THE LADY OR THE TIGER

- By Frank R. Stockton
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American novelist Frank R. StocktonFrank Richard StocktonBornFrank Richard Stockton(1834-04-05)April 5, 1834Philadelphia, U.S.DiedApril 20, 1902(1902-04-20) (aged 68)Washington, DC, U.S.Resting placeThe Woodlands, PhiladelphiaOccupationHumorist, writerNationalityAmericanGenreChildren's literatureSignature Frank Richard Stockton (April 5, 1834 – April 20, 1902) was an American writer and humorist, best known today for a series of innovative children's fairy tales that were widely popular during the last decades of the 19th century. Life[edit] Born in Philadelphia in 1834, Stockton was the son of a prominent Methodist minister who discouraged him from a writing career. After marrying Mary Ann Edwards Tuttle, he and his wife moved to Burlington, New Jersey,[1] where he produced some of his first literary work. The couple then moved to Nutley, New Jersey.[2] For years he supported himself as a wood engraver until his father's death in 1860. In 1867, he moved back to Philadelphia to write for a newspaper founded by his brother. His first fairy tale, "Ting-a-ling," was published that year in The Riverside Magazine; his first book collection appeared in 1870. He was also an editor for Hearth and Home magazine in the early 1870s.[3] Around 1899, he moved to Charles Town, West Virginia.[4] He died in Washington, DC, on April 20, 1902, of a cerebral hemorrhage[5] and is buried at The Woodlands in Philadelphia. Writings[edit] Stockton avoided the didactic moralizing common to children's stories of the time. Instead, he humorously poked fun at greed, violence, abuse of power and other human foibles, describing his fantastic characters' adventures in a charming, matter-of-fact way in stories like "The Griffin and the Minor Canon" (1885) and "The Bee-Man of Orn" (1887). These last two stories were republished in 1963 and 1964, respectively, in editions illustrated by Maurice Sendak. "The Griffin and the Minor Canon" won a Lewis Carroll Shelf Award in 1963. His most famous fable, "The Lady, or the Tiger?" (1882), is about a man sentenced to an unusual punishment for having a romance with a king's beloved daughter. Taken to the public arena, he is faced with two doors, behind one of which is a hungry tiger that will devour him. Behind the other is a beautiful lady-in-waiting, whom he will have to marry, if he opens that door. While the crowd waits anxiously for his decision, he sees the princess among the spectators, who points him to the door on the right. The lover starts to open the door and ... the story ends abruptly there. Did the princess save her love by pointing to the door leading to the lady-in-waiting, or did she prefer to see her lover die rather than see him marry someone else? That quandary has made the story a staple in English classes in American schools, especially since Stockton was careful never to hint at what he thought the ending would be (according to Hiram Collins Haydn in The Thesaurus of Book Digests, ISBN 0-517-00122-5). He also wrote a sequel to the story, "The Discourager of Hesitancy". His 1895 adventure novel The Adventures of Captain Horn was the third-best selling book in the United States in 1895.[6][7] "The Bee Man of Orn" and several other tales were incorporated in a book published in 1887 by Charles Scribner's Sons entitled The Bee Man of Orn. Other stories included "The Griffin and the Minor Canon", "Old Pipes and The Dryad", "The Queen's Museum", "Christmas Before Last", "Prince Hassak's March", "The Battle of the Third Cousins", "The Banished King", and "Philopena". Like his contemporary Mark Twain, Stockton often pokes gentle fun at people's credulity and irrationality. For instance, the protagonist of his "A Story of Seven Devils" (1888) is a resourceful, illiterate, preacher. One Sunday, following a scolding from his overbearing wife, he stands at the pulpit and tells his parishioners, "the Bible declared that every woman in this world was possessed by seven devils". The women are incensed, and after prolonged discussions, the community resolves to dismiss him from his unpaid post unless he provides Biblical authority for his claim. In his next sermon he asks the villagers, "Didn't Jesus cast seven devils from Mary Magdalene?" After his parishioners concede that Jesus did, the preacher offers the following conclusion: "But did enny ob you ebber read, or hab read to you, dat he ebber cas' 'em out o' enny udder woman?" Stockton's work of science fiction, The Great War Syndicate, describes a late 19th century British–American war. An American syndicate made up of some of America's richest men and ablest scientists conducts the war on behalf of the United