06 - Equations & Definition of Conic Sections - Circle, Ellipse, Parabola & Hyperbola - By Math and Science
Transcript
00:00 | Hello , Welcome back to algebra . The title of | |
00:02 | this lesson is well I could title in various ways | |
00:05 | , but the one the one that I wrote down | |
00:06 | is what is the difference between the four comic sections | |
00:09 | ? Probably a better title would be definitions of the | |
00:12 | comic sections . It's a kind of a weird title | |
00:14 | but what I want to do in this lesson is | |
00:16 | we want to go again through each of the four | |
00:18 | comic section circle , ellipse , parabola and hyperbole but | |
00:22 | want to go a level deeper than we did in | |
00:24 | the last lesson in the last lesson . Just to | |
00:26 | recap , we talked about the shape of these comic | |
00:28 | sections but we mostly focused on what they're used for | |
00:31 | . We talked about orbits every orbit in space , | |
00:34 | whether it's a circular orbit , an elliptical orbit , | |
00:37 | a space probe on a escape trajectory . They all | |
00:41 | represent each of the four comic sections depending on how | |
00:44 | much speed you have in your orbit . We also | |
00:47 | talked about the idea that a parabola has a special | |
00:49 | shape where it can take , take incoming radio waves | |
00:52 | or light rays and focus them onto a focus . | |
00:55 | So we kind of talked about the idea that a | |
00:57 | parabola has a focus which is kind of near the | |
01:00 | bottom of the Parabola that collects all of the light | |
01:03 | rays , right ? So if you haven't done watch | |
01:05 | that , I would like you to go ahead and | |
01:06 | look at it again , make sure that you've you've | |
01:09 | watched it . So here we're gonna go one level | |
01:10 | deeper . We're gonna talk about the comic sections , | |
01:12 | we're gonna write down the shapes , but we're going | |
01:15 | to go more deeply into why they have those shapes | |
01:18 | . And we're gonna generally look at the equations of | |
01:20 | these different comic sections and we're doing them all in | |
01:23 | this one lesson , but in the next lesson and | |
01:25 | the subsequent lessons were taking each of the comic sections | |
01:27 | apart in more detail and solving tons of problems . | |
01:30 | So you can still consider this to be kind of | |
01:32 | an overview lesson of everything . So I want to | |
01:34 | recap something very important . I'm gonna put my paper | |
01:37 | down here that we did talk about in the last | |
01:39 | section each of these comic sections can come from slicing | |
01:42 | a cone . So the first comic section is the | |
01:45 | one you already know about . A circle . A | |
01:47 | circle comes from taking a cone and slicing it parallel | |
01:50 | to the base like this , right across . When | |
01:52 | you slice it and look at the cross section , | |
01:54 | you have that beautiful circular shape equal distant from the | |
01:58 | the central point of the circle . So we all | |
02:00 | know about circles already when I put that aside . | |
02:03 | Um But what fewer people know is that you can | |
02:06 | get the other comic sections from slicing a comb if | |
02:09 | you take a comb and you slice it at some | |
02:11 | random angle . This angle is not special at some | |
02:14 | angle , I just happened to use my knife to | |
02:16 | slice it at and you cut it apart and look | |
02:18 | at it . The shape you get as the cross | |
02:20 | section is an ellipse . So the help if I | |
02:22 | turn it on the side , it's an elliptical shape | |
02:24 | right now , of course the exact shape and size | |
02:27 | of the ellipse will depend on how you cut it | |
02:29 | . But you get a circle by cutting a cone | |
02:32 | directly across . You get into lips by slicing it | |
02:34 | at some random angle , right ? And of course | |
02:37 | whatever angle that you have there is going to determine | |
02:39 | the actual shape of the ellipse . And then we | |
02:41 | take the same cone and we decide to slice it | |
02:45 | slightly differently . In this case , you notice how | |
02:47 | this side of the cone has an angle to it | |
02:49 | , right ? So what we do is we slice | |
02:51 | through parallel to this side . This line here is | |
02:55 | as good as I can get parallel to this side | |
02:57 | . So when you slice through parallel to the side | |
03:00 | of the cone there than what you get , might | |
03:02 | help if I turn it upside down is a parable | |
03:04 | A . This is a parabolic shape , it comes | |
03:06 | down , has a nice rounded bottom , but kind | |
03:09 | of gets to a point and then it comes back | |
03:10 | up . This is the shape of a standard problem | |
03:12 | , of course , exactly where you cut it and | |
03:14 | how you cut it , the shape of your cone | |
03:16 | and all that is going to dictate exactly what it | |
03:19 | looks like . But that's how you get the comic | |
03:20 | section , known as a problem . The final comic | |
03:23 | section we talked about is called a hyperbole . This | |
03:27 | one is if you take uh your cone and instead | |
03:31 | of slicing at an angle or parallel to the other | |
03:33 | side , you look at the cone like this and | |
03:35 | you slice it straight down so you slice straight down | |
03:38 | . And when you do that you actually get something | |
03:41 | that looks very similar to a parabola . In fact | |
03:43 | , I'll go ahead and show you uh that they | |
03:45 | are different . So so this one here is a | |
03:47 | parabola . This one's a hyperbole to notice this one | |
03:50 | has a much sharper point to it at the bottom | |
03:52 | and it also has much more steep sides to it | |
03:54 | . That's a hyperba . And then finally , whenever | |
03:57 | you cut the hyperbole to , you need to really | |
03:59 | envision it being really two cones . You have one | |
04:02 | cone on the bottom and then one cone kind of | |
04:04 | flipped upside down . When you slice through both of | |
04:06 | them , you slice through the top cone and go | |
04:09 | straight down and slice through the bottom cone . You're | |
04:11 | actually gonna get two halves of the hyperbole . So | |
04:14 | for a circle you make one slice you get one | |
04:16 | shape , we call the circle for the ellipse . | |
04:18 | You make one slice , you get one shape , | |
04:20 | we called in the lips for a parabola . You | |
04:22 | make one slice , you get one shape , we | |
04:24 | call a parabola for hyperbole . When you think of | |
04:27 | the two cones , you really make one slice . | |
04:29 | But you're slicing through two different cones . You get | |
04:31 | two shapes which they kind of come in pairs called | |
04:33 | a hyperbole or a hyperbolic shape . So what I | |
04:36 | want to do now is I want to pick up | |
04:38 | the toys here and we're gonna go through each of | |
04:40 | these comic sections on the board drawing their shape , | |
04:43 | showing you exactly how the shape comes about writing down | |
04:46 | some of the basic equations of the different shapes . | |
04:48 | So you'll understand how the different comic sections relate to | |
04:50 | each other in algebra , and of course by extension | |
04:53 | into geometry . All right now we're ready to roll | |
