A HORSEMAN IN THE SKY

- By Ambrose Bierce
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American editorialist, journalist, short story writer, fabulist, and satirist Ambrose BierceBierce around 1866BornAmbrose Gwinnett Bierce(1842-06-24)June 24, 1842Meigs County, Ohio, U.S. Disappearedc. 1914 (aged 71–72)[1] OccupationSoldierjournalistwriterGenresSatirejournalismshort storyhorror fictionwar fictionfantasyscience fictionwesternmemoirhumorliterary criticismpoetryLiterary movementRealismNotable works"Chickamauga""An Occurrence at Owl Creek Bridge""The Death of Halpin Frayser""The Moonlit Road"The Devil's DictionaryTales of Soldiers and CiviliansSpouse Mary Ellen "Mollie" Day ​ ​(m. 1871; div. 1904)​Children3SignatureMilitary careerAllegianceUnited StatesService/branchUnion ArmyYears of service1861–1866RankFirst lieutenantUnit9th Indiana Infantry RegimentBattles/wars American Civil War Battle of Philippi Battle of Laurel Mountain Battle of Corrick's Ford Battle of Cheat Mountain Battle of Greenbrier River Battle of Camp Allegheny Battle of Shiloh Siege of Corinth Battle of Perryville Battle of Stones River Battle of Chickamauga Chattanooga Campaign Battle of Lookout Mountain Battle of Missionary Ridge Battle of Resaca Battle of Kennesaw Mountain Atlanta Campaign Battle of Jonesborough Battle of Franklin (1864) Battle of Nashville Ambrose Gwinnett Bierce (June 24, 1842[2] – c. 1914[3]) was an American short story writer, journalist, poet, and American Civil War veteran. His book The Devil's Dictionary was named one of "The 100 Greatest Masterpieces of American Literature" by the American Revolution Bicentennial Administration.[4] His story "An Occurrence at Owl Creek Bridge" has been described as "one of the most famous and frequently anthologized stories in American literature",[5] and his book Tales of Soldiers and Civilians (also published as In the Midst of Life) was named by the Grolier Club one of the 100 most influential American books printed before 1900.[6] A prolific and versatile writer, Bierce was regarded as one of the most influential journalists in the United States[7][8] and as a pioneering writer of realist fiction.[9] For his horror writing, Michael Dirda ranked him alongside Edgar Allan Poe and H. P. Lovecraft.[10] S. T. Joshi speculates that he may well be the greatest satirist America has ever produced, and in this regard can take his place with such figures as Juvenal, Swift, and Voltaire.[11] His war stories influenced Stephen Crane, Ernest Hemingway, and others,[12] and he was considered an influential and feared literary critic.[13] In recent decades, Bierce has gained wider respect as a fabulist and for his poetry.[14][15] In 1913, Bierce told reporters that he was travelling to Mexico to gain first-hand experience of the Mexican Revolution.[16] He disappeared and was never seen again. Early life[edit] Bierce was born in a log cabin at Horse Cave Creek in Meigs County, Ohio, on June 24, 1842, to Marcus Aurelius Bierce (1799–1876) and Laura Sherwood Bierce.[2] He was of entirely English ancestry: all of his forebears came to North America between 1620 and 1640 as part of the Great Puritan Migration.[17] He often wrote critically of "Puritan values" and people who "made a fuss" about genealogy.[18] He was the tenth of thirteen children, all of whom were given names by their father beginning with the letter "A": in order of birth, the Bierce siblings were Abigail, Amelia, Ann, Addison, Aurelius, Augustus, Almeda, Andrew, Albert, Ambrose, Arthur, Adelia, and Aurelia.[19] His mother was a descendant of William Bradford.[20] His parents were a poor but literary couple who instilled in him a deep love for books and writing.[2] Bierce grew up in Kosciusko County, Indiana, attending high school at the county seat, Warsaw. He left home at 15 to become a printer's devil at a small abolitionist newspaper, the Northern Indianan.[2] Military career[edit] Bierce briefly attended the Kentucky Military Institute until it burned down.[21] At the start of the American Civil War, he enlisted in the Union Army's 9th Indiana Infantry. He participated in the operations in Western Virginia (1861), was present at the Battle of Philippi (the first organized land action of the war) and received newspaper attention for his daring rescue, under fire, of a gravely wounded comrade at the Battle of Rich Mountain. Bierce fought at the Battle of Shiloh (April 1862), a terrifying experience that became a source for several short stories and the memoir "What I Saw of Shiloh".[22][23] In April 1863 he was commissioned a first lieutenant, and served on the staff of General William Babcock Hazen as a topographical engineer, making maps of likely battlefields.