States. The Syndicate quickly wins this nearly bloodless war by repeatedly demonstrating an overwhelming technological superiority. It does so through a few inventions, especially a remarkable motor-bomb which can—much like the nuclear bombs developed by an Anglo-American alliance a half a century later—level entire cities. In the science fiction short story "Negative Gravity", the protagonist invents a device that counteracts the force of gravity, letting people walk lightly upon the earth or even float above it. The device can thus make "weight less and work easier". He agrees with his wife, however, not to share this invention with the world: Now there will be companies, and patents, and lawsuits, and experiments, and people calling you a humbug, and other people saying they discovered it long ago, and all sorts of persons coming to see you, and you'll be obliged to go to all sorts of places, and you will be an altered man, and we shall never be happy again. Millions of money will not repay us for the happiness we have lost. Gallery[edit] Stockton, by Dora Wheeler Keith, 1897 Stockton, by Charles Parker Claymont Court, Stockton's home near Charles Town, West Virginia[8] Works[edit] The House of Martha, 1891 Rudder Grange, originally serialized in Scribner's Monthly The Lady or the Tiger? and Other Stories, David Douglas, 1884 The Story of Viteau,1884 The Hundredth Man, The Century Co., 1886. The Casting Away of Mrs. Lecks and Mrs. Aleshine, The Century Co.,1886 The Bee-Man of Orn and Other Fanciful Tales, Charles Scribner's Sons, 1887 The Dusantes, 1888 The Great War Syndicate Dodd, Mead, and Company 1889 The House of Martha, Houghton, Mifflin & Company, 1891 The Adventures of Captain Horn, 1895 Mrs. Cliff's Yacht, Charles Scribner's Sons, 1896 The Vizier of the Two-Horned Alexander, The Century Co., 1899 A Bicycle of Cathay, Harper and Brothers, 1900 Kate Bonnet: The Romance of a Pirate's Daughter, D. Appleton & Company, 1901 The Captain's Toll-Gate, D. Appleton & Company, 1903 The Magic Egg and Other Stories, Charles Scribner's Sons, 1908 The Squirrel Inn, The Century Company,1891 The Lost Dryad, United Workers of Greenwich, 1912 The Novels and Stories, 23 Vol., Charles Scribner's Sons, 1899–1904 Fairy Tales of Frank Stockton, Penguin Books, 1990 (Edited and with a critical afterword by Jack Zipes). ISBN 0-451-52479-9. Further reading[edit] Bowen, Edwin W. "Frank R. Stockton," The Sewanee Review, Vol. 11, No. 4, Oct. 1903. Bowen, Edwin W. "The Fiction of Frank R. Stockton," The Sewanee Review, Vol. 28, No. 3, Jul. 1920. Eggleston, George Cary. "Recollections of Frank R. Stockton," The Book-Lover, Vol. IV, N°. 4, September/October 1903. "Frank R. Stockton's Method of Work," The Literary Digest, May 7, 1898. Golemba, Henry L. Frank R. Stockton, Twayne Publishers, 1981. Halsey, Francis W. "Frank R. Stockton." In American Authors and Their Homes, J. Pott & Company, 1901. Murphy, Gerald P. "The Lady or the Tiger - One Act Play" Lazy Bee Scripts, 2013. Quiller-Couch, A. T. "Mr. Stockton." In Adventures in Criticism, Cassell & Company, 1896. References[edit] ^ Theodore F. Wolfe, M.D. "A Bookish Corner of New Jersey", Lippincott's Monthly Magazine, Volume 65 ( J.B. Lippincott Company, Philadelphia, 1900) 103. ^ 2003 Hall of Fame Inductee Frank R. Stockton, 1834–1902 – Author Archived July 25, 2011, at the Wayback Machine, Nutley, New Jersey Hall of Fame. Accessed February 9, 2011. ^ Mott, Frank Luther. A History of American Magazine, 1865-1885, p. 99 (1938) ^ Millard Kessler Bushong, A History of Jefferson County, West Virginia, 1719–1940 (1941; rprt. 2007), p. 258 ^ "Death of Frank R. Stockton", The Literary Digest, May 3, 1902. ^ Alice Payne Hackett. Seventy Years of Best Sellers 1895–1965, p. 91 (1967) ^ Zipes, Jack. When Dreams Came True: Classical Fairy Tales and Their Tradition, Second Edition, p. 192 (2007) ^ Halsey, Francis Whiting (1901). American Authors and Their Homes. New York: James Pott & Company. p. 59ff. External links[edit] Works by Frank Richard Stockton at Project Gutenberg Works by Frank R. Stockton at Faded Page (Canada) Works by or about Frank R. Stockton at Internet Archive Works by Frank R. Stockton at LibriVox (public domain audiobooks) Frank R. Stockton at the Internet Speculative Fiction Database Frank R. Stockton at Library of Congress, with 165 library catalog records Walter L. Pforzheimer Collection of Frank Richard Stockton. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library. Authority control databases International FAST ISNI VIAF National Norway Spain France BnF data Catalonia Germany Italy Israel Belgium United States Latvia Japan Czech Republic Australia Greece Korea 2 Netherlands Poland Vatican Academics CiNii People Trove Other SNAC IdRef 2