04:57 | up our sleeves and and get uh get serious about | |
04:59 | this . So on the first board we're going to | |
05:01 | talk about the comic section that everyone here already understands | |
05:05 | . At least something about , it's called a circle | |
05:06 | . We haven't talked about circles much in algebra yet | |
05:08 | , we're going to talk about them at great length | |
05:10 | here , you all have some idea what a circle | |
05:13 | is , right ? So let me go ahead and | |
05:15 | try to do that here to draw that for you | |
05:18 | here . So here's my best freehand at a circle | |
05:21 | . Is it a perfect circle ? No , it's | |
05:22 | definitely a lumpy circle , so sorry about that , | |
05:25 | but this is the best circle I can draw freehand | |
05:27 | . Now , the thing about a circle is what | |
05:29 | defines a circle . Well , the center is the | |
05:32 | thing that defines a circle . So I'm gonna put | |
05:33 | this is the center of the circle and you all | |
05:37 | know that every circle has what we call a radius | |
05:40 | . So to draw that radius , I'm going to | |
05:42 | kind of draw a little arrow here and I'm gonna | |
05:45 | put a point P on the edge of the circle | |
05:48 | here , and I'm gonna call this point P . | |
05:50 | X comma , y why am I doing that ? | |
05:52 | Because if you can I'm not going to draw a | |
05:54 | grid here , but if you can imagine an xy | |
05:56 | plane kinda where the circle is sitting on top of | |
05:59 | the xy plane , then what we want to do | |
06:01 | is we want to write an equation down that talks | |
06:04 | about the shape of the circle . We want to | |
06:07 | we all know circle has a center and radius . | |
06:09 | Of course we know that , but I want to | |
06:10 | be able to put it in a coordinate plane and | |
06:12 | say , what is the equation of that circle ? | |
06:14 | How can I plot that circle ? Is a circle | |
06:16 | of function is a circle not a function . We | |
06:18 | need to talk about those things . So we need | |
06:19 | to write an equation down that describes every one of | |
06:22 | these purple points here . So it shouldn't describe points | |
06:26 | here and here and here and here . Because those | |
06:28 | aren't on the circle . The only points on the | |
06:30 | circle are on the purple line , the circle , | |
06:33 | the points related to the circle are not outside the | |
06:37 | circle and they're not inside the circle . The only | |
06:39 | points that describe the circle lie on this purple line | |
06:43 | exactly . So these points we call P and we | |
06:46 | say these points P have xy values . That's what | |
06:48 | the X . Y . Means . So here's a | |
06:49 | different xy value . Here's a different xy value on | |
06:52 | this part of the circle and so on . As | |
06:54 | you go around , you'll have a different xy value | |
06:56 | for the points on on that curve . Now we're | |
06:59 | gonna do a similar thing when we talk about a | |
07:01 | parabola and in the lips and high purple . So | |
07:04 | it's important for you to understand P X . Y | |
07:06 | . Just means the set of points that describe the | |
07:08 | shape that we call the circle . And they all | |
07:10 | have X . Y coordinates . Right ? So the | |
07:13 | way that we write down the definition of a circle | |
07:17 | is in words , if you were to see it | |
07:19 | in the text book , you would see something like | |
07:20 | this . A circle is the set of all points | |
07:28 | . I'm gonna put P . Meaning all of these | |
07:30 | points . P there's an infinite number of points on | |
07:32 | this purple line . So the points P the same | |
07:38 | distance uh from the center . Yeah . Okay . | |
07:51 | And so a way that you can write this in | |
07:53 | terms of the definition , I mean this is inwards | |
07:56 | a definition , right ? I mean this makes sense | |
07:58 | . I mean this is what you all know , | |
07:58 | A circle is . It's a set of all the | |
08:00 | points . The same distance . That means the same | |
08:02 | radius from the center of the circle . You want | |
08:04 | you all know that the points P are all the | |
08:06 | same distance away from the center . That makes sense | |
08:08 | , right ? But in mathematical talk or mathematical uh | |
08:13 | you know parlance , you would say if this is | |
08:15 | the center C and this is the point P , | |
08:18 | you would say that cp the distant cp must be | |
08:22 | equal to a constant . Now this does not mean | |
08:26 | C times P this does not mean the center times | |
08:29 | P . This means the distance . Remember in geometry | |
08:32 | , when we talk about distances , we have the | |
08:34 | endpoints and we we write them as , you know | |
08:37 | , you can think of it as a line segment | |
08:38 | with a bar on top . The distance between A | |
08:40 | and B is a B . The distance between X | |
08:43 | , Y . Is x . Y . The distance | |
08:45 | between the center and the point P is called C | |
08:47 | . P . And this distance must be a constant | |
08:50 | no matter what angle I'm looking at . If I'm | |
08:53 | looking over here , the distance between the center and | |
08:55 | this point must be the same as the distance between | |
08:58 | here and here , which must be the same as | |
09:00 | the distance between here and here . So we're saying | |
09:02 | that the distance between C . And all of the | |
09:04 | points P must be a constant number . What do | |
09:06 | you think this constant is ? Well , that's the | |
09:08 | radius of the circle , that's what describes the size | |
09:11 | of the circle . So that's what a definition of | |
09:14 | uh of a circle would be . Now . In | |
09:17 | terms of um in terms of an equation right , | |
09:22 | we're not gonna talk too much about the equation of | |
09:24 | a circle . Now we're gonna have an entire set | |
09:26 | of lessons on it . But just to give you | |
09:28 | a flavor , the equation of a circle would look | |
09:31 | something like this . A general equation of a circle | |
09:34 | would look something like this , X squared plus y | |
09:39 | squared is equal to r squared . And what does | |
09:43 | this mean ? Now this is a different kind of | |
09:46 | an equation than we've seen before . I don't expect | |
09:48 | you to understand this yet , I don't expect you | |
09:50 | to say , oh yeah , that makes sense . | |
09:51 | I expect you to believe me this is the equation | |
09:54 | of a circle , but once we get through the | |
09:55 | overview of comic sections , we're going to go back | |
09:58 | to circles first and we're going to really dissect why | |
10:01 | this is the actual equation of a circle for now | |
10:03 | , I just want to get all the equations on | |
10:05 | the board so that you can see how they kind | |
10:06 | of are similar to one another . All of these | |
10:08 | comic sections come from cones from slicing cones , so | |
10:11 | all of the equations have a similar flavor to them | |
10:14 | . In particular , you're gonna start seeing squares all | |
10:16 | over the place in general when you see something squared | |
10:18 | and math , it means something is curving in general | |
10:21 | and a circle is the perfect shape of a perfect | |
10:24 | thing that curves so it has squares everywhere . Yeah | |