[24] As a staff officer, Bierce became known to leading generals such as George H. Thomas and Oliver O. Howard, both of whom supported his application for admission to West Point in May 1864. General Hazen believed Bierce would graduate from the military academy "with distinction" and William T. Sherman also endorsed the application for admission, even though stating he had no personal acquaintance with Bierce.[25] In June 1864, Bierce sustained a traumatic brain injury at the Battle of Kennesaw Mountain and spent the rest of the summer on furlough, returning to active duty in September.[26][27] He was discharged from the army in January 1865. His military career resumed in mid-1866, when he joined General Hazen as part of an expedition to inspect military outposts across the Great Plains. The expedition traveled by horseback and wagon from Omaha, Nebraska, arriving toward year's end in San Francisco, California. In the city, Bierce was awarded the rank of brevet major before resigning from the Army. Journalism[edit] Bierce remained in San Francisco for many years, eventually becoming famous as a contributor or editor of newspapers and periodicals, including The San Francisco News Letter, The Argonaut, the Overland Monthly, The Californian and The Wasp. A selection of his crime reporting from The San Francisco News Letter was included in the Library of America anthology True Crime. Bierce lived and wrote in England from 1872 to 1875, contributing to Fun magazine. His first book, The Fiend's Delight, a compilation of his articles, was published in London in 1873 by John Camden Hotten under the pseudonym "Dod Grile".[28][29] Returning to the United States, he again took up residence in San Francisco. From 1879 to 1880, he traveled to Rockerville and Deadwood in the Dakota Territory, to try his hand as local manager for a New York mining company. When the company failed he returned to San Francisco and resumed his career in journalism. From January 1, 1881, until September 11, 1885, he was editor of The Wasp magazine, in which he began a column titled "Prattle". He also became one of the first regular columnists and editorialists on William Randolph Hearst's newspaper, the San Francisco Examiner,[2] eventually becoming one of the most prominent and influential writers and journalists[citation needed] on the West Coast. He remained associated with Hearst Newspapers until 1909.[30] Railroad refinancing bill[edit] Bierce's residence (right), 18 Logan Circle, Washington, D.C. The Union Pacific and Central Pacific railroad companies had received large, low-interest loans from the U.S. government to build the first transcontinental railroad. Central Pacific executive Collis P. Huntington persuaded a friendly member of Congress to introduce a bill excusing the companies from repaying the loans, amounting to $130 million (worth $4.76 billion today). In January 1896 Hearst dispatched Bierce to Washington, D.C., to foil this attempt. The essence of the plot was secrecy; the railroads' advocates hoped to get the bill through Congress without any public notice or hearings. When the angered Huntington confronted Bierce on the steps of the Capitol and told Bierce to name his price, Bierce's answer ended up in newspapers nationwide: "My price is one hundred thirty million dollars. If, when you are ready to pay, I happen to be out of town, you may hand it over to my friend, the Treasurer of the United States."[31] Bierce's coverage and diatribes on the subject aroused such public wrath that the bill was defeated. Bierce returned to California in November. In 1899, he moved back to Washington, D.C., and remained a resident until his disappearance in 1913. The best known of his four different residences in the city during this time perhaps is the townhouse at 18 Logan Circle.[32] McKinley controversy[edit] Bierce's long newspaper career was often controversial because of his penchant for biting social criticism and satire. On several occasions his columns stirred up a storm of hostile reaction, which created difficulties for Hearst. One of the most notable of these incidents occurred following the assassination of President William McKinley in 1901 when Hearst's opponents turned a poem Bierce had written about the assassination of Governor William Goebel of Kentucky in 1900 into a cause célèbre. Bierce meant his poem to express a national mood of dismay and fear, but after McKinley was shot in 1901, it seemed to foreshadow the crime: The bullet that pierced Goebel's breast Can not be found in all the West; Good reason, it is speeding here To stretch McKinley on his bier. Hearst was thereby accused by rival newspapers—and by then-Secretary of War Elihu Root—of having called for McKinley's assassination. Despite a national uproar that ended his ambitions for the presidency (and even his membership in the Bohemian Club), Hearst kept employing Bierce.[33] Literary writer[edit] Bierce, 1892 During his lifetime, Bierce was better known as a journalist than as a fiction writer. His most popular stories were written in rapid succession between 1888 and 1891, in what was characterized as "a tremendous burst of consummate art".