THE LADY OR THE TIGER

"Martyr in the Circus Arena" by Fyodor Bronnikov is in the public domain

In the very olden time there lived a semi-barbaric king, whose ideas, though somewhat polished and sharpened by the progressiveness of distant Latin neighbors, were still large, florid, and untrammeled, as became the half of him which was barbaric. He was a man of exuberant fancy, and, withal, of an authority so irresistible that, at his will, he turned his varied fancies into facts. He was greatly given to self-communing, and, when he and himself agreed upon anything, the thing was done. When every member of his domestic and political systems moved smoothly in its appointed course, his nature was bland and genial; but, whenever there was a little hitch, and some of his orbs got out of their orbits, he was blander and more genial still, for nothing pleased him so much as to make the crooked straight and crush down uneven places.

Among the borrowed notions by which his barbarism had become semified was that of the public arena, in which, by exhibitions of manly and beastly valor, the minds of his subjects were refined and cultured.

But even here the exuberant and barbaric fancy asserted itself. The arena of the king was built, not to give the people an opportunity of hearing the rhapsodies of dying gladiators, nor to enable them to view the inevitable conclusion of a conflict between religious opinions and hungry jaws, but for purposes far better adapted to widen and develop the mental energies of the people. This vast amphitheater, with its encircling galleries, its mysterious vaults, and its unseen passages, was an agent of poetic justice, in which crime was punished, or virtue rewarded, by the decrees of an impartial and incorruptible chance.

When a subject was accused of a crime of sufficient importance to interest the king, public notice was given that on an appointed day the fate of the accused person would be decided in the king's arena, a structure which well-deserved its name, for, although its form and plan were borrowed from afar, its purpose emanated solely from the brain of this man, who, every barleycorn a king, knew no tradition to which he owed more allegiance than pleased his fancy, and who ingrafted on every adopted form of human thought and action the rich growth of his barbaric idealism.

When all the people had assembled in the galleries, and the king, surrounded by his court, sat high up on his throne of royal state on one side of the arena, he gave a signal, a door beneath him opened, and the accused subject stepped out into the amphitheater. Directly opposite him, on the other side of the enclosed space, were two doors, exactly alike and side by side. It was the duty and the privilege of the person on trial to walk directly to these doors and open one of them. He could open either door he pleased; he was subject to no guidance or influence but that of the aforementioned impartial and incorruptible chance. If he opened the one, there came out of it a hungry tiger, the fiercest and most cruel that could be procured, which immediately sprang upon him and tore him to pieces as a punishment for his guilt. The moment that the case of the criminal was thus decided, doleful iron bells were clanged, great wails went up from the hired mourners posted on the outer rim of the arena, and the vast audience, with bowed heads and downcast hearts, wended slowly their homeward way, mourning greatly that one so young and fair, or so old and respected, should have merited so dire a fate.

But, if the accused person opened the other door, there came forth from it a lady, the most suitable to his years and station that his majesty could select among his fair subjects, and to this lady he was immediately married, as a reward of his innocence. It mattered not that he might already possess a wife and family, or that his affections might be engaged upon an object of his own selection; the king allowed no such subordinate arrangements to interfere with his great scheme of retribution and reward. The exercises, as in the other instance, took place immediately, and in the arena. Another door opened beneath the king, and a priest, followed by a band of choristers, and dancing maidens blowing joyous airs on golden horns and treading an epithalamic measure, advanced to where the pair stood, side by side, and the wedding was promptly and cheerily solemnized. Then the gay brass bells rang forth their merry peals, the people shouted glad hurrahs, and the innocent man, preceded by children strewing flowers on his path, led his bride to his home.