10:27 | , this are here is what we call the radius | |
10:30 | , right ? So this thing is the radius . | |
10:35 | So if you make are bigger than the circle is | |
10:37 | gonna get bigger . So you can say from this | |
10:39 | equation that are determines the size of the circle . | |
10:48 | All right . So what I wanna do is I | |
10:50 | want to put the circle on the back burner now | |
10:52 | because I think we all understand the circle is the | |
10:54 | same distance points of the same distance away from the | |
10:56 | center , which means the center to the to point | |
10:59 | P . No matter where the point P is must | |
11:00 | be a constant . This is the equation the basic | |
11:03 | basic equation of a circle . Of course we can | |
11:05 | shift the circle around and change it a little bit | |
11:07 | . But the basic equation is what we have written | |
11:09 | here , but we're not gonna get into too much | |
11:12 | of this yet . We're gonna do this later where | |
11:13 | the radius determines the size . Now what I want | |
11:15 | to do is get the next comic section on the | |
11:17 | board and that is well you can put them in | |
11:20 | any order you want , but I want to talk | |
11:21 | about any lips next because in the lips , when | |
11:24 | you think about it really looks kind of like a | |
11:26 | circle , but it stretched out a little bit . | |
11:29 | So the equation of an ellipse an equation of a | |
11:31 | circle are kind of similar to one another . So | |
11:33 | let's go over onto this board and talk about the | |
11:36 | concept we put underline here , this is a circle | |
11:39 | and we want to go over here and we want | |
11:40 | to talk about any lips right ellipses . Very important | |
11:44 | shape in in Math , we learned that all of | |
11:47 | the orbits of all of the planets end up following | |
11:49 | ellipses . Alright , so here's how we have to | |
11:53 | do this . You have to kind of use your | |
11:55 | imagination . I need to get some things on the | |
11:57 | board before you totally understand it . So let me | |
11:59 | just kind of draw a few things . So let | |
12:00 | me try to draw my best guess and and the | |
12:03 | lips , is this gonna be a perfect your lips | |
12:04 | ? No , it's not going to be close to | |
12:05 | the perfect ellipse , I can tell you right now | |
12:07 | , it's already too flat at the bottom , you | |
12:10 | know , I should around the corner is a little | |
12:11 | bit , but I'm not an artist , I never | |
12:12 | claimed to be an artist . So you're just gonna | |
12:14 | have to put up with that . So the shape | |
12:16 | of this thing is going to look more like something | |
12:18 | like this . Anyway , that's pretty close to any | |
12:19 | lips . Now , the thing about it is when | |
12:22 | you look at a circle , there's one special point | |
12:24 | in the middle , We call it the center , | |
12:26 | right ? But when we have any lips and also | |
12:28 | the other comic sections , We have not just one | |
12:31 | special point in the center , we have two special | |
12:33 | points and we don't call them the center because they're | |
12:36 | not in the center , we call them the focus | |
12:38 | . And when you have to focus is you call | |
12:40 | them fosse , right ? So you have to get | |
12:43 | used to the idea that there's actually going to be | |
12:45 | kind of two special points in the centre of the | |
12:47 | shape instead of one for the case of the circle | |
12:50 | . So one of these focuses or one of these | |
12:52 | folks i is located around here and the other one | |
12:55 | is located around here . Now , I don't want | |
12:57 | to bog myself down too much with how I know | |
13:00 | exactly where the focus is . What's gonna happen is | |
13:02 | we're gonna write all this stuff down and we're gonna | |
13:04 | go in detail and talk about ellipses , and we're | |
13:06 | going to derive the equations and talk about where they | |
13:09 | come from . But for now , just know that | |
13:12 | if you kind of take this ellipse and squish it | |
13:14 | together , so it becomes a circle , then both | |
13:16 | of these focuses or folks , I kind of end | |
13:19 | up becoming on top of each other . And then | |
13:21 | in that case you get a circle . So basically | |
13:24 | an ellipse is really just a stretched version of a | |
13:26 | circle . So when you take a circle and you | |
13:28 | stretch it out , that one center point , that's | |
13:30 | so special , the center of the circle becomes too | |
13:32 | special points , and that's called Focus number one . | |
13:35 | And Focus number two . Right , So we're going | |
13:38 | to actually call this focus number one , and we're | |
13:42 | gonna call this uh Focus number two , and I'm | |
13:46 | gonna label it because it's probably one of the most | |
13:48 | important things I want you to really learn here . | |
13:50 | This thing is called a focus and this thing here | |
13:55 | is also called a focus And this is focused number | |
14:00 | two . And this is focused number one . Right | |
14:05 | now , why do we have these special points called | |
14:07 | the Focus ? Well , we need to kind of | |
14:08 | get into that . Right ? So what we have | |
14:10 | here is just like we had in the case of | |
14:12 | a circle . The shape was described by the purple | |
14:14 | curve . We call , we said it had points | |
14:16 | P . And they had locations X . And Y | |
14:19 | . Right ? We wrote down some stuff to talk | |
14:20 | about where they where they are now in the this | |
14:24 | ellipse . We have points as well and we're gonna | |
14:26 | call it the set of points P . X . | |
14:28 | Y . Again . So basically the purple curve represents | |
14:32 | all of the points . There's an infinite number of | |
14:34 | points on this curve right there , infinitely close together | |
14:37 | , right ? They all formed the special thing we | |
14:39 | call on the lips . These points have locations X | |
14:41 | . Y . If you put this thing on top | |
14:43 | of the coordinate plain and you could put a location | |
14:45 | for every one of those points . So how do | |
14:47 | we determine the special case of the special curve that | |
14:50 | we call on the lips ? Well , in the | |
14:51 | case of a circle , it was simple because the | |
14:54 | circle meant just meant that it was every point had | |
14:56 | to be an equal distance . So if you lock | |
14:58 | down the middle and you trace your finger out , | |
15:00 | then you're gonna trace out all of the special points | |
15:03 | . And the lips is a little more complicated . | |
15:05 | So let me draw a couple of things and I'm | |
15:07 | gonna draw a line segment from here to here , | |
15:10 | and I'm gonna draw a line segment from here to | |
15:12 | here . All right , so I want you to | |
15:14 | to kind of keep in mind I'm sorry about that | |
15:17 | . Probably should have used a different color . So | |
15:19 | this this is just saying Focus number two . So | |
15:21 | here's a line segment from here to here . In | |
15:22 | a line segment from here to here . So what | |
15:24 | you have is let's see how do you want to | |
15:28 | do this ? The set of points P . That | |
15:31 | defines this purple , purple curving ellipse is the following | |
