best children's author of all time; his books have been compared to Nesbit's and his characters are often fans of her work.[46] Biographies[edit] Aside from her autobiographical Long Ago When I was Young (published 1966), Nesbit has been the subject of five biographies. Doris Langley Moore E. Nesbit, 1933 Noel Streatfeild, Magic and the Magician: E. Nesbit and her Children’s Books, 1958 Julia Briggs, A Woman of Passion, 1987 Elisabeth Galvin, The Extraordinary Life of E. Nesbit, 2018 Eleanor Fitzsimons, The Life and Loves of E Nesbit, 2019[47] Works[edit] Novels for children[edit] Bastable series[edit] 1899 The Story of the Treasure Seekers 1901 The Wouldbegoods 1904 New Treasure Seekers The Complete History of the Bastable Family (1928) is a posthumous omnibus of the three Bastable novels, but not the complete history. Four more stories about it appear in the 1905 Oswald Bastable and Others.[1] The Bastables also feature in the 1902 adult novel The Red House. Psammead series[edit] 1902 Five Children and It 1904 The Phoenix and the Carpet 1906 The Story of the Amulet House of Arden series[edit] 1908 The House of Arden 1909 Harding's Luck Other children's novels[edit] 1906 The Railway Children 1907 The Enchanted Castle 1910 The Magic City 1911 The Wonderful Garden 1913 Wet Magic 1925 The novella Five of Us—and Madeline, published posthumously in a collection of that name[48] Novels for adults[edit] As Fabian Bland:[49] The Prophet's Mantle. Serialised, Weekly Dispatch, 3 August–14 December 1884, published 1889 The Hour before Day. Serialised, Weekly Dispatch, 1885 Something Wrong. Serialised, Weekly Dispatch, 7 March to 4 July 1886 The Marden Mystery (1896)[50] (rare: few if any copies survive)[51] As E Nesbit 1893 Her Marriage Lines. Serialised, Weekly Dispatch, 1893 1898 The Secret of Kyriels (rare: few copies survive)[51] 1902 The Red House 1906 The Incomplete Amorist 1909 Salome and the Head (also known as The House with No Address)[1] 1909 Daphne in Fitzroy Street 1911 Dormant (US title, Rose Royal) 1916 The Incredible Honeymoon 1922 The Lark Stories and storybooks for children[edit] 1887 The Pixies Garden 1891 "The Pilot", poem, picture book(?), OCLC 905335060 1892 Father Christmas: The Children's Casket of Pictures 1894 Miss Mischief 1895 Tick Tock, Tales of the Clock 1895 Pussy cat 1895 Doggy Tales 1896 The Prince, Two Mice and Some Kitchen-Maids. Father Christmas: The Children's Treasury of Pictures and Stories (1892) 1897 The Children's Shakespeare 1897 Royal Children of English History 1897 Tales Told in the Twilight (bedtime stories by several writers) 1898 The Book of Dogs 1899 Pussy and Doggy Tales 1901 The Book of Dragons (stories that appeared in The Strand, 1899)[b] 1901 Nine Unlikely Tales 1902 The Revolt of the Toys 1903 The Rainbow Queen and Other Stories 1903 Playtime Stories 1904 The Story of Five Rebellious Dolls 1904 Cat Tales (by Nesbit and her daughter Rosamund E. Nesbit Bland)[53] 1905 Oswald Bastable and Others (includes four Bastable stories)[1] 1905 Pug Peter, King of Mouseland 1907 Beautiful Stories from Shakespeare (reprint of The Children's Shakespeare, 1895) 1908 The Old Nursery Stories 1912 The Magic World 1925 Five of Us—and Madeline (posthumously assembled and edited by Rosamund E. Nesbit Bland, containing the title novel and two short stories perhaps completed by Nesbit)[48] Short stories for adults[edit] As Fabian Bland "Psychical Research". Longman's Magazine, December 1884 "The Fabric of a Vision". Argosy, March 1885 "An Angel Unawares". Weekly Dispatch, 9 August 1885 "Desperate Conspirator". Weekly Dispatch, 15 May 1887 "A Pot of Money". Weekly Dispatch, 21 August 1887 "Christmas Roses". Weekly Dispatch, 25 December 1887 "High Social Position". Weekly Dispatch, 8 July 1888 "Mind and Money". Weekly Dispatch, 16 September 1888 "Getting into Society". Weekly Dispatch, 30 September 1888 "A Drama of Exile". Weekly Dispatch, 21 October 1888 "A Pious Fraud". Weekly Dispatch, 11 November 1888 "Her First Appearance". Weekly Dispatch, 16 December 1888 "Which Wins?" Murray's Magazine, December 1888 "Only a Joke". Longman's Magazine, August 1889 "The Golden Girl". Weekly Dispatch, 21 December 1890 As E Nesbit "Uncle Abraham's Romance". Illustrated London News, 26 September 1891 "The Ebony Frame". Longman's Magazine, October 1891 "Hurst of Hurstcote", 1893 "The Butler in Bohemia" (by Nesbit and Oswald Barron), OCLC 72479308, 1894 "A Strayed Sheep". Thetford & Watton Times and People's Weekly Journal, 2 June 1894 (with Oswald Barron) "The Secret of Monsieur Roche Aymon". Atalanta Magazine, October 1894 (with Oswald Barron) "The Letter in Brown Ink". Windsor Magazine, August 1899 "'Thirteen Ways Home", 1901 "The Literary Sense", 1903 "The Third Drug", Strand Magazine, February 1908, as by E. Bland. Reprinted in anthologies thus and as "The Three Drugs"[54] "These Little Ones", 1909 "The Aunt and the Editor". North Star and Farmers' Chronicle, 15 June 1909 "To the Adventurous", 1923 Short story collections for adults[edit] Grim Tales (horror stories), 1893 "The Ebony Frame", "John Charrington's Wedding", "Uncle Abraham's Romance", "The Mystery of the Semi-Detached", "From the Dead", "Man-Size in Marble", "The Mass for the Dead" Something Wrong (horror stories), 1893 In Homespun (10 stories "written in an English dialect" of South Kent and Sussex), 1896 Man and Maid (10 stories), 1906 (some supernatural stories)[c] Fear (horror stories), 1910 Collected Supernatural