APOLLO AND HYACINTHUS

- By Thomas Bulfinch
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American compiler of mythologies (1796–1867) Thomas BulfinchBorn(1796-07-15)July 15, 1796Newton, MassachusettsDiedMay 27, 1867(1867-05-27) (aged 70)Boston, MassachusettsOccupationBanker, writerNationalityAmericanSubjectMythology and Fable Thomas Bulfinch (July 15, 1796 – May 27, 1867[1]) was an American author born in Newton, Massachusetts, known best for Bulfinch's Mythology, a posthumous combination of his three volumes of mythologies. Life[edit] Bulfinch belonged to a well-educated merchant family of modest means.[2] His father was Charles Bulfinch, the architect of the Massachusetts State House in Boston and parts of the U.S. Capitol in Washington, D.C. Bulfinch attended Boston Latin School, Phillips Exeter Academy and Harvard College, from which he graduated in 1814. His main career was with the Merchants' Bank of Boston. Bulfinch's Mythology[edit] Bulfinch published a reorganized version of the biblical book of Psalms to illustrate the history of the Hebrews. However, he is known best as the author of Bulfinch's Mythology, an 1881 compilation of his three previous works: The Age of Fable, or Stories of Gods and Heroes (1855) The Age of Chivalry, or Legends of King Arthur (1858) Legends of Charlemagne, or Romance of the Middle Ages (1863) Bulfinch's Mythology is a classic work of popularized mythology, the standard for more than a century and still in print. The compilation, assembled posthumously by Edward Everett Hale, includes various stories belonging to the mythological traditions known as the Matter of Rome, the Matter of Britain and the Matter of France, respectively. Bulfinch wrote in his preface: "Our work is not for the learned, nor for the theologian, nor for the philosopher, but for the reader of English literature, of either sex, who wishes to comprehend the allusions so frequently made by public speakers, lecturers, essayists, and poets, and those which occur in polite conversation." The original volume was dedicated to Henry Wadsworth Longfellow, and Bulfinch described it on the title page as an "attempt to popularize mythology and extend the enjoyment of elegant literature". In his preface he outlined his purpose, which was "an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement. We have endeavored to tell them correctly, according to the ancient authorities, so that when the reader finds them referred to he may not be at a loss to recognize the reference. Thus we hope to teach mythology not as a study, but as a relaxation from study; to give our work the charm of a story-book, yet by means of it to impart a knowledge of an important branch of education. The index at the end will adapt it to the purposes of a reference, and make it a Classical Dictionary for the parlor." His obituary noted that the contents were "expurgated of all that would be offensive". The versions Bulfinch gives for the classical myths are those in Ovid and Virgil. His Norse myths are abridged from a work by Paul Henri Mallet (1730–1807), a professor at Geneva, translated by Bishop Thomas Percy as Northern Antiquities[3] (London, 1770, often reprinted). Bulfinch's versions of these myths are still being taught in many American public schools. Marie Sally Cleary, in The Bulfinch Solution: Teaching the Ancient Classics in American Schools (1990), describes the book in the context of "democratizing" classical culture for a wider American antebellum readership. The Bulfinch retellings were largely superseded in American high schools by Edith Hamilton's works on mythology, which were based directly on classical Greek texts.[4] Notes[edit] ^ His obituary is printed in full in Marie Cleary, “A Book of Decided Usefulness: Thomas Bulfinch’s ‘The Age of Fable,’” The Classical Journal 75.3 (February 1980) (pp. 248-249). ^ "Literary King's Chapel". KING'S CHAPEL. Retrieved 2022-04-18. ^ In full, Northern Antiquities: or, a Description of the Manners, Customs, Religion and Laws of the Ancient Danes, And Other Northern Nations; Including Those of Our Own Saxon ancestors. With a translation of the Edda, or system of runic mythology, and other pieces, from the ancient Islandic tongue. (London, 1770). ^ Cleary 1980:248. References[edit] Marie Sally Cleary, Myths for the Millions. Thomas Bulfinch, His America, and His Mythology Book. Kulturtransfer und Geschlechterforschung, 4. Frankfurt am Main: Peter Lang, 2007. pp. xvi, 414. External links[edit] Thomas Bulfinch at the Database of Classical Scholars Works by or about Thomas Bulfinch at Wikisource Works by Thomas Bulfinch in eBook form at Standard Ebooks Works by Thomas Bulfinch at Project Gutenberg Works by or about Thomas Bulfinch at Internet Archive Works by Thomas Bulfinch at LibriVox (public domain audiobooks) The Age Of Fable. Fully illustrated at the Wayback Machine (archived February 6, 2010) The three works of Bulfinch's Mythology at The University of Adelaide Library Thomas Bulfinch at Find a Grave Authority control databases International FAST ISNI VIAF National Norway Spain Germany Israel Belgium United States Latvia Japan Czech Republic Australia Korea Croatia Netherlands Portugal Academics CiNii People Trove Other SNAC IdRef

APOLLO AND HYACINTHUS

"Purple" by Lee Royal is licensed under CC by-NC-ND 2.0.

Apollo was passionately fond of a youth named Hyacinthus. He accompanied him in his sports, carried the nets when he went fishing, led the dogs when he went to hunt, followed him in his excursions in the mountains, and neglected for him his lyre and his arrows. One day they played a game of quoits together, and Apollo, heaving aloft the discus, with strength mingled with skill, sent it high and far. Hyacinthus watched it as it flew and excited with the sport, ran forward to seize it, eager to make his throw, when the quoit bounded from the earth and stuck him in the forehead. He fainted and fell. The god, as pale as himself, raised him and tried all his art to stanch the wound and retain the flitting life, but all in vain; the hurt was past the power of medicine. As, when one has broken the stem of a lily in the garden, it hangs its head and turns its flowers to the earth, so the head of the dying boy, as if too heavy for his neck, fell over on his shoulder. "Thou diest, Hyacinth," so spoke Phoebus, "robbed of thy youth by me. Thine is the suffering, mine the crime. Would that I could die for thee! But since that may not be thou shalt live with me in memory and in song. My lyre shall celebrate thee, my song shall tell thy fate, and thou shalt become a flower inscribed with my regret." While Apollo spoke, behold the blood which had flowed of hue more beautiful than the Tyrian sprang up, resembling the lily, if it were not that this is purple and that silvery white. And this was not enough for Phoebus; but to confer still greater honor, he marked the petals with his sorrow, and inscribed "Ah! Ah!" upon them, as we see to this day. The flower bears the name of Hyacinthus, and with every returning spring revives the memory of his fate.

Current Page: 1

GRADE:7

Additional Information:

Rating: B Words in the Passage: 1080 Unique Words: 183 Sentences: 17
Noun: 84 Conjunction: 41 Adverb: 16 Interjection: 1
Adjective: 18 Pronoun: 45 Verb: 61 Preposition: 36
Letter Count: 1,370 Sentiment: Positive Tone: Conversational Difficult Words: 83
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