This was the king's semi-barbaric method of administering justice. Its perfect fairness is obvious. The criminal could not know out of which door would come the lady; he opened either he pleased, without having the slightest idea whether, in the next instant, he was to be devoured or married. On some occasions the tiger came out of one door, and on some out of the other. The decisions of this tribunal were not only fair, they were positively determinate: the accused person was instantly punished if he found himself guilty, and, if innocent, he was rewarded on the spot, whether he liked it or not. There was no escape from the judgments of the king's arena.

The institution was a very popular one. When the people gathered together on one of the great trial days, they never knew whether they were to witness a bloody slaughter or a hilarious wedding. This element of uncertainty lent an interest to the occasion which it could not otherwise have attained. Thus, the masses were entertained and pleased, and the thinking part of the community could bring no charge of unfairness against this plan, for did not the accused person have the whole matter in his own hands?

This semi-barbaric king had a daughter as blooming as his most florid fancies, and with a soul as fervent and imperious as his own. As is usual in such cases, she was the apple of his eye, and was loved by him above all humanity. Among his courtiers was a young man of that fineness of blood and lowness of station common to the conventional heroes of romance who love royal maidens. This royal maiden was well satisfied with her lover, for he was handsome and brave to a degree unsurpassed in all this kingdom, and she loved him with an ardor that had enough of barbarism in it to make it exceedingly warm and strong. This love affair moved on happily for many months, until one day the king happened to discover its existence. He did not hesitate nor waver in regard to his duty in the premises. The youth was immediately cast into prison, and a day was appointed for his trial in the king's arena. This, of course, was an especially important occasion, and his majesty, as well as all the people, was greatly interested in the workings and development of this trial. Never before had such a case occurred; never before had a subject dared to love the daughter of the king. In after years such things became commonplace enough, but then they were in no slight degree novel and startling.

The tiger-cages of the kingdom were searched for the most savage and relentless beasts, from which the fiercest monster might be selected for the arena; and the ranks of maiden youth and beauty throughout the land were carefully surveyed by competent judges in order that the young man might have a fitting bride in case fate did not determine for him a different destiny. Of course, everybody knew that the deed with which the accused was charged had been done. He had loved the princess, and neither he, she, nor any one else, thought of denying the fact; but the king would not think of allowing any fact of this kind to interfere with the workings of the tribunal, in which he took such great delight and satisfaction. No matter how the affair turned out, the youth would be disposed of, and the king would take an aesthetic pleasure in watching the course of events, which would determine whether or not the young man had done wrong in allowing himself to love the princess.

The appointed day arrived. From far and near the people gathered, and thronged the great galleries of the arena, and crowds, unable to gain admittance, massed themselves against its outside walls. The king and his court were in their places, opposite the twin doors, those fateful portals, so terrible in their similarity.

All was ready. The signal was given. A door beneath the royal party opened, and the lover of the princess walked into the arena. Tall, beautiful, fair, his appearance was greeted with a low hum of admiration and anxiety. Half the audience had not known so grand a youth had lived among them. No wonder the princess loved him! What a terrible thing for him to be there!

As the youth advanced into the arena he turned, as the custom was, to bow to the king, but he did not think at all of that royal personage. His eyes were fixed upon the princess, who sat to the right of her father. Had it not been for the moiety of barbarism in her nature it is probable that lady would not have been there, but her intense and fervid soul would not allow her to be absent on an occasion in which she was so terribly interested. From the moment that the decree had gone forth that her lover should decide his fate in the king's arena, she had thought of nothing, night or day, but this great event and the various subjects connected with it. Possessed of more power, influence, and force of character than any one who had ever before been interested in such a case, she had done what no other person had done-she had possessed herself of the secret of the doors. She knew in which of the two rooms, that lay behind those doors, stood the cage of the tiger, with its open front, and in which waited the lady. Through these thick doors, heavily curtained with skins on the inside, it was impossible that any noise or suggestion should come from within to the person who should approach to raise the latch of one of them. But gold, and the power of a woman's will, had brought the secret to the princess.