Stories, 2000 "Dormant" ("Rose Royal"), "Man-size in Marble", "The Detective", "No. 17", "John Charrington's Wedding", "The Blue Rose", "The Haunted House", "The House With No Address" ("Salome and the Head"), "The Haunted Inheritance", "The House of Silence", "The Letter in Brown Ink", "The Shadow", "The New Samson", "The Pavilion" From the Dead: The Complete Weird Stories of E Nesbit, 2005 "Introduction" (by S. T. Joshi), "John Charrington's Wedding", "The Ebony Frame", "The Mass for the Dead", "From the Dead", "Uncle Abraham's Romance", "The Mystery of the Semi-Detached", "Man-Size in Marble", "Hurst of Hurstcote", "The Power of Darkness", "The Shadow", "The Head", "The Three Drugs", "In the Dark", "The New Samson", "Number 17", "The Five Senses", "The Violet Car", "The Haunted House", "The Pavilion", "From My School-Days","In the Dark", "The Mummies at Bordeaux" The Power of Darkness: Tales of Terror', 2006 "Man-Size in Marble", "Uncle Abraham's Romance", "From the Dead", "The Three Drugs", "The Violet Car", "John Charrington's Wedding", "The Pavilion", "Hurst of Hurstcote", "In the Dark", "The Head", "The Mystery of the Semi-detached", "The Ebony Frame", "The Five Senses", "The Shadow", "The Power of Darkness", "The Haunted Inheritance", "The Letter in Brown Ink", "The House of Silence", "The Haunted House", "The Detective" Non-fiction[edit] As Fabian Bland No pieces yet traced[56] As E Nesbit "Women and Socialism: from the Middle-Class Point of View". Justice, 4 and 11 April 1885 "Women and Socialism: A Working Woman's Point of View". Justice, 25 April 1885 Wings and the Child, or The Building of Magic Cities, 1913 Long Ago When I Was Young[57] (originally a serial, 'My School-Days: Memories of Childhood', in Girl's Own Paper 1896–1897)[58] Originally appearing as "My School-Days: Memories of Childhood" in The Girl's Own Paper between October 1896 and September 1897, Long Ago When I Was Young finally took book form in 1966, some 40 years after Nesbit's death, with an insightful introduction by Noel Streatfeild and some two dozen pen-and-ink drawings by Edward Ardizzone. The twelve chapters reproduce the instalments. Poetry[edit] "A Lovers' Petition". Good Words, 17 August 1881 "Absolution". Longman's Magazine, August 1882 "Possibilities". Argosy, July 1884 "Until the Dawn". Justice, 21 February 1885 "Socialist Spring Song". Today, June 1885 "The Dead to the Living". Gentleman's Magazine "Waiting". Justice, July 1885 "Two Voices". Justice, August 1885 "1857-1885". Justice, 22 August 1885 "The Wife of All Ages". Justice, 18 September 1885 "The Time of Roses", undated (c. 1890) 1886 "Lays and Legends" 1887 "The Lily and the Cross" 1887 "Justice for Ireland!". Warminster Gazette, 12 March 1887 1887 "The Ballad of Ferencz Renyi: Hungary, 1848". Longman's Magazine, April 1887 1887 "The Message of June". Longman's Magazine, June 1887 1887 "The Last Envoy" 1887 "The Star of Bethlehem" 1887 "Devotional Verses" 1888 "The Better Part, and Other Poems" 1888 "Landscape and Song" 1888 "The Message of the Dove" 1888 "All Round the Year" 1888 "Leaves of Life" 1889 "Corals and Sea Songs" 1890 "Songs of Two Seasons" 1892 "Sweet Lavender" 1892 "Lays and Legends", 2nd ed. 1895 "Rose Leaves" 1895 "A Pomander of Verse" 1898 "Songs of Love and Empire" 1901 "To Wish You Every Joy" 1905 "The Rainbow and the Rose" 1908 "Jesus in London" 1883–1908 "Ballads and Lyrics of Socialism" 1911 "Ballads and Verses of the Spiritual Life" 1912 "Garden Poems" 1915 "prayer in Time or War"[59] 1922 "Many Voices" Songs[edit] 1899 Slave Song (Chappell), OCLC 60194453[60] Explanatory notes[edit] ^ Lower Kennington Lane is now the northern half of Kennington Lane, between Kennington Road and Newington Butts; the house has been demolished and there is no commemoration. Galvin, in her biography (p. 2), claims that Lower Kennington Lane is now buried deep below a main road and supermarkets. This rests on a confusion between modern Kennington Lane and its constituent former parts, Upper Kennington Lane and Lower Kennington Lane. Lower Kennington Lane still exists, though renamed and renumbered, but most of the houses of the 1850s have gone. An earlier version of the King's Arms public house, now at 98 Kennington Lane, was numbered 44 Lower Kennington Lane. The 1861 census records Edith Nesbit at her father's Agricultural College further along the street."Find My Past 1861 Census". search.findmypast.co.uk. Retrieved 29 July 2020. That site is now occupied by 20th-century public housing. ^ The Book of Dragons (1901). This comprised The Seven Dragons, a 7-part serial, and an eighth story, all published 1899 in The Strand Magazine, with a ninth story, "The Last of the Dragons" (posthumous, 1925). It appeared in 1972 as The Complete Book Of Dragons and in 1975 as The Last Of The Dragons and Some Others. The original title was then used, with contents augmented by "The Last of the Dragons" and material contemporary to the reissue. The title Seven Dragons and Other Stories recurred for a latter-day Nesbit collection.[52] ^ According to John Clute, "Most of Nesbit's supernatural fiction" contains short stories "assembled in four collections"; namely, Man and Maid and the three noted here as containing horror stories.[55] References[edit] Citations[edit] ^ a b c d E. Nesbit at the Internet Speculative Fiction Database (ISFDB). Retrieved 29 December 2013. ^ a b Holmes, John R. (2007). "E. Nesbit". Guide to Literary Masters and Their Works. Salem Press. ^ Elisabeth Galvin, The Extraordinary Life of E Nesbit, p. 16. ^ "Railway Children battle lines are drawn". Telegraph & Argus. Bradford. 