[34] Bierce's works often highlight the inscrutability of the universe and the absurdity of death.[35][36] Bierce wrote realistically of the terrible things he had seen in the war[37] in such stories as "An Occurrence at Owl Creek Bridge", "A Horseman in the Sky", "One of the Missing", and "Chickamauga". His grimly realistic cycle of 25 war stories has been called "the greatest anti-war document in American literature". To the end of his life, nothing would so infuriate him as hearing accounts of the honor and glory of war from people who'd never seen or experienced it personally.[38] According to Milton Subotsky, Bierce helped pioneer the psychological horror story.[39] In addition to his ghost and war stories, he also published several volumes of poetry. His Fantastic Fables anticipated the ironic style of grotesquerie that became a more common genre in the 20th century. One of Bierce's most famous works is his much-quoted The Devil's Dictionary, originally an occasional newspaper item, first published in book form in 1906 as The Cynic's Word Book. Described as "howlingly funny",[40] it consists of satirical definitions of English words which lampoon cant and political double-talk. Bierce edited the twelve volumes of The Collected Works of Ambrose Bierce, which were published from 1909 to 1912. The seventh volume consists solely of The Devil's Dictionary. Bierce has been criticized by his contemporaries and later scholars for deliberately pursuing improbability and for his penchant toward "trick endings".[35] In his later stories, apparently under the influence of Maupassant, Bierce "dedicated himself to shocking the audience", as if his purpose was "to attack the reader's smug intellectual security".[41] Bierce's bias towards Naturalism has also been noted:[42] "The biting, deriding quality of his satire, unbalanced by any compassion for his targets, was often taken as petty meanness, showing contempt for humanity and an intolerance to the point of merciless cruelty".[43] Stephen Crane was of the minority of Bierce's contemporaries who valued Bierce's experimental short stories.[44] In his essay "Supernatural Horror in Literature", H. P. Lovecraft characterized Bierce's fictional work as "grim and savage." Lovecraft goes on to say that nearly all of Bierce's stories are of the horror genre and some shine as great examples of weird fiction.[45] Critic and novelist William Dean Howells said, "Mr. Bierce is among our three greatest writers." When told this, Bierce responded, "I am sure Mr. Howells is the other two."[46] Personal life[edit] Ambrose Bierce, by J.H.E. Partington Bierce married Mary Ellen "Mollie" Day on December 25, 1871. They had three children: sons Day (1872–1889)[47] and Leigh (1874–1901)[47] and daughter Helen (1875–1940). Both of Bierce's sons died before he did. Day committed suicide after a romantic rejection (he non-fatally shot the woman of his affections along with her fiancé beforehand),[48][49] and Leigh died of pneumonia related to alcoholism.[47] Bierce separated from his wife in 1888, after discovering compromising letters to her from an admirer. They divorced in 1904.[47] Mollie Day Bierce died the following year. Bierce was an avowed agnostic and strongly rejected the divinity of Christ.[50] He had lifelong asthma,[51] as well as complications from his war wounds, most notably episodes of fainting and irritability assignable to the traumatic brain injury experienced at Kennesaw Mountain.[26][27] Disappearance[edit] In October 1913, Bierce, then age 71, departed from Washington, D.C., for a tour of his old Civil War battlefields. According to some reports, by December he had passed through Louisiana and Texas, crossing by way of El Paso into Mexico, which was in the throes of revolution. In Ciudad Juárez he joined Pancho Villa's army as an observer, and in that role he witnessed the Battle of Tierra Blanca.[52] It was reported that Bierce accompanied Villa's army as far as the city of Chihuahua. His last known communication with the world was a letter he wrote there to Blanche Partington, a close friend, dated December 26, 1913.[53][54][55] After closing this letter by saying, "As to me, I leave here tomorrow for an unknown destination," he vanished without a trace, one of the most famous disappearances in American literary history. Theories[edit] Bierce's ultimate fate continues to remain a mystery. He wrote in one of his final letters: "Good-bye. If you hear of my being stood up against a Mexican stone wall and shot to rags, please know that I think it is a pretty good way to depart this life. It beats old age, disease, or falling down the cellar stairs. To be a Gringo in Mexico--ah, that is euthanasia!"