15:35 | thing . The distance between F one mp , which | |
15:38 | means this line here between F one and P plus | |
15:42 | the distance here , which means from F to up | |
15:46 | to pee . So this one plus distance . This | |
15:48 | distance is equal to a constant . Think about what | |
15:53 | that means for a second . The secret to what | |
15:55 | an ellipses is all written down in this simple little | |
15:58 | relation right here . What it means is I take | |
16:00 | any two points in space , Call it focus . | |
16:02 | One focus too . And I want to find the | |
16:05 | set of points that gonna go around there so that | |
16:07 | the distance between one of these points to my shape | |
16:11 | , I'm calling an ellipse plus the distance down to | |
16:13 | the other guy is equal to a constant . So | |
16:16 | what this means is you can see how I've drawn | |
16:18 | it here , that that that that works for that | |
16:20 | one particular point . But let's draw another point . | |
16:22 | Let's say we pick a point down here on this | |
16:25 | point is on the ellipse as well . So this | |
16:27 | is of course , p X comma y as well | |
16:29 | . It's another point of course , but it has | |
16:30 | X y coordinates . What we're basically saying , we | |
16:33 | draw a little dot in line between this point and | |
16:35 | this point and at this point to this point right | |
16:38 | here . So you can imagine for any point on | |
16:40 | the ellipse , you can draw these lines from the | |
16:42 | ellipse to the border and then from the border to | |
16:45 | the other folks , I'm sorry , from the focus | |
16:46 | to the border and then from the border to the | |
16:48 | other focus . So what you're basically saying is if | |
16:52 | you have two points , call it Focus one and | |
16:54 | focus to the ellipse is the set of points . | |
16:57 | P so that as I walk around the ellipse , | |
17:00 | the distance from one focus up to the border and | |
17:04 | back down to the other . Focus is the same | |
17:06 | number . It's a constant . Just like the distance | |
17:09 | here was a constant . No matter what , it | |
17:11 | was really simple cause there was only one center point | |
17:13 | . Now I spread the points out and I'm saying | |
17:15 | , OK , if I move , let's say over | |
17:17 | here , instead of looking at this point , I | |
17:19 | look at this point here , then the distance between | |
17:21 | here and here , that's a little longer . But | |
17:24 | then the distance between here and here will be a | |
17:25 | little shorter . So you add them up , you | |
17:27 | get a constant number . So let's go over here | |
17:29 | , let's say you take a point from here . | |
17:31 | Way over here , over here , this is even | |
17:33 | longer distance than what I've drawn in blue , but | |
17:35 | then this is a shorter distance . So of course | |
17:37 | you add them up , you get the same thing | |
17:39 | . If I pick a point here compared to the | |
17:42 | blue line , then this distance from F one to | |
17:45 | my finger is shorter , but then the distance from | |
17:47 | here to here is longer . So when I add | |
17:49 | them up I still get a constant number . So | |
17:51 | you see no matter where I walk on the edge | |
17:53 | of this curve , if I even picked this one | |
17:56 | , this is really , really short compared to the | |
17:58 | blue line , but this distance is much much longer | |
18:00 | , so I add them up and I still get | |
18:02 | a constant number . So just like there's this thing | |
18:04 | we call a radius when it comes down to circles | |
18:08 | , Ellipses have a similar constant thing . It's just | |
18:10 | that there's two centers , for lack of a better | |
18:12 | word , we don't call them centers because they're not | |
18:14 | in the center , we call them focus one and | |
18:16 | focus to distance between Focus , one up to the | |
18:18 | border and down to the other . Focus has to | |
18:21 | be the same for every single point on that egg | |
18:24 | shaped thing that we call an ellipse . So that | |
18:27 | is what this equation means . The distance focus one | |
18:29 | to the point . Focus to to the point has | |
18:31 | to be equal to a constant . And that's why | |
18:33 | I'm drawing it next to the circle because it's it | |
18:36 | has a similar meaning . Now , if you wanted | |
18:39 | to write in words , what it means , what | |
18:41 | you would see in a book , an ellipse is | |
18:43 | the set of points . P set of points . | |
18:49 | But it's always gonna be the set of points . | |
18:50 | P . Okay . Where the some I'm using shorthand | |
18:55 | here . This means the set of points P where | |
18:56 | the some of the distance from P two two fixed | |
19:10 | points . Yeah . And these are called the fosse | |
19:14 | are the same . Now when you read this kind | |
19:21 | of thing in a book , the set of points | |
19:23 | . P . So the some of the distance between | |
19:24 | P two to fix points , folks are the same | |
19:26 | . I mean even I know what it means . | |
19:28 | I read it and I'm like what does that mean | |
19:29 | ? Because it's just too wordy . All it's trying | |
19:31 | to say is you pick any two points . I | |
19:33 | mean literally I can define in the lips with any | |
19:35 | points I want , I can say here's a point | |
19:36 | , here's a point . Okay , great . Two | |
19:38 | points . How do I find an ellipse ? There's | |
19:40 | got to be some egg shaped thing we call on | |
19:42 | the lips points that surround those two . So the | |
19:45 | distance from here to here is a number and the | |
19:47 | distance over here is the same number . When I | |
19:49 | add the individual little radi I up . So you | |
19:51 | can think of this as radius one and radius to | |
19:53 | you add them up . You get a constant number | |
19:55 | . You can think for this point , radius one | |
19:57 | radius to you add them up . You have to | |
19:59 | get a constant number and so on for every point | |
20:01 | around . Even if you pick a point here , | |
20:03 | the distance from here to here . Short compared to | |
20:05 | this . But the distance is much longer compared to | |
20:08 | this one , you add them together and you get | |
20:10 | the same the same constant thing . Now when we | |
20:13 | get to actually talking about the math here , we're | |
20:15 | gonna derive this . We're going to talk about this | |
20:17 | in a lot more detail . But for now I | |
20:20 | think what I wanna do is write the equation of | |
20:23 | a basic ellipse on the board and that is the | |
20:26 | following . I don't expect you to know this yet | |
20:28 | or understand this yet . But this is what it | |
20:30 | is . X squared over A squared plus Y squared | |
20:34 | over B squared is equal to one . This is | |
20:38 | a basic basic equation of an ellipse and a . | |
20:42 | And be determined . Mhm . The shape , what | |
20:50 | I mean by that is an ellipse can be really | |
20:52 | long and slender or it can be kind of fat | |
20:55 | and and study . It could also be rotated to | |
20:58 | go up and down instead of side to side . | |
21:00 | And so A . And B . Are going to | |
21:02 | determine how the thing looks , how stretched out is | |