22 April 2000. Archived from the original on 21 September 2012. Retrieved 29 December 2013. ^ "London Remembers: Edith Nesbit". www.londonremembers.com. Retrieved 29 July 2020. ^ Langley Moore, Doris (1966). E. Nesbit: a biography. Philadelphia and New York: Chilton Books. pp. 70–71, 102–103. ^ "Ancestry – Sign In". www.ancestry.co.uk. ^ "Ancestry – Sign In". www.ancestry.co.uk. ^ Lawrence, Ben (4 July 2016). "Five children and a philandering husband: E Nesbit's private life". The Telegraph – via www.telegraph.co.uk. ^ Bedson, S. P. (1947). "John Oliver Wentworth Bland (born 6 October 1899, died 10 May 1946)". The Journal of Pathology and Bacteriology. 59 (4): 716–721. doi:10.1002/path.1700590427. ^ Phillippa Bennett and Rosemary Miles (2010). William Morris in the Twenty-First Century. Peter Lang. ISBN 3034301065. p. 136. ^ "Archived copy" (PDF). Archived from the original (PDF) on 27 September 2013. Retrieved 15 September 2013.{{cite web}}: CS1 maint: archived copy as title (link)"Archived copy" (PDF). Archived from the original (PDF) on 27 September 2013. Retrieved 15 September 2013.{{cite web}}: CS1 maint: archived copy as title (link)"Archived copy" (PDF). Archived from the original (PDF) on 27 September 2013. Retrieved 15 September 2013.{{cite web}}: CS1 maint: archived copy as title (link) ^ "Introduction". Five Children and It. London: Penguin Books Ltd. 1996. ISBN 9780140367355. ^ The Prophet's Mantle (1885), a work of fiction inspired by the life of Peter Kropotkin in London.[full citation needed] ^ "Well Hall" entry of London Gazetteer by Russ Willey, (Chambers 2006) ISBN 0-550-10326-0 (online extract [1]) ^ "Edith Nesbit". Women of Eastbourne. ^ Iannello, Silvia (18 August 2008). "Edith Nesbit, la precorritrice della Rowling". Tvcinemateatro―i protagonisti. Silvia-iannello.blogspot.com (reprint 19 September 2011 from Zam (zam.it)). Retrieved 9 August 2012. ^ Gardner, Lyn (26 March 2005). "how did E Nesbit come to write such an idealised celebration of Victorian family life?". The Guardian. ^ Donald Macleod, ed. Good Words, vol. 19, London: Daldy, Isbister & Co., 1878, p. 208. ^ Lisle, Nicola (15 August 2008). "E Nesbit: Queen of Children's Literature". AbeBooks (abebooks.co.uk). Archived from the original on 19 June 2013. Retrieved 10 January 2011. ^ Briggs 1987, pp. xi, xx. ^ Briggs 1987, p. xi. ^ Barry Day, 2009. The Letters of Noël Coward. New York: Vintage Books. March 2009. p. 74. ^ Vidal, Gore (3 December 1964). "The Writing of E. Nesbit". The New York Review of Books (2). Retrieved 28 October 2015. ^ Nikolajeva 2012, p. 51. ^ Morrow, Clark Elder (October 2011). "Edith Nesbit: An Appreciation". Vocabula Review. 13 (10): 18. Retrieved 28 October 2015. ^ Nicholson, Mervyn (Fall 1998). "C. S. Lewis and the Scholarship of Imagination in E. Nesbit and Rider Haggard". Renascence. 51 (1): 41–62. doi:10.5840/renascence19985114. Retrieved 26 October 2015. ^ Copping, Jasper (20 March 2011). "The Railway Children 'plagiarised' from earlier story". The Telegraph. London. Retrieved 21 March 2011. ^ Page, Benedicte (21 March 2011). "E Nesbit's classic The Railway Children accused of 'plagiarism'". The Guardian. Retrieved 29 July 2020. ^ Ness, Mari (22 September 2011). "Adventures in Railroads: The Railway Children". Tor.com. Macmillan. [...] although news reports initially said that that The House by the Railway was published in 1896 – ten years before The Railway Children – that turns out to be the publication start of the series that the book appeared in, not the actual book. Both were published in 1906, and then as now, books took some time to get from the typewriter into actual print. ^ a b Winter, Jessica (28 September 2022). "The British writer who rewrote the world for children". New Yorker. Retrieved 30 September 2022. ^ "TQ4274: Edith Nesbit Walk, Eltham". Geograph. Retrieved 8 June 2017. ^ "Edith Nesbit Gardens". Lewisham Parks and Open Spaces. Archived from the original on 25 June 2017. Retrieved 8 June 2017. ^ "Railway Children Walk". www.geoview.info. Retrieved 29 November 2014. ^ Jones, Roger. "Visit to Hebden Bridge". www.wordpress.com. Wordpress. Archived from the original on 22 December 2014. Retrieved 29 November 2014. ^ This was marketed in 2020."RightMove: Long Boat & Jolly Boat". www.rightmove.co.uk. Archived from the original on 7 June 2020. Retrieved 29 July 2020. ^ "Nesbit House". Hamberley Care Homes. Retrieved 15 April 2024. ^ Stanton B. Garner (1999). Trevor Griffiths: Politics, Drama, History. University of Michigan Press. p. 105. ^ "Edith Nesbit Society". edithnesbit.co.uk. Retrieved 28 July 2020. ^ Spufford, Francis (29 November 2001). "The greatest stories ever told". The Guardian. ^ Clark, Alex (8 May 2009). "Her Dark Materials". The Guardian. ^ Larks and Magic Archived 18 February 2018 at the Wayback Machine at alisonneil.co.uk, Accessed 18 February 2018. ^ 'Larks and Magic', a new play by Alison Neil at uktw.co.uk, Accessed 18 February 2018. ^ BROCKWEIR EVENTS at the Mac Hall LARKS AND MAGIC Saturday 17th February, 7.30 for 8.00 Written and performed by Alison Neil at brockweirvillagehall.co.uk. Accessed 18 February 2018. ^ at noisyghost.co.uk. Accessed 19 September 2023. ^ Eager, Edward. "Daily Magic". The Horn Book. Retrieved 16 April 2024. ^ "Guardian review of The Life and Loves of E Nesbit". www.theguardian.com. 26 October 2019. Retrieved 29 July 2020. ^ a b "Five of Us—and Madeline". ISFDB. Retrieved 12 April 2017. ^ Simkin, John. "Edith Nesbit". www.spartacus-educational.com. Spartacus Educational Publishers Ltd. Retrieved 11 January 2015. ^ "Edith Nesbit Books". The Folio Society. Retrieved 22 May 2018. ^ a b "E.Nesbit". Delphi Classics. 