And not only did she know in which room stood the lady ready to emerge, all blushing and radiant, should her door be opened, but she knew who the lady was. It was one of the fairest and loveliest of the damsels of the court who had been selected as the reward of the accused youth, should he be proved innocent of the crime of aspiring to one so far above him; and the princess hated her. Often had she seen, or imagined that she had seen, this fair creature throwing glances of admiration upon the person of her lover, and sometimes she thought these glances were perceived, and even returned. Now and then she had seen them talking together; it was but for a moment or two, but much can be said in a brief space; it may have been on most unimportant topics, but how could she know that? The girl was lovely, but she had dared to raise her eyes to the loved one of the princess; and, with all the intensity of the savage blood transmitted to her through long lines of wholly barbaric ancestors, she hated the woman who blushed and trembled behind that silent door.

When her lover turned and looked at her, and his eye met hers as she sat there, paler and whiter than any one in the vast ocean of anxious faces about her, he saw, by that power of quick perception which is given to those whose souls are one, that she knew behind which door crouched the tiger, and behind which stood the lady. He had expected her to know it. He understood her nature, and his soul was assured that she would never rest until she had made plain to herself this thing, hidden to all other lookers-on, even to the king. The only hope for the youth in which there was any element of certainty was based upon the success of the princess in discovering this mystery; and the moment he looked upon her, he saw she had succeeded, as in his soul he knew she would succeed.

Then it was that his quick and anxious glance asked the question: "Which?" It was as plain to her as if he shouted it from where he stood. There was not an instant to be lost. The question was asked in a flash; it must be answered in another.

Her right arm lay on the cushioned parapet before her. She raised her hand, and made a slight, quick movement toward the right. No one but her lover saw her. Every eye but his was fixed on the man in the arena.

He turned, and with a firm and rapid step he walked across the empty space. Every heart stopped beating, every breath was held, every eye was fixed immovably upon that man. Without the slightest hesitation, he went to the door on the right, and opened it.

Now, the point of the story is this: Did the tiger come out of that door, or did the lady?

The more we reflect upon this question, the harder it is to answer. It involves a study of the human heart which leads us through devious mazes of passion, out of which it is difficult to find our way. Think of it, fair reader, not as if the decision of the question depended upon yourself, but upon that hot-blooded, semi-barbaric princess, her soul at a white heat beneath the combined fires of despair and jealousy. She had lost him, but who should have him?

How often, in her waking hours and in her dreams, had she started in wild horror, and covered her face with her hands as she thought of her lover opening the door on the other side of which waited the cruel fangs of the tiger!

But how much oftener had she seen him at the other door! How in her grievous reveries had she gnashed her teeth, and torn her hair, when she saw his start of rapturous delight as he opened the door of the lady! How her soul had burned in agony when she had seen him rush to meet that woman, with her flushing cheek and sparkling eye of triumph; when she had seen him lead her forth, his whole frame kindled with the joy of recovered life; when she had heard the glad shouts from the multitude, and the wild ringing of the happy bells; when she had seen the priest, with his joyous followers, advance to the couple, and make them man and wife before her very eyes; and when she had seen them walk away together upon their path of flowers, followed by the tremendous shouts of the hilarious multitude, in which her one despairing shriek was lost and drowned!

Would it not be better for him to die at once, and go to wait for her in the blessed regions of semi-barbaric futurity?

And yet, that awful tiger, those shrieks, that blood!

Her decision had been indicated in an instant, but it had been made after days and nights of anguished deliberation. She had known she would be asked, she had decided what she would answer, and, without the slightest hesitation, she had moved her hand to the right.

The question of her decision is one not to be lightly considered, and it is not for me to presume to set myself up as the one person able to answer it. And so I leave it with all of you: Which came out of the opened door-the lady, or the tiger?

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GRADE:11

Additional Information:

Rating: Words in the Passage: 1340 Unique Words: 817 Sentences: 97
Noun: 556 Conjunction: 277 Adverb: 139 Interjection: 0
Adjective: 226 Pronoun: 263 Verb: 505 Preposition: 358
Letter Count: 11,802 Sentiment: Positive Tone: Neutral Difficult Words: 495
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