Myths of the Norsemen From the Eddas and Sagas

- By H. A. Guerber
Font Size
American writer Hélène Adeline Guerber (1859–1929[1]), also known as H.A. Guerber, was an American writer of books, most of which were lively retellings of myths, legends, folklore, plays, epic poetry, operas and history. She was also a teacher. Although several books by Guerber are still in print, details about her life are scant. There are entries for her in three or four biographical sources from the early 1900s, but apart from listing the books she wrote, these sources provide almost no facts about her life.[2][3][4] These book sources are supplemented by two short death notices, six Census records (five federal and the 1892 New York state). Even the scant information is sometimes conflicting. Although Hélène Guerber published over two dozen books in her lifetime, as a person she is almost forgotten. Biography[edit] Family[edit] According to her death announcement which appeared in the Publishers Weekly in 1929,[5] Guerber was born in Mt. Clemens, Michigan in 1859 (on March 9). Census records list her father as Arnold S. Guerber, born in 1830 in Italy to Swiss parents, and her mother as Emma Guerber, also born in 1830 and of Swiss nationality. Arnold arrived in America in 1845, and Emma in 1853. In 1900 they had been married for 47 years, so they must have gotten married the year Emma arrived in America - 1853. Arnold Guerber held various jobs—In 1870, he was an Importer of straw goods; in 1880 he was a farmer; and in 1892 and in 1900 (when he was 70), he was a real estate broker. The Guerber family appeared well-off. In 1870, when Arnold was 40, he owned real estate valued at $14,000 and personal property valued at $3,000. According to the Censuses of 1870, 1900 and 1910, the family also kept a domestic servant. The 1900 Census states that the Guerbers had five children - three sons and two daughters; she was the third child in the family. The other children were: Frederick (1854), Louis (1857), Paul (1861) and Adele (1866). She was the only one born in Michigan - the other children were all born in New York, and except for her birth in the Midwest, all records show the family residing on the East Coast. From 1870 to 1910, the family lived in Rockland County, New York—In 1870, in the town of Ramapo, NY; in 1880, when Arnold was working as a farmer, in the unincorporated village of Monsey, NY; and in 1892, 1900 and 1910 in Orangetown, NY—Some sources during this time list Guerber as living in Nyack, NY, but Nyack is actually a village within Orangetown. Guerber never married. She kept her maiden name all of her life and lived with her parents and siblings. By the 1920 Census, after her parents had passed away, she moved to Montclair, New Jersey with her sister Adele and her niece Louise. The Publishers Weekly notice says that at the time of her death in 1929, she had been living in Montclair for sixteen years, so she must have moved there around 1913-14. Education[edit] As for her education, the Publishers Weekly death notice also says that, "While Miss Guerber had very little early education, her interests led her to deal with academic classics." However, the 1914-15 Woman's Who's Who of America states that she was educated in Paris, France. It also lists her religion as Episcopalian. A Paris education seems plausible. She must have spent a good deal of time in Europe, enough to research a detailed guidebook, How to Prepare for Europe: A Handbook of Historical, Literary and Artistic Data with Full Directions for Preliminary Studies and Travel Arrangements (Dodd Mead, 1906). This book exhibits a wide knowledge of European culture and travel. She obviously also felt comfortable with the French and German languages, because she wrote student readers in these languages. Teaching experience[edit] Guerber's teaching experience was probably at the pre-high school level, because she wrote educational books aimed at that level. She wrote eight books in the Eclectic School Readings Series published by the American Book Company, and they were referred to as Guerber's Historical Readers.