20 October 2013. Retrieved 22 May 2018. ^ "The Book of Dragons". ISFDB. "The Seven Dragons and Other Stories". ISFDB. Retrieved 24 February 2015. ^ OCLC 62770293 ^ "The Third Drug". ISFDB. Retrieved 6 February 2013. ^ "Nesbit, E". SFE: The Encyclopedia of Science Fiction (sf-encyclopedia.com). Entry by "JC", John Clute. Last updated 8 August 2017. Retrieved 26 February 2018. ^ While none have yet been traced, Edith Nesbit and her husband reportedly co-wrote articles using this name. Southern Echo,18 October 1889 ^ "book lookup – Long ago when I was young". www.nla.gov.au. National Library of Australia. Retrieved 11 January 2015. ^ Lovegrove, Chris (4 February 2014). "The sweet white flowers of memory". www.wordpress.com. Retrieved 11 January 2015. ^ WAR VERSE, Frank Foxcroft, Thomas Crowell Publisher, 1918 ^ Slave song. OCLC. OCLC 60194453. Sources[edit] Briggs, Julia (1987). A Woman of Passion: The Life of E. Nesbit, 1858-1924. New Amsterdam Books. ISBN 978-0-941533-03-4. Nikolajeva, Maria (2012). "The development of children's fantasy". In James, Edward; Mendlesohn, Farah (eds.). The Cambridge Companion to Fantasy Literature. Cambridge University Press. pp. 50–61. doi:10.1017/CCOL9780521429597.006. ISBN 978-0-521-42959-7. External links[edit] Wikisource has original works by or about:Edith Nesbit Wikimedia Commons has media related to Edith Nesbit. E. Nesbit at the Internet Speculative Fiction Database "The Writing of E. Nesbit" by Gore Vidal, The New York Review of Books, 3 December 1964 "Lost Lives: Edith Bland" by Bill Greenwell Nesbit at YourDictionary.com (reprint from Encyclopedia of World Biography) E. Nesbit at Library of Congress, with 140 library catalogue records Rosamund E. Nesbit Bland at LC Authorities, with 2 records, and at WorldCat Eager, Edward (1 October 1958). "Daily Magic". The Horn Book Magazine. Retrieved 14 May 2020. Online texts Works by E. Nesbit in eBook form at Standard Ebooks Works by Edith Nesbit at Project Gutenberg Works by Edith (née Bland) Nesbit at Faded Page (Canada) Works by or about E. Nesbit at Internet Archive Works by E. Nesbit at LibriVox (public domain audiobooks) Melisande by E. Nesbit Archived 12 December 2003 at the Wayback Machine, a tale similar to Rapunzel My School Days (article series by Nesbit) The Magic World vteWorks by E. NesbitPsammead trilogy Five Children and It (1902) The Phoenix and the Carpet (1904) The Story of the Amulet (1905) Other well-known works The Story of the Treasure Seekers (1899) The Railway Children (1906) The Enchanted Castle (1907) Beautiful Stories from Shakespeare (1907) The House of Arden (1908) The Magic City (1910) The Magic World (1920) Adaptations The Railway Children (1970) Onegai! Samia-don (1985-86) The Treasure Seekers (1996) The Phoenix and the Carpet (1997 TV series) The Railway Children (2000) Five Children and It (2004) vteE. Nesbit's Five Children and ItNovels Five Children and It (1902) The Phoenix and the Carpet (1904) The Story of the Amulet (1905) Film and Television Adaptations Onegai! Samia-don (1985-1986 anime) The Phoenix and the Carpet (1997 TV series) Five Children and It (2004 film) Four Kids and It (2012 film) Literary Continuations Jacqueline Wilson's Four Children and It (2012) vteVictorian-era children's literatureAuthors Henry Cadwallader Adams R. M. Ballantyne Lucy Lyttelton Cameron Lewis Carroll Christabel Rose Coleridge Harry Collingwood E. E. Cowper Frank Cowper Maria Edgeworth Evelyn Everett-Green Juliana Horatia Ewing Frederic W. Farrar G. E. Farrow Agnes Giberne Anna Maria Hall L. T. Meade G. A. Henty Frances Hodgson Burnett Thomas Hughes Richard Jefferies Charles Kingsley W. H. G. Kingston Rudyard Kipling Andrew Lang Frederick Marryat George MacDonald Mary Louisa Molesworth Kirk Munroe E. Nesbit Frances Mary Peard Beatrix Potter William Brighty Rands Talbot Baines Reed Elizabeth Missing Sewell Anna Sewell Mary Martha Sherwood Flora Annie Steel Robert Louis Stevenson Hesba Stretton Charlotte Elizabeth Tonna Charlotte Maria Tucker Charlotte Mary Yonge Illustrators Eleanor Vere Boyle Gordon Browne Randolph Caldecott Thomas Crane Walter Crane George Cruikshank Thomas Dalziel (engraver) Richard Doyle H. H. Emmerson Edmund Evans (engraver) Kate Greenaway Sydney Prior Hall Edward Lear Harold Robert Millar Arthur Rackham J. G. Sowerby Millicent Sowerby John Tenniel Books List of 19th-century British children's literature titles Types Toy book Publishers Blackie & Son Marcus Ward & Co. Frederick Warne & Co Portals: Children's literature Fantasy Socialism Authority control databases International FAST ISNI 2 VIAF National Norway Spain France BnF data Catalonia Germany Italy Israel Finland Belgium United States Sweden Latvia Japan Czech Republic Australia Greece Korea Croatia Netherlands Poland Portugal Academics CiNii Artists MusicBrainz People Deutsche Biographie Trove Other SNAC IdRef
Chapter VI. Saviours of the train.