21:05 | it ? That's what we call the eccentricity . Is | |
21:07 | it oriented vertical or horizontal ? A . And B | |
21:10 | . Are going to determine that . But when you | |
21:11 | look at it it looks similar to a circle . | |
21:13 | There's an X squared plus Y squared . Here's an | |
21:16 | X squared plus Y squared . So that part is | |
21:18 | actually the same between the two . Now , in | |
21:20 | the case of a circle we just set it equal | |
21:21 | to R squared . In this case we set it | |
21:23 | equal to one . I'll explain a lot more why | |
21:26 | it's written this way later . But anyway , the | |
21:29 | idea is you have X squared plus Y squared is | |
21:31 | equal to something . And now for the ellipse we | |
21:33 | have these A and B terms which really determine the | |
21:36 | shape , how stretched out the thing is . All | |
21:39 | right , So that's what an ellipse is . Now | |
21:42 | , what I want to do is talk about Parabolas | |
21:44 | . Now we've been talking about parabolas and algebra for | |
21:46 | a very long time . You all know that the | |
21:48 | function F fx is equal to X squared , defines | |
21:53 | that basic parabolic shape . We've sketched them , we've | |
21:56 | grabbed them , we've done tons of things with problems | |
22:00 | because it's one of the most important shapes and one | |
22:02 | of the most important functions in algebra . But now | |
22:04 | we're diving deeper . Don't skip over this stuff . | |
22:07 | We're diving deeper into how that special shape of a | |
22:09 | parabola comes about remember we actually talked about in the | |
22:12 | last lesson that the parable has that special uh special | |
22:16 | characteristic that it focuses all the incoming parallel rays onto | |
22:21 | that special spot we call the focus . We now | |
22:24 | know ellipses have to focus . I parables only have | |
22:26 | one focus , so we have to figure out where | |
22:29 | the focus is going to be and how the shape | |
22:31 | of the proble actually relates to that . And so | |
22:34 | for the third connick section , we're gonna talk about | |
22:36 | Parabola and I know your parabola uh I know that | |
22:42 | you're maybe rolling your eyes because we've talked about Parabolas | |
22:47 | so much , but I'm sorry , it's just something | |
22:49 | that it requires a lot of work because Parabolas are | |
22:51 | very , very important . All right . So , | |
22:54 | first , let's figure out what is the shape of | |
22:55 | a problem ? Now , this is a free hand | |
22:57 | Parable . I'm sorry , it's not gonna be perfect | |
22:59 | . It's probably too broad at the bottom or whatever | |
23:01 | . But you see it's the general shape of a | |
23:03 | problem that , you know , and love and um | |
23:06 | but now we want to talk about it in terms | |
23:08 | of its definition , in terms of the equation and | |
23:11 | how this shape is actually really defined in general . | |
23:14 | All right . So the thing to note about a | |
23:16 | problem is that it has a focus also and we | |
23:19 | talked about that the focus is going to be somewhere | |
23:21 | around here . The exact spot where the focus is | |
23:24 | will come into focus . Later on . When we | |
23:26 | talk more about the equations , I'm gonna write an | |
23:28 | equation for parabola down , but we're gonna discuss parable | |
23:31 | is that much more great length , a little bit | |
23:33 | more down the road . So we have this special | |
23:35 | spot that we called the focus that we call the | |
23:38 | focus of the parabola . So that means all incoming | |
23:40 | light rays bounce off and they get concentrated at that | |
23:43 | point . But here's the part that we have not | |
23:45 | talked about problems in the past . There's also a | |
23:48 | special line associated with the problem . It's down here | |
23:52 | , it's actually below the problem . It helps define | |
23:54 | what the problem is . C . In the case | |
23:56 | of a circle , all we needed was one point | |
23:59 | to define all the set of , you know what | |
24:02 | we needed , the center and the radius to define | |
24:04 | the set of points . We call a circle for | |
24:06 | the lips . We just needed to focus . I | |
24:09 | and then whatever this constant is , is going to | |
24:11 | determine the shape of the actual ellipse . Now for | |
24:15 | a parabola , you need two things to define what | |
24:19 | the parabola is , but it's not too fussy . | |
24:22 | It's or two focuses . Its one focus . In | |
24:24 | one line , this thing is called a focus . | |
24:28 | So I'm gonna write down focus here . Right ? | |
24:31 | So call it focus . F . But this line | |
24:33 | has a special word . It's called directory ticks . | |
24:37 | Mhm . Directory . So any time you see the | |
24:40 | word directorates , you know , it's some line that's | |
24:42 | the line associated with the Parabola . So , this | |
24:44 | is something we haven't kind of talked about it all | |
24:47 | yet . So , I need to make sure you | |
24:48 | understand . In the past we've graphed Parabolas . We've | |
24:50 | shifted Parabolas around . We've dissected parabolas everywhere . You | |
24:55 | probably thought there was nothing left to learn about Parabolas | |
24:57 | . But it turns out to define the special purple | |
24:59 | shape called a parabola . You actually need two things | |
25:02 | . You need the focus , which is the spot | |
25:04 | where the rays are concentrated on if they bounce in | |
25:07 | . And you also need the special line called the | |
25:09 | Directory . So , we're gonna talk a whole lot | |
25:11 | more about how we know where the directorate says later | |
25:14 | . But there exists online underneath every parable you've ever | |
25:16 | graft called the directorate's . We just never told you | |
25:19 | about it because we didn't need to know it until | |
25:20 | now . All right . So , we also have | |
25:23 | another special point and this one you already know . | |
25:26 | This is called the vertex . Let's see here . | |
25:29 | No , but I want to put it over there | |
25:30 | . I wish I would have done that on the | |
25:32 | other side because I have some other stuff I need | |
25:33 | to draw here . So it's over here . We're | |
25:36 | gonna call this the vertex , the vertex is the | |
25:41 | lowest point of the problem . Or if it's upside | |
25:43 | down , it's the highest point of the problem . | |
25:45 | So , given that there is a focus of a | |
25:48 | parabola , a dot and a line . In fact | |
25:51 | , given any dot in any line , you can | |
25:53 | always define define a parabola that goes down in between | |
25:56 | these two things . How do we define what it | |
25:59 | is ? Well , which similar to what we've done | |
26:01 | before ? We have to draw a few things . | |
26:04 | All right . What we say is that from the | |
26:07 | focus , the distance from the focus to the parabola | |
26:13 | . Here's a dot here . Uh And the distance | |
26:16 | from this point down here to the directory is the | |
26:20 | same distance they're equal to each other . So I'm | |
26:22 | gonna put a line through it . This is from | |
26:24 | geometry , this line means this thing is congruent , | |
26:27 | which means it's equal to and in length this one | |