[6] One advertisement for these books says they were aimed at students 12–14 years old. In her Preface to The Story of the Greeks,[7] she speaks from her experience as a teacher when she says, "I have found historical anecdotes an excellent aid in teaching English. Pupils find it far from irksome to relate the stories in their own words, and to reproduce them in compositions. Secondly, whenever a city or country is mentioned, every pupil should point out its location on the map. By such means only can any one properly understand an historical narrative; and in the present case there is the added reason that the practice will go far towards increasing the child's interest in geography." Other books in this series include histories on the Romans, the Chosen People, England, France and the Thirteen Colonies. Retellings of myths and legends[edit] However, Guerber's most enduring works are the ones dealing with myth and legend and written for adult audiences. WorldCat says that 104 editions of The Myths of Greece and Rome were published between 1893 and 2017 in English and French and held by 1,194 libraries worldwide.[8] Dover Publications says of their version that "This generously illustrated book of classical myths has become a classic itself, long prized for its simple, graphic, accurate retelling of the principal myths of Greece and Rome, and for its commentary on their origins and significance."[9] Guerber's Myths of the Norsemen from the Eddas and Sagas, Legends of the Rhine, and Myths and Legends of the Middle Ages are also enduring classics. Less well-known are her retellings of Shakespeare's plays, Wagner's and other popular operas, and the great epic poems. Death[edit] Guerber died on May 26, 1929. Her simple death notice, published in the Montclair, New Jersey Times, read as follows—DIED GUERBER, HELENE A. At her residence, 31 Oakwood Ave., Upper Montclair, N.J., on Sunday, May 26, 1929. Funeral services at St. James' Church, corner of Dellevue Ave. and Valley Rd., Upper Montclair, yesterday afternoon at 1:30 o'clock. Interment at Greenwood Cemetery. Her parents Arnold and Emma and her brother Louis are also buried in Greenwood Cemetery, NY. Works[edit] Other histories by Guerber include The Myths of Greece & Rome (London, George G Harrap & Co, 1908), Legends of the Rhine (A.S. Barnes & Co., New York, 1895; new edition 1905),[10] Empresses of France (New York, Dodd, Mead and Co., 1901[11]), Legends of the Virgin and Christ (New York, Dodd, Mead and Co., 1896),[12] Stories of the Wagner Opera (New York, Dodd, Mead and Co., 1895[13]), Marchen Und Erzahlungen (Boston, D.C. Heath & Co. 1900[14]), The Book of the Epic (Philadelphia, J. B. Lippincott Co., 1913),[15] The Story of the Chosen People, The Story of the Greeks, The Story of the Romans (New York, American Book Company, 1896[16]), Legends of the Middle Ages (London, George G Harrap & Co, 1909[17]), The Story of the Renaissance and Reformation, The Story of the Thirteen Colonies, and The Story of the Great Republic. See also[edit] H. R. Ellis Davidson References[edit] ^ Myths of the Norsemen, re-published 1992 by Dover Publications. ^ Adams, Oscar Fay (1904). A Dictionary of American Authors (5th ed.). Boston: Houghton, Mifflin and Co. p. 493. ^ Who's Who in New York City and State. New York City: L.R. Hamersly Co. 1904. p. 273. ^ Leonard, John William, Editor-in-Chief (1914). Woman's Who's Who of America, 1914-1915. New York: The American Commonwealth Co. p. 347. {{cite book}}: |first1= has generic name (help)CS1 maint: multiple names: authors list (link) ^ "Helene Guerber". Publishers Weekly. 115: 2763. ^ Nothing New Press. "Guerber's Histories". ^ Guerber, H.A. (1896). The Story of the Greeks. New York: American Book Company. p. 6. ^ "Guerber, H. A. (Hélène Adeline) 1859-1929". WorldCat.org. ^ The Myths of Greece and Rome. Dover. p. Back Cover. ^ Copy in the collection of the Ludington Branch, Mason County District Library, Ludington, Michigan. ^ Guerber, H. A (1901). Empresses of France. New York: Dodd, Mead and Co. OCLC 567936022. ^ Guerber, H. A (1896). Legends of the Virgin and Christ, with special reference to literature and art. New York: Dodd, Mead. ISBN 978-0-524-00755-6. OCLC 181930523. ^ Guerber, H. A (1895). Stories of the Wagner operas. New York: Dodd, Mead and Company. OCLC 946503795. ^ Guerber, H. A (1900). Märchen und erzählungen (in German). Boston: D.C. Heath & Co. OCLC 1194383833. ^ Guerber, H. A (1913). The book of the epic the world's great epics told in story. Philadelphia; London: J.B. Lippincott Co. OCLC 572940035. ^ Guerber, H. A (1896). The story of the Romans. New York: American Book Co. OCLC 33697470. ^ Guerber, H. A (1909). Myths & legends of the middle ages. London: George G. Harrap & Company. OCLC 561282919. External links[edit] Works by or about Hélène Adeline Guerber at Wikisource Works by Hélène Adeline Guerber at Project Gutenberg Works by or about H. A. Guerber at Internet Archive Works by H. A. Guerber at LibriVox (public domain audiobooks) Myths of Northern Lands (e-book) Books by H. A. Guerber at Google Books (32 volumes as of November 26, 2013) Authority control databases International ISNI VIAF National Norway France BnF data Catalonia Germany Israel Belgium United States Australia Greece Korea Croatia Netherlands Portugal Vatican People Trove Other IdRef