The Russian gentleman was better the next day, and the day after that better still, and on the third day he was well enough to come into the garden. A basket chair was put for him and he sat there, dressed in clothes of Father's which were too big for him. But when Mother had hemmed up the ends of the sleeves and the trousers, the clothes did well enough. His was a kind face now that it was no longer tired and frightened, and he smiled at the children whenever he saw them. They wished very much that he could speak English. Mother wrote several letters to people she thought might know whereabouts in England a Russian gentleman's wife and family might possibly be; not to the people she used to know before she came to live at Three Chimneys-she never wrote to any of them-but strange people-Members of Parliament and Editors of papers, and Secretaries of Societies.
And she did not do much of her story-writing, only corrected proofs as she sat in the sun near the Russian, and talked to him every now and then. The children wanted very much to show how kindly they felt to this man who had been sent to prison and to Siberia just for writing a beautiful book about poor people. They could smile at him, of course; they could and they did. But if you smile too constantly, the smile is apt to get fixed like the smile of the hyaena. And then it no longer looks friendly, but simply silly. So they tried other ways, and brought him flowers till the place where he sat was surrounded by little fading bunches of clover and roses and Canterbury bells.
And then Phyllis had an idea. She beckoned mysteriously to the others and drew them into the back yard, and there, in a concealed spot, between the pump and the water-butt, she said:- "You remember Perks promising me the very first strawberries out of his own garden?" Perks, you will recollect, was the Porter. "Well, I should think they're ripe now. Let's go down and see."
Mother had been down as she had promised to tell the Station Master the story of the Russian Prisoner. But even the charms of the railway had been unable to tear the children away from the neighbourhood of the interesting stranger. So they had not been to the station for three days. They went now. And, to their surprise and distress, were very coldly received by Perks.
"'Ighly honoured, I'm sure," he said when they peeped in at the door of the Porters' room. And he went on reading his newspaper. There was an uncomfortable silence. "Oh, dear," said Bobbie, with a sigh, "I do believe you're CROSS." "What, me? Not me!" said Perks loftily; "it ain't nothing to me." "What AIN'T nothing to you?" said Peter, too anxious and alarmed to change the form of words.
"Nothing ain't nothing. What 'appens either 'ere or elsewhere," said Perks; "if you likes to 'ave your secrets, 'ave 'em and welcome. That's what I say." The secret-chamber of each heart was rapidly examined during the pause that followed. Three heads were shaken.
"We haven't got any secrets from YOU," said Bobbie at last. "Maybe you 'ave, and maybe you 'aven't," said Perks; "it ain't nothing to me. And I wish you all a very good afternoon." He held up the paper between him and them and went on reading. "Oh, DON'T!" said Phyllis, in despair; "this is truly dreadful! Whatever it is, do tell us."
"We didn't mean to do it whatever it was." No answer. The paper was refolded and Perks began on another column. "Look here," said Peter, suddenly, "it's not fair. Even people who do crimes aren't punished without being told what it's for-as once they were in Russia."
"I don't know nothing about Russia." "Oh, yes, you do, when Mother came down on purpose to tell you and Mr. Gills all about OUR Russian." "Can't you fancy it?" said Perks, indignantly; "don't you see 'im a-asking of me to step into 'is room and take a chair and listen to what 'er Ladyship 'as to say?"
"Do you mean to say you've not heard?" "Not so much as a breath. I did go so far as to put a question. And he shuts me up like a rat-trap. 'Affairs of State, Perks,' says he. But I did think one o' you would 'a' nipped down to tell me-you're here sharp enough when you want to get anything out of old Perks"-Phyllis flushed purple as she thought of the strawberries-"information about locomotives or signals or the likes," said Perks. "We didn't know you didn't know."
"We thought Mother had told you." "Wewantedtotellyouonlywethoughtitwouldbestalenews." The three spoke all at once. Perks said it was all very well, and still held up the paper. Then Phyllis suddenly snatched it away, and threw her arms round his neck. "Oh, let's kiss and be friends," she said; "we'll say we're sorry first, if you like, but we didn't really know that you didn't know."
"We are so sorry," said the others. And Perks at last consented to accept their apologies. Then they got him to come out and sit in the sun on the green Railway Bank, where the grass was quite hot to touch, and there, sometimes speaking one at a time, and sometimes all together, they told the Porter the story of the Russian Prisoner.
"Well, I must say," said Perks; but he did not say it-whatever it was. "Yes, it is pretty awful, isn't it?" said Peter, "and I don't wonder you were curious about who the Russian was." "I wasn't curious, not so much as interested," said the Porter. "Well, I do think Mr. Gills might have told you about it. It was horrid of him."
"I don't keep no down on 'im for that, Missie," said the Porter; "cos why? I see 'is reasons. 'E wouldn't want to give away 'is own side with a tale like that 'ere. It ain't human nature. A man's got to stand up for his own side whatever they does. That's what it means by Party Politics. I should 'a' done the same myself if that long-'aired chap 'ad 'a' been a Jap." "But the Japs didn't do cruel, wicked things like that," said Bobbie.