26:29 | . Now , the way I've drawn it , this | |
26:30 | line is actually slightly bigger . That's just because I'm | |
26:33 | drawing it freehand . But what I'm trying to tell | |
26:35 | you is that for every parabola you can make this | |
26:38 | little argument that the distance between the focus to the | |
26:40 | point P and the point P to the directorate is | |
26:43 | the same distance . So , this little cross mark | |
26:45 | means this is the same distance as this one . | |
26:48 | And this relationship that these are equal is true for | |
26:51 | every point on the problem . In fact , if | |
26:53 | you look over here , if I draw , for | |
26:55 | instance , maybe over here this distance um is the | |
26:59 | same as this distance right here . And of course | |
27:01 | that's not exactly right , because I drew this thing | |
27:03 | freehand . The actual shape of the problem is not | |
27:06 | quite the way I've drawn it . And also maybe | |
27:08 | if you go up here , the distance here and | |
27:11 | then also the distance down here , this should be | |
27:12 | the same as well . And the one I look | |
27:14 | at this , the more , the more it's not | |
27:16 | quite right . And the reason that's not right is | |
27:17 | because my parable is too narrow , it should be | |
27:19 | , it should be drawn a little bit um wider | |
27:22 | like this . So , you know what ? Let's | |
27:24 | try to fix it . Why not ? We've got | |
27:26 | we've got time and it's really important . So I | |
27:27 | want to try to fix it for you . It's | |
27:29 | not going to be exact , no matter how how | |
27:31 | hard I try but let me go here and let | |
27:34 | me kind of take these out , take these out | |
27:35 | a little bit here . If I go and do | |
27:37 | something like this and say OK , something like this | |
27:42 | . Maybe that's slightly better shape of a problem , | |
27:45 | maybe something like that . Okay , so then if | |
27:48 | you look , let me take these away . Okay | |
27:52 | , what I'm trying to say is that the distance | |
27:55 | between the focus and this spot right here is the | |
27:58 | same as the distance down here . So these are | |
28:00 | equal . This looks a little better . The distance | |
28:02 | between here and here and here and here is equal | |
28:05 | . It's a little better . It's not perfect . | |
28:06 | The distance from here to here and then here all | |
28:08 | the way down here , these are equal . So | |
28:10 | it's pretty close . It's not exactly right , but | |
28:12 | it's pretty close . You can see that the set | |
28:14 | of points that are the purple points and actually I'm | |
28:16 | gonna call them the same thing . I've been calling | |
28:18 | them P . X . Comma Y . So there's | |
28:21 | this is P all of these points are called point | |
28:24 | P everywhere here this is point P . This is | |
28:26 | point P . Different point , different coordinate X . | |
28:28 | Y . But we all call him the set of | |
28:29 | points P . The distance between the focus and the | |
28:32 | point on the problem is the same as the distance | |
28:35 | from the Parabola down to the directorate's . Now , | |
28:39 | we've never had to draw the directorate's before because I | |
28:42 | was just giving you the equations of the Parabola before | |
28:44 | and just telling you to draw a plot the points | |
28:46 | and draw it . And I told you that f | |
28:48 | of X equals X squared is a parabola . I | |
28:51 | told you that , but I never told you why | |
28:53 | it was a problem . I never told you what's | |
28:55 | special about a problem . What is special about a | |
28:57 | parabola ? Is the distance from the focus to any | |
29:00 | point on the Parabola is the same as the distance | |
29:03 | from the point on that . Parable it down to | |
29:06 | this invisible line called the directories . Right ? So | |
29:09 | if you wanted to write a definition , a mathematical | |
29:11 | definition , definition of what this is , then the | |
29:14 | way you would say it is the distance FP the | |
29:17 | distance from the focus to the point P is the | |
29:19 | same as from point P to point D . Where | |
29:24 | we call this distance the directorate's here . So you | |
29:27 | could say , you know , this is the one | |
29:29 | point , the one point B to point D . | |
29:31 | Three , you know , like this . So the | |
29:33 | set of points on the directorate's is called the points | |
29:36 | D . The set of points on the problem called | |
29:39 | the set of points P . And the focus is | |
29:41 | just one point . So the focus to the point | |
29:45 | on the problem is the same as the distance , | |
29:47 | that same distance from the problem down to the directory | |
29:50 | from Point P . Whatever point you pick on the | |
29:52 | purple curve is going to be true . Even if | |
29:53 | I go this way , the distance between here and | |
29:55 | here is the same as between here and here . | |
29:58 | If I go down below the distance between here and | |
30:00 | here is the same as between here and here . | |
30:02 | If I go way over here , the distance between | |
30:03 | here and here is the same as the distance between | |
30:05 | here and here . And that is what a parabola | |
30:07 | is . It's a special shape that kind of uh | |
30:11 | cuts through between the director and the focus in such | |
30:14 | a way that those distances are the same . So | |
30:16 | what you would see in a book um would be | |
30:19 | something like this . A parabola is the set of | |
30:22 | all points . Mhm . Equidistant from a fixed line | |
30:38 | and a point . Mhm . Which is called the | |
30:42 | focus not on the line , so Right . So | |
30:50 | basically if I pick any point , call it the | |
30:53 | focus and I pick any any line , call it | |
30:58 | the directory , I can always find a set of | |
31:00 | points that will cut down below the focus and above | |
31:03 | the directorates and cut through like this . So the | |
31:05 | distance between here and the curve is the same as | |
31:08 | I've outlined it here . Now , what is the | |
31:10 | equation of a parabola ? Of course , you all | |
31:11 | know what it is because we've used it so many | |
31:13 | times . But the basic basic equation of a parabola | |
31:16 | is Y is equal to a times X squared . | |
31:20 | So , notice that this one is different than the | |
31:22 | other ones because I have a square on the X | |
31:25 | . Term , but I do not have a square | |
31:26 | on the Y term . Right notice here I have | |
31:28 | a square in the X tournament square in the white | |
31:30 | term . Yeah , there's some other junk here , | |
31:31 | but this is a closed shape because I have uh | |
31:34 | squares on both of them like this and then I | |
31:36 | have squares on both of them here as well for | |
31:38 | the circle . So that's a closed shape . Um | |
31:41 | Parabola is not quite the same . I don't have | |
31:44 | a square on the Y term , I only have | |
31:46 | a square in the X . Term . And of | |
31:47 | course this variable A was very important . The A | |
31:51 | determined the shape . So this variable A determined the | |
31:58 | shape of the problem . Specifically if A . Is | |
32:02 | really large . Like if it's 100 X squared , | |