Chapter VI: Bragi The Origin of Poetry
At the time of the dispute between the Æsir and Vanas, when peace had been agreed upon, a vase was brought into the assembly into which both parties solemnly spat. From this saliva the gods created Kvasir, a being renowned for his wisdom and goodness, who went about the world answering all questions asked him, thus teaching and benefiting mankind. The dwarfs, hearing about Kvasir's great wisdom, coveted it, and finding him asleep one day, two of their number, Fialar and Galar, treacherously slew him, and drained every drop of his blood into three vessels-the kettle Od-hroerir (inspiration) and the bowls Son (expiation) and Boden (offering). After duly mixing this blood with honey, they manufactured from it a sort of beverage so inspiring that any one who tasted it immediately became a poet, and could sing with a charm which was certain to win all hearts.
Now, although the dwarfs had brewed this marvellous mead for their own consumption, they did not even taste it, but hid it away in a secret place, while they went in search of further adventures. They had not gone very far ere they found the giant Gilling also sound asleep, lying on a steep bank, and they maliciously rolled him into the water, where he perished. Then hastening to his dwelling, some climbed on the roof, carrying a huge millstone, while the others, entering, told the giantess that her husband was dead. This news caused the poor creature great grief, and she rushed out of the house to view Gilling's remains. As she passed through the door, the wicked dwarfs rolled the millstone down upon her head, and killed her. According to another account, the dwarfs invited the [96]giant to go fishing with them, and succeeded in slaying him by sending him out in a leaky vessel, which sank beneath his weight.
The double crime thus committed did not long remain unpunished, for Gilling's brother, Suttung, quickly went in search of the dwarfs, determined to avenge him. Seizing them in his mighty grasp, the giant conveyed them to a shoal far out at sea, where they would surely have perished at the next high tide had they not succeeded in redeeming their lives by promising to deliver to the giant their recently brewed mead. As soon as Suttung set them ashore, they therefore gave him the precious compound, which he entrusted to his daughter Gunlod, bidding her guard it night and day, and allow neither gods nor mortals to have so much as a taste. The better to fulfil this command, Gunlod carried the three vessels into the hollow mountain, where she kept watch over them with the most scrupulous care, nor did she suspect that Odin had discovered their place of concealment, thanks to the sharp eyes of his ever-vigilant ravens Hugin and Munin.
The Quest of the Draught
As Odin had mastered the runic lore and had tasted the waters of Mimir's fountain, he was already the wisest of gods; but learning of the power of the draught of inspiration manufactured out of Kvasir's blood, he became very anxious to obtain possession of the magic fluid. With this purpose in view he therefore donned his broad-brimmed hat, wrapped himself in his cloud-hued cloak, and journeyed off to Jötun-heim. On his way to the giant's dwelling he passed by a field where nine ugly thralls were busy making hay. Odin paused for a moment, watching them at their work, and noticing that their scythes seemed very dull indeed, he [97]proposed to whet them, an offer which the thralls eagerly accepted.
Drawing a whetstone from his bosom, Odin proceeded to sharpen the nine scythes, skilfully giving them such a keen edge that the thralls, delighted, begged that they might have the stone. With good-humoured acquiescence, Odin tossed the whetstone over the wall; but as the nine thralls simultaneously sprang forward to catch it, they wounded one another with their keen scythes. In anger at their respective carelessness, they now began to fight, and did not pause until they were all either mortally wounded or dead.
Quite undismayed by this tragedy, Odin continued on his way, and shortly after came to the house of the giant Baugi, a brother of Suttung, who received him very hospitably. In the course of conversation, Baugi informed him that he was greatly embarrassed, as it was harvest time and all his workmen had just been found dead in the hayfield.