"P'r'aps not," said Perks, cautiously; "still you can't be sure with foreigners. My own belief is they're all tarred with the same brush." "Then why were you on the side of the Japs?" Peter asked. "Well, you see, you must take one side or the other. Same as with Liberals and Conservatives. The great thing is to take your side and then stick to it, whatever happens."
A signal sounded. "There's the 3.14 up," said Perks. "You lie low till she's through, and then we'll go up along to my place, and see if there's any of them strawberries ripe what I told you about." "If there are any ripe, and you DO give them to me," said Phyllis, "you won't mind if I give them to the poor Russian, will you?" Perks narrowed his eyes and then raised his eyebrows.
"So it was them strawberries you come down for this afternoon, eh?" said he. This was an awkward moment for Phyllis. To say "yes" would seem rude and greedy, and unkind to Perks. But she knew if she said "no," she would not be pleased with herself afterwards. So- "Yes," she said, "it was." "Well done!" said the Porter; "speak the truth and shame the-" "But we'd have come down the very next day if we'd known you hadn't heard the story," Phyllis added hastily.
"I believe you, Missie," said Perks, and sprang across the line six feet in front of the advancing train. The girls hated to see him do this, but Peter liked it. It was so exciting. The Russian gentleman was so delighted with the strawberries that the three racked their brains to find some other surprise for him. But all the racking did not bring out any idea more novel than wild cherries. And this idea occurred to them next morning. They had seen the blossom on the trees in the spring, and they knew where to look for wild cherries now that cherry time was here. The trees grew all up and along the rocky face of the cliff out of which the mouth of the tunnel opened. There were all sorts of trees there, birches and beeches and baby oaks and hazels, and among them the cherry blossom had shone like snow and silver.
The mouth of the tunnel was some way from Three Chimneys, so Mother let them take their lunch with them in a basket. And the basket would do to bring the cherries back in if they found any. She also lent them her silver watch so that they should not be late for tea. Peter's Waterbury had taken it into its head not to go since the day when Peter dropped it into the water-butt. And they started. When they got to the top of the cutting, they leaned over the fence and looked down to where the railway lines lay at the bottom of what, as Phyllis said, was exactly like a mountain gorge. "If it wasn't for the railway at the bottom, it would be as though the foot of man had never been there, wouldn't it?"
The sides of the cutting were of grey stone, very roughly hewn. Indeed, the top part of the cutting had been a little natural glen that had been cut deeper to bring it down to the level of the tunnel's mouth. Among the rocks, grass and flowers grew, and seeds dropped by birds in the crannies of the stone had taken root and grown into bushes and trees that overhung the cutting. Near the tunnel was a flight of steps leading down to the line-just wooden bars roughly fixed into the earth-a very steep and narrow way, more like a ladder than a stair.
"We'd better get down," said Peter; "I'm sure the cherries would be quite easy to get at from the side of the steps. You remember it was there we picked the cherry blossoms that we put on the rabbit's grave." So they went along the fence towards the little swing gate that is at the top of these steps. And they were almost at the gate when Bobbie said:- "Hush. Stop! What's that?" "That" was a very odd noise indeed-a soft noise, but quite plainly to be heard through the sound of the wind in tree branches, and the hum and whir of the telegraph wires. It was a sort of rustling, whispering sound. As they listened it stopped, and then it began again.
And this time it did not stop, but it grew louder and more rustling and rumbling. "Look"-cried Peter, suddenly-"the tree over there!" The tree he pointed at was one of those that have rough grey leaves and white flowers. The berries, when they come, are bright scarlet, but if you pick them, they disappoint you by turning black before you get them home. And, as Peter pointed, the tree was moving-not just the way trees ought to move when the wind blows through them, but all in one piece, as though it were a live creature and were walking down the side of the cutting.
"It's moving!" cried Bobbie. "Oh, look! and so are the others. It's like the woods in Macbeth." "It's magic," said Phyllis, breathlessly. "I always knew this railway was enchanted." It really did seem a little like magic. For all the trees for about twenty yards of the opposite bank seemed to be slowly walking down towards the railway line, the tree with the grey leaves bringing up the rear like some old shepherd driving a flock of green sheep.
"What is it? Oh, what is it?" said Phyllis; "it's much too magic for me. I don't like it. Let's go home." But Bobbie and Peter clung fast to the rail and watched breathlessly. And Phyllis made no movement towards going home by herself. The trees moved on and on. Some stones and loose earth fell down and rattled on the railway metals far below.