32:05 | you have a really narrow parabola , really , really | |
32:08 | tight , right ? If you have a very , | |
32:09 | very small value for a like 0.1 X square , | |
32:13 | then you're probably is enormously huge . It's like really | |
32:15 | broad , really , really shadow shallow . So in | |
32:18 | each of these equations of the comic sections , you | |
32:20 | have certain little numbers that determine the shape of the | |
32:22 | thing . And of course we know that we can | |
32:25 | go in here and shift in this problem in the | |
32:28 | X direction by putting the term inside of this X | |
32:31 | variable . We can shift in the Y direction . | |
32:33 | So we can of course shift the parable is the | |
32:35 | circles and the parabolas ellipses and circles around by playing | |
32:40 | around with what's inside of the variables here . But | |
32:42 | these equations I'm writing down here are just representative basic | |
32:45 | equations . Now , the circle , the ellipse and | |
32:48 | the parabola are um I don't wanna say they're easy | |
32:52 | , but they're easier to understand the hyperbole . A | |
32:55 | actually is a little weird to wrap their brains around | |
32:58 | , but it's not so hard to understand when you | |
33:00 | understand where you're coming from here . You know , | |
33:02 | you have the set of points an equal distance from | |
33:06 | the center . Okay then this is the set of | |
33:08 | points where you're adding together these two kind of line | |
33:12 | segments and whatever the some of them are you getting | |
33:15 | a constant number . This defines the special shape . | |
33:17 | We can pick any point we want on this purple | |
33:20 | curve and I can take from here to that point | |
33:22 | and from that point to here and I can add | |
33:24 | it up and I'll get a constant number . That's | |
33:25 | what the ellipse is . Keep that in mind as | |
33:28 | we go and talk about what hyperbole is . So | |
33:33 | we need to write a high purple and alan , | |
33:34 | I know we haven't talked about high purple as yet | |
33:36 | much , but this is the introduction to what a | |
33:39 | high purple is . Very important actually . All right | |
33:42 | , so now we need to do is draw the | |
33:43 | shape that we call a hyperbole to and we have | |
33:46 | to kind of mirror images here . These are not | |
33:48 | going to be great drawings . I'm sorry about that | |
33:50 | . It's hard to do this free hand but I'll | |
33:52 | try to do my best . But they basically form | |
33:55 | these shapes . If you turn your head sideways , | |
33:57 | remember how we cut that cone ? It would produce | |
33:59 | one shape angle down and one kind of shaped angled | |
34:03 | up and that kind of face each other because the | |
34:05 | cones were pointed toward each other . But anyway , | |
34:07 | that doesn't matter so much . We have this shape | |
34:09 | called hyperbole . This purple shape is what we call | |
34:11 | a hyperbole . Both halves refer to the single thing | |
34:14 | called hyperbole . This thing is not a hyperbole and | |
34:17 | this is a separate hyperbole . They both form this | |
34:19 | thing called a hyperbole together . Now , just like | |
34:22 | in the case of any lips we had um the | |
34:26 | focus right ? Uh and also for a problem as | |
34:28 | well . So here we have a focus for this | |
34:30 | hyperbole . We have a focus here as well . | |
34:32 | So we call this one Focus F one and we | |
34:35 | call this one focus F two , you might imagine | |
34:38 | because we have to focus is now this is why | |
34:40 | it becomes a little bit weird to think about , | |
34:44 | I need you to think about the ellipse . So | |
34:45 | we had the two focuses and what we did is | |
34:47 | we said the distance from one focus to the point | |
34:49 | on the ellipse . Plus that distance from the same | |
34:53 | point down here was a constant . We had to | |
34:55 | add those to kind of radi i together . If | |
34:57 | you want to think of a kind of kind of | |
34:59 | sort of like a radius , we add them together | |
35:00 | and we get a constant for hyperbole as we need | |
35:03 | to do subtraction . That's why it's a little hard | |
35:05 | to visualize . So let's say there's some point here | |
35:08 | on this um hyperbole and let's say it's we don't | |
35:12 | want to draw this , Let's call it P one | |
35:15 | X comma . Why ? Okay , so what I'm | |
35:20 | saying here is that the distance between here and here | |
35:24 | and then we have a distance here and here . | |
35:26 | So in order to well it's probably gonna be easier | |
35:29 | to to show with another point as well . Um | |
35:31 | we have let's call it p sub two X . | |
35:37 | Comma . Y . Right , so let me draw | |
35:40 | another one as well , make it a little easier | |
35:41 | to understand . So then we have the distance between | |
35:44 | F1 up to here and then the distance between here | |
35:48 | down to the focus as well . So what we're | |
35:51 | basically saying here is that the distance F one up | |
35:58 | to the point P one minus the point P . | |
36:03 | Um P one down to F sub two . This | |
36:09 | is the exact same distance as whenever you say Point | |
36:13 | F one up to P two minus P 2 2 | |
36:19 | f . two . And another way to really say | |
36:23 | this is the distance in general from Point F one | |
36:28 | up two point any P on the parabola minus that | |
36:31 | same distance point P . But to the other focus | |
36:34 | is going to be equal to a constant . So | |
36:38 | when you really think of it this way it's very | |
36:40 | similar to the equation . I'm gonna lips , we | |
36:42 | added together the distance between the focus and the point | |
36:44 | on the parabola , we had to add them up | |
36:46 | and we got a constant here , We're subtracting them | |
36:48 | . Now . What I need you to understand is | |
36:50 | more than just the math here . I want you | |
36:51 | to intuit intuitively understand what it means . If I | |
36:54 | look at this point in blue here , the distance | |
36:56 | here and then if I subtract this distance here , | |
36:58 | that's going to give me some number , let's pretend | |
37:00 | this is like six centimeters and this is like two | |
37:02 | centimeters . I'm gonna subtract them , I'll get four | |
37:04 | centimeters . But if I take the distance between this | |
37:07 | and this other line , that's going to be a | |
37:08 | longer distance than this line , it's longer . But | |
37:11 | then I'm subtracting off a longer distance as well . | |
37:15 | So when I do both sets of subtractions , I'm | |
37:17 | going to actually get the same distance because no matter | |
37:20 | where I walk on this parable , if I walk | |
37:22 | all the way down here , but then I'm gonna | |
37:24 | take this , but then I have to subtract off | |
37:26 | this distance which is also longer , then I'm going | |
37:29 | to get the same thing . That's why we say | |
37:30 | it's a constant . So in general , the hyperbole | |
37:34 | A is similar to the ellipse in the sense that | |
37:36 | you're kind of taking two distances and you have to | |
37:38 | get a constant out of them . But in the | |
37:40 | case of the ellipse , we add those distances together | |
37:42 | and we say that we get a constant in the | |