Odin, who on this occasion had given his name as Bolwerk (evil doer), promptly offered his services to the giant, promising to accomplish as much work as the nine thralls, and to labour diligently all the summer in exchange for one single draught of Suttung's magic mead when the busy season was ended. This bargain was immediately concluded, and Baugi's new servant, Bolwerk, worked incessantly all the summer long, more than fulfilling his contract, and safely garnering all the grain before the autumn rains began to fall. When the first days of winter came, Bolwerk presented himself before his master, claiming his reward. But Baugi hesitated and demurred, saying he dared not openly ask his brother Suttung for the draught of inspiration, but would try to obtain it by guile. Together, Bolwerk and Baugi then proceeded to the mountain where [98]Gunlod dwelt, and as they could find no other mode of entering the secret cave, Odin produced his trusty auger, called Rati, and bade the giant bore with all his might to make a hole through which he might crawl into the interior.
Baugi silently obeyed, and after a few moments' work withdrew the tool, saying that he had pierced through the mountain, and that Odin would have no difficulty in slipping through. But the god, mistrusting this statement, merely blew into the hole, and when the dust and chips came flying into his face, he sternly bade Baugi resume his boring and not attempt to deceive him again. The giant did as he was told, and when he withdrew his tool again, Odin ascertained that the hole was really finished. Changing himself into a snake, he wriggled through with such remarkable rapidity that he managed to elude the sharp auger, which Baugi treacherously thrust into the hole after him, intending to kill him.
"Rati's mouth I caused To make a space, And to gnaw the rock; Over and under me Were the Jötun's ways: Thus I my head did peril."
Hávamál (Thorpe's tr.). The Rape of the Draught Having reached the interior of the mountain, Odin reassumed his usual godlike form and starry mantle, and then presented himself in the stalactite-hung cave before the beautiful Gunlod. He intended to win her love as a means of inducing her to grant him a sip from each of the vessels confided to her care.
Won by his passionate wooing, Gunlod consented to become his wife, and after he had spent three whole days with her in this retreat, she brought out the vessels [99]from their secret hiding-place, and told him he might take a sip from each. "And a draught obtained Of the precious mead, Drawn from Od-hroerir." Odin's Rune-Song (Thorpe's tr.).
Odin made good use of this permission and drank so deeply that he completely drained all three vessels. Then, having obtained all that he wanted, he emerged from the cave and, donning his eagle plumes, rose high into the blue, and, after hovering for a moment over the mountain top, winged his flight towards Asgard.
He was still far from the gods' realm when he became aware of a pursuer, and, indeed, Suttung, having also assumed the form of an eagle, was coming rapidly after him with intent to compel him to surrender the stolen mead. Odin therefore flew faster and faster, straining every nerve to reach Asgard before the foe should overtake him, and as he drew near the gods anxiously watched the race.
Seeing that Odin would only with difficulty be able to escape, the Æsir hastily gathered all the combustible materials they could find, and as he flew over the ramparts of their dwelling, they set fire to the mass of fuel, so that the flames, rising high, singed the wings of Suttung, as he followed the god, and he fell into the very midst of the fire, where he was burned to death.
As for Odin, he flew to where the gods had prepared vessels for the stolen mead, and disgorged the draught of inspiration in such breathless haste that a few drops fell and were scattered over the earth. There they became the portion of rhymesters and poetasters, the gods reserving the main draught for their own consumption, and only occasionally vouchsafing a taste to [100]some favoured mortal, who, immediately after, would win world-wide renown by his inspired songs.
"Of a well-assumed form I made good use: Few things fail the wise; For Od-hroerir Is now come up To men's earthly dwellings." Hávamál (Thorpe's tr.).
As men and gods owed the priceless gift to Odin, they were ever ready to express to him their gratitude, and they not only called it by his name, but they worshipped him as patron of eloquence, poetry, and song, and of all scalds.