"It's ALL coming down," Peter tried to say, but he found there was hardly any voice to say it with. And, indeed, just as he spoke, the great rock, on the top of which the walking trees were, leaned slowly forward. The trees, ceasing to walk, stood still and shivered. Leaning with the rock, they seemed to hesitate a moment, and then rock and trees and grass and bushes, with a rushing sound, slipped right away from the face of the cutting and fell on the line with a blundering crash that could have been heard half a mile off. A cloud of dust rose up. "Oh," said Peter, in awestruck tones, "isn't it exactly like when coals come in?-if there wasn't any roof to the cellar and you could see down."
"Look what a great mound it's made!" said Bobbie. "Yes," said Peter, slowly. He was still leaning on the fence. "Yes," he said again, still more slowly. Then he stood upright. "The 11.29 down hasn't gone by yet. We must let them know at the station, or there'll be a most frightful accident."
"Let's run," said Bobbie, and began. But Peter cried, "Come back!" and looked at Mother's watch. He was very prompt and businesslike, and his face looked whiter than they had ever seen it. "No time," he said; "it's two miles away, and it's past eleven."
"Couldn't we," suggested Phyllis, breathlessly, "couldn't we climb up a telegraph post and do something to the wires?" "We don't know how," said Peter. "They do it in war," said Phyllis; "I know I've heard of it." "They only CUT them, silly," said Peter, "and that doesn't do any good. And we couldn't cut them even if we got up, and we couldn't get up. If we had anything red, we could get down on the line and wave it."
"But the train wouldn't see us till it got round the corner, and then it could see the mound just as well as us," said Phyllis; "better, because it's much bigger than us." "If we only had something red," Peter repeated, "we could go round the corner and wave to the train." "We might wave, anyway."
"They'd only think it was just US, as usual. We've waved so often before. Anyway, let's get down." They got down the steep stairs. Bobbie was pale and shivering. Peter's face looked thinner than usual. Phyllis was red-faced and damp with anxiety. "Oh, how hot I am!" she said; "and I thought it was going to be cold; I wish we hadn't put on our-" she stopped short, and then ended in quite a different tone-"our flannel petticoats."
Bobbie turned at the bottom of the stairs. "Oh, yes," she cried; "THEY'RE red! Let's take them off." They did, and with the petticoats rolled up under their arms, ran along the railway, skirting the newly fallen mound of stones and rock and earth, and bent, crushed, twisted trees. They ran at their best pace. Peter led, but the girls were not far behind. They reached the corner that hid the mound from the straight line of railway that ran half a mile without curve or corner.
"Now," said Peter, taking hold of the largest flannel petticoat. "You're not"-Phyllis faltered-"you're not going to TEAR them?" "Shut up," said Peter, with brief sternness. "Oh, yes," said Bobbie, "tear them into little bits if you like. Don't you see, Phil, if we can't stop the train, there'll be a real live accident, with people KILLED. Oh, horrible! Here, Peter, you'll never tear it through the band!"
She took the red flannel petticoat from him and tore it off an inch from the band. Then she tore the other in the same way. "There!" said Peter, tearing in his turn. He divided each petticoat into three pieces. "Now, we've got six flags." He looked at the watch again. "And we've got seven minutes. We must have flagstaffs." The knives given to boys are, for some odd reason, seldom of the kind of steel that keeps sharp. The young saplings had to be broken off. Two came up by the roots. The leaves were stripped from them.
"We must cut holes in the flags, and run the sticks through the holes," said Peter. And the holes were cut. The knife was sharp enough to cut flannel with. Two of the flags were set up in heaps of loose stones between the sleepers of the down line. Then Phyllis and Roberta took each a flag, and stood ready to wave it as soon as the train came in sight. "I shall have the other two myself," said Peter, "because it was my idea to wave something red."
"They're our petticoats, though," Phyllis was beginning, but Bobbie interrupted- "Oh, what does it matter who waves what, if we can only save the train?" Perhaps Peter had not rightly calculated the number of minutes it would take the 11.29 to get from the station to the place where they were, or perhaps the train was late. Anyway, it seemed a very long time that they waited.
Phyllis grew impatient. "I expect the watch is wrong, and the train's gone by," said she. Peter relaxed the heroic attitude he had chosen to show off his two flags. And Bobbie began to feel sick with suspense. It seemed to her that they had been standing there for hours and hours, holding those silly little red flannel flags that no one would ever notice. The train wouldn't care. It would go rushing by them and tear round the corner and go crashing into that awful mound. And everyone would be killed. Her hands grew very cold and trembled so that she could hardly hold the flag. And then came the distant rumble and hum of the metals, and a puff of white steam showed far away along the stretch of line.
"Stand firm," said Peter, "and wave like mad! When it gets to that big furze bush step back, but go on waving! Don't stand ON the line, Bobbie!" The train came rattling along very, very fast. "They don't see us! They won't see us! It's all no good!" cried Bobbie.