37:44 | case of a hyper Bella we subtract those distances and | |
37:47 | we say that we get a constant . So this | |
37:49 | is what basically you get here now , in terms | |
37:51 | of , you know what you might see in a | |
37:52 | book , as far as like the definitions of hyperbole | |
37:55 | , it's the set of points . P so that | |
38:04 | the difference between the distance between , let's see such | |
38:14 | that the difference between the distance from this is why | |
38:22 | it gets hard to understand it from P two two | |
38:27 | fixed folks . I these are points , right , | |
38:32 | is a constant . Yeah . Now if I give | |
38:36 | this to anybody , just say , hey , here's | |
38:37 | what a high purple is . You're not going to | |
38:38 | understand it because it doesn't make , it doesn't make | |
38:40 | intuitive sense the set of points piece . So the | |
38:42 | difference between the distance between P two to fix fosse | |
38:46 | is constant . It's so hard to understand . All | |
38:48 | it's basically saying is pick two points . We call | |
38:51 | it Focus one Focus two . There must exist to | |
38:54 | purple curves in there so that the difference in the | |
38:58 | distance between this to one of the points on the | |
39:00 | curve and the point on the curve to the other | |
39:02 | focus is the same and that very special shape so | |
39:05 | that you always get the same number when you do | |
39:06 | the subtraction , meaning it's a constant is called an | |
39:10 | ellipse . I'm sorry , it's called a hyperbole . | |
39:13 | I'm sorry about that . Now the equation for hyperbole | |
39:16 | to looks like this . The basic equation X squared | |
39:19 | over a squared minus Y squared over B squared is | |
39:26 | equal to one . Now of course we can change | |
39:28 | it . We can shift the hyperbole around by doing | |
39:30 | shifting and all this . But notice this has a | |
39:32 | very similar form to the ellipse and that's because the | |
39:35 | constraint is real similar . So we had a plus | |
39:37 | sign here when we're adding up these little segments to | |
39:40 | get a constant . So we have a plus sign | |
39:41 | here . Here we're subtracting the two segments so we | |
39:43 | have a minus sign . So they're very similar to | |
39:46 | one another , right ? But the idea is that | |
39:48 | you have a subtraction going on . The A . | |
39:50 | And the B term are gonna also determine A . | |
39:53 | And B . Are going to determine the actual shape | |
39:54 | of the hyperbole . Is it going to be really | |
39:56 | broad or it's gonna be really really narrow coming in | |
39:59 | and out and that . And also A . And | |
40:00 | B will determine if it's tilted up and down along | |
40:02 | the Y axis or if it's extended along the X | |
40:05 | axis as well . Now the purpose of the section | |
40:08 | was not to make you an expert in comic sections | |
40:11 | that actually takes more time . But what I wanted | |
40:13 | to do is give an overview of what the different | |
40:16 | comic sections are in more detail than we did in | |
40:18 | the last lesson to talk about mostly the definitions of | |
40:21 | what the set of points for circle parabola , ellipse | |
40:24 | hyperbole are and to also write the equations now . | |
40:27 | Not so that you understand them yet , because I | |
40:29 | don't think you really should understand them yet , but | |
40:32 | just so you can kind of see the similarities . | |
40:34 | So for a circle it's a set of all points | |
40:36 | , an equal constant distance from the center . It | |
40:41 | has the equation of this form . You have a | |
40:43 | square in the X term , a square in the | |
40:44 | right term , and you have a single number , | |
40:46 | we call the radius which determines the size of the | |
40:48 | circle . For an ellipse , it's similar . You | |
40:51 | have kind of the distance from the central point to | |
40:55 | the point on the edge . We call it maybe | |
40:57 | radius one if you want to and then you have | |
40:59 | to add to it . The other kind of quote | |
41:00 | unquote radius from the the other special point to the | |
41:04 | edge . We add them together and we get a | |
41:05 | constant thing . But in turn produces an equation like | |
41:08 | this . You still have the X squared plus the | |
41:10 | y squared . You have a number on the right | |
41:11 | . But then you have two numbers . The two | |
41:13 | numbers dictate the shape of the thing . Is it | |
41:15 | going to be really long and stretched is going to | |
41:17 | be fat and study . Is it going to extend | |
41:19 | in the extra direction ? Is it going to extend | |
41:22 | in the Y direction ? This will determine . And | |
41:25 | also other things that we'll talk about later . The | |
41:27 | shape of this ellipse . Then we had the famous | |
41:30 | parabola . We never learned before that we had a | |
41:33 | directorates that exist below every one of these parabolas . | |
41:36 | You pick a special line called directorates . You picked | |
41:39 | a focus and you can always dry curve that goes | |
41:42 | between the two such that the distance from the focus | |
41:45 | to the curve and the curve to the directorate is | |
41:48 | the same . Right ? So the set of all | |
41:50 | points equal distant blah , blah blah . And so | |
41:52 | when you do the math , which we will do | |
41:54 | in a few lessons , you'll find out the basic | |
41:56 | equation of a problem looks like this . A single | |
41:58 | number determines the size or the shape of the problem | |
42:02 | . How squished it is , how broad it is | |
42:04 | . Notice we only have one square in the X | |
42:06 | term , We don't have a square on the white | |
42:07 | term . And so the problem is opened up like | |
42:09 | this . Next we finally have the hyperbole actually very | |
42:14 | shares a lot of characteristics with the ellipse . You | |
42:16 | can kind of think of a hyperbole as any lips | |
42:19 | that's been stretched so much that it kind of flips | |
42:21 | back on itself and kind of becomes opened up uh | |
42:25 | into this hyperbolic shape like this . And it is | |
42:28 | defined to be the distance from one focus to the | |
42:30 | point on the curve minus the distance between that point | |
42:33 | to the other . Focus is a constant and the | |
42:36 | equation you get looks almost exactly the same as any | |
42:38 | lips but you have a minus sign instead of a | |
42:40 | plus sign . There are a lot more details to | |
42:42 | this . We're going to get into all of them | |
42:44 | . Now what we need to do is we need | |
42:45 | to talk about circles in great detail , how to | |
42:48 | graph them , how to shift them , how , | |
42:49 | what the size and shape looks like . We'll do | |
42:51 | the same thing for Parabolas will do the same thing | |
42:53 | for ellipses , will do the same thing for hyperbole | |
42:55 | is um by the time you get to the end | |
42:56 | of it you'll understand all the comic sections where they | |
42:59 | come from , how to graph them , why they're | |
43:01 | useful and how to in general solve almost any problem | |
43:04 | that someone can throw at you with regard to comic | |
43:06 | sections . |
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