The God of Music
Although Odin had thus won the gift of poetry, he seldom made use of it himself. It was reserved for his son Bragi, the child of Gunlod, to become the god of poetry and music, and to charm the world with his songs.
"White-bearded bard, ag'd Bragi, his gold harp Sweeps-and yet softer Stealeth the day." Viking Tales of the North (R. B. Anderson).
As soon as Bragi was born in the stalactite-hung cave where Odin had won Gunlod's affections, the dwarfs presented him with a magical golden harp, and, setting him on one of their own vessels, they sent him out into the wide world. As the boat gently passed out of subterranean darkness, and floated over the threshold of Nain, the realm of the dwarf of death, Bragi, the fair and immaculate young god, who until then had shown no signs of life, suddenly sat up, and, seizing the golden harp beside him, he began to sing the [101]wondrous song of life, which rose at times to heaven, and then sank down to the dread realm of Hel, goddess of death.
"Yggdrasil's ash is Of all trees most excellent, And of all ships, Skidbladnir; Of the Æsir, Odin, And of horses, Sleipnir; Bifröst of bridges, And of scalds, Bragi." Lay of Grimnir (Thorpe's tr.).
While he played the vessel was wafted gently over sunlit waters, and soon touched the shore. Bragi then proceeded on foot, threading his way through the bare and silent forest, playing as he walked. At the sound of his tender music the trees began to bud and bloom, and the grass underfoot was gemmed with countless flowers.
Here he met Idun, daughter of Ivald, the fair goddess of immortal youth, whom the dwarfs allowed to visit the earth from time to time, when, at her approach, nature invariably assumed its loveliest and gentlest aspect. It was only to be expected that two such beings should feel attracted to each other, and Bragi soon won this fair goddess for his wife. Together they hastened to Asgard, where both were warmly welcomed and where Odin, after tracing runes on Bragi's tongue, decreed that he should be the heavenly minstrel and composer of songs in honour of the gods and of the heroes whom he received in Valhalla.
Worship of Bragi
As Bragi was god of poetry, eloquence, and song, the Northern races also called poetry by his name, and scalds of either sex were frequently designated as Braga-men [102]or Braga-women. Bragi was greatly honoured by all the Northern races, and hence his health was always drunk on solemn or festive occasions, but especially at funeral feasts and at Yuletide celebrations.
When it was time to drink this toast, which was served in cups shaped like a ship, and was called the Bragaful, the sacred sign of the hammer was first made over it. Then the new ruler or head of the family solemnly pledged himself to some great deed of valour, which he was bound to execute within the year, unless he wished to be considered destitute of honour. Following his example, all the guests were then wont to make similar vows and declare what they would do; and as some of them, owing to previous potations, talked rather too freely of their intentions on these occasions, this custom seems to connect the god's name with the vulgar but very expressive English verb "to brag."
In art, Bragi is generally represented as an elderly man, with long white hair and beard, and holding the golden harp from which his fingers could draw such magic strains.

Current Page: 1

Word Lists:

Auger : a tool with a helical bit for boring holes in wood.

Thrall : the state of being in someone's power or having great power over someone

Runic :

Treacherously :

Scythe : a tool used for cutting crops such as grass or wheat, with a long curved blade at the end of a long pole attached to which are one or two short handles.

Scald : injure with very hot liquid or steam

Draught :

Disgorge : cause to pour out

Rune : a letter of an ancient Germanic alphabet, related to the Roman alphabet.

Expiation : the act of making amends or reparation for guilt or wrongdoing; atonement

More...

Additional Information:

Rating: C Words in the Passage: 2197 Unique Words: 842 Sentences: 98
Noun: 662 Conjunction: 191 Adverb: 152 Interjection: 0
Adjective: 151 Pronoun: 191 Verb: 363 Preposition: 275
Letter Count: 9,828 Sentiment: Positive Tone: Neutral Difficult Words: 548
EdSearch WebSearch
Questions and Answers

Please wait while we generate questions and answers...

Ratings & Comments

Write a Review
5 Star
0
0
4 Star
0
0
3 Star
0
0
2 Star
0
0
1 Star
0
0
0

0 Ratings & 0 Reviews

Report an Error