The two little flags on the line swayed as the nearing train shook and loosened the heaps of loose stones that held them up. One of them slowly leaned over and fell on the line. Bobbie jumped forward and caught it up, and waved it; her hands did not tremble now. It seemed that the train came on as fast as ever. It was very near now. "Keep off the line, you silly cuckoo!" said Peter, fiercely.
"It's no good," Bobbie said again. "Stand back!" cried Peter, suddenly, and he dragged Phyllis back by the arm. But Bobbie cried, "Not yet, not yet!" and waved her two flags right over the line. The front of the engine looked black and enormous. Its voice was loud and harsh.
"Oh, stop, stop, stop!" cried Bobbie. No one heard her. At least Peter and Phyllis didn't, for the oncoming rush of the train covered the sound of her voice with a mountain of sound. But afterwards she used to wonder whether the engine itself had not heard her. It seemed almost as though it had-for it slackened swiftly, slackened and stopped, not twenty yards from the place where Bobbie's two flags waved over the line. She saw the great black engine stop dead, but somehow she could not stop waving the flags. And when the driver and the fireman had got off the engine and Peter and Phyllis had gone to meet them and pour out their excited tale of the awful mound just round the corner, Bobbie still waved the flags but more and more feebly and jerkily.
When the others turned towards her she was lying across the line with her hands flung forward and still gripping the sticks of the little red flannel flags. The engine-driver picked her up, carried her to the train, and laid her on the cushions of a first-class carriage.
"Gone right off in a faint," he said, "poor little woman. And no wonder. I'll just 'ave a look at this 'ere mound of yours, and then we'll run you back to the station and get her seen to." It was horrible to see Bobbie lying so white and quiet, with her lips blue, and parted. "I believe that's what people look like when they're dead," whispered Phyllis.
"DON'T!" said Peter, sharply. They sat by Bobbie on the blue cushions, and the train ran back. Before it reached their station Bobbie had sighed and opened her eyes, and rolled herself over and begun to cry. This cheered the others wonderfully. They had seen her cry before, but they had never seen her faint, nor anyone else, for the matter of that. They had not known what to do when she was fainting, but now she was only crying they could thump her on the back and tell her not to, just as they always did. And presently, when she stopped crying, they were able to laugh at her for being such a coward as to faint.
When the station was reached, the three were the heroes of an agitated meeting on the platform. The praises they got for their "prompt action," their "common sense," their "ingenuity," were enough to have turned anybody's head. Phyllis enjoyed herself thoroughly. She had never been a real heroine before, and the feeling was delicious. Peter's ears got very red. Yet he, too, enjoyed himself. Only Bobbie wished they all wouldn't. She wanted to get away.
"You'll hear from the Company about this, I expect," said the Station Master. Bobbie wished she might never hear of it again. She pulled at Peter's jacket. "Oh, come away, come away! I want to go home," she said.
So they went. And as they went Station Master and Porter and guards and driver and fireman and passengers sent up a cheer. "Oh, listen," cried Phyllis; "that's for US!" "Yes," said Peter. "I say, I am glad I thought about something red, and waving it." "How lucky we DID put on our red flannel petticoats!" said Phyllis.
Bobbie said nothing. She was thinking of the horrible mound, and the trustful train rushing towards it. "And it was US that saved them," said Peter. "How dreadful if they had all been killed!" said Phyllis; "wouldn't it, Bobbie?"
"We never got any cherries, after all," said Bobbie. The others thought her rather heartless.

Current Page: 1

GRADE:6

Word Lists:

Mound : a rounded mass projecting above a surface.

Awestruck : filled with or revealing awe

Flag : a piece of cloth or similar material, typically oblong or square, attachable by one edge to a pole or rope and used as the symbol or emblem of a country or institution or as a decoration during public festivities

Wave : move one's hand to and fro in greeting or as a signal

Slacken : make or become slack

Sapling : a young tree, especially one with a slender trunk.

Train : teach (a person or animal) a particular skill or type of behavior through practice and instruction over a period of time

Cuckoo : a medium-sized long-tailed bird, typically with a gray or brown back and barred or pale underparts. Many cuckoos lay their eggs in the nests of small songbirds.

Nip : pinch, squeeze, or bite sharply

Cushion : a pillow or pad stuffed with a mass of soft material, used as a comfortable support for sitting or leaning on.

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Additional Information:

Rating: A Words in the Passage: 3989 Unique Words: 933 Sentences: 370
Noun: 1467 Conjunction: 406 Adverb: 353 Interjection: 29
Adjective: 249 Pronoun: 446 Verb: 702 Preposition: 367
Letter Count: 15,859 Sentiment: Positive / Positive / Positive Tone: Neutral (Slightly Conversational) Difficult Words: 470
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