[56] Skeptic Joe Nickell noted that the letter to Partington had not been found; all that existed was a notebook belonging to his secretary and companion Carrie Christiansen. Partington concluded that Bierce deliberately concealed his true whereabouts when he finally went to a selected location in the Grand Canyon and died as a result of suicide.[57][58] There was an official investigation by U.S. consular officials of the disappearance of one of its citizens. Some of Villa's men were questioned at the time of his disappearance and afterwards, with contradictory accounts. U.S. Army chief of staff Hugh L. Scott contacted Pancho Villa's U.S. representative Felix A. Sommerfeld, and Sommerfeld investigated the disappearance. Bierce was said to have been last seen in the city of Chihuahua in January.[59] Oral tradition in Sierra Mojada, Coahuila documented by priest James Lienert states that Bierce was executed by firing squad in the town's cemetery.[60] Legacy and influence[edit] Bierce and autograph Bierce has been fictionalized in more than 50 novels, short stories, movies, television shows, stage plays, and comic books. Most of these works draw upon Bierce's vivid personality, colorful wit, relationships with famous people such as Jack London and William Randolph Hearst, or, quite frequently, his mysterious disappearance. Bierce has been portrayed by such well-known authors as Ray Bradbury,[61] Jack Finney,[62] Carlos Fuentes,[63] Winston Groom,[64] Robert Heinlein,[65] and Don Swaim.[66] Some works featuring a fictional Ambrose Bierce have received favorable reviews, generated international sales,[67] or earned major awards. Bierce's short stories, "Haita the Shepherd" and "An Inhabitant of Carcosa" are believed to have influenced early weird fiction writer Robert W. Chambers' tales of The King in Yellow (1895), which featured Hastur, Carcosa, Lake Hali and other names and locations initiated in these tales.[68] Chambers in turn went on to influence H. P. Lovecraft and much of modern horror fiction. In 1918, H. L. Mencken called Bierce "the one genuine wit that These States have ever seen."[69] At least three films have been made of Bierce's story "An Occurrence at Owl Creek Bridge". A silent film version, The Bridge, was made in 1929 by Charles Vidor.[70] A French version called La Rivière du Hibou, directed by Robert Enrico, was released in 1962;[71] this black-and-white film faithfully recounts the original narrative using voiceover. It aired in 1964 on American television as one of the final episodes of the television series The Twilight Zone: "An Occurrence at Owl Creek Bridge".[72] Prior to The Twilight Zone, the story had been adapted as an episode of Alfred Hitchcock Presents.[73] Another version, directed by Brian James Egen, was released in 2005. It was also adapted for the CBS radio programs Escape (1947), Suspense (1956, 1957, 1959), and Radio Mystery Theater (1974). In his 1932 book Wild Talents, American writer and researcher into anomalous phenomena Charles Fort wrote about the unexplained disappearances of Ambrose Bierce and Ambrose Small, and asked, "Was somebody collecting Ambroses?"[74] Actor James Lanphier (1920–1969) played Bierce, with James Hampton as William Randolph Hearst, in the 1964 episode "The Paper Dynasty", of the syndicated western television series Death Valley Days, hosted by Stanley Andrews. In the story line, Hearst struggles to turn a profit despite increased circulation of the San Francisco Examiner. Robert O. Cornthwaite appears as Sam Chamberlain.[75] Carlos Fuentes's 1985 novel The Old Gringo is a fictionalized account of Bierce's disappearance; it was later adapted into the film Old Gringo (1989), starring Gregory Peck in the title role.[76] Fuentes stated: "What started this novel was my admiration for Ambrose Bierce and for his Tales of Soldiers and Civilians."[77] Two adaptations were made of Bierce's story "Eyes of the Panther". One version was developed for Shelley Duvall's Nightmare Classics series and was released in 1990. It runs about 60 minutes.[78] A shorter version was released in 2007 by director Michael Barton and runs about 23 minutes.[79] Bierce was a major character in a series of mystery books written by Oakley Hall and published between 1998 and 2006.[80] Biographer Richard O'Connor argued that, "War was the making of Bierce as a man and a writer... [he became] truly capable of transferring the bloody, headless bodies and boar-eaten corpses of the battlefield onto paper."[2] Essayist Clifton Fadiman wrote, "Bierce was never a great writer. He has painful faults of vulgarity and cheapness of imagination. But ... his style, for one thing, will preserve him; and the purity of his misanthropy, too, will help to keep him alive."[2] Author Alan Gullette argues that Bierce's war tales may be the best writing on war, outranking his contemporary Stephen Crane (author of The Red Badge of Courage) and even Ernest Hemingway.[2] The short film "Ah! Silenciosa" (1999), starring Jim Beaver as Bierce, weaves elements of "An Occurrence at Owl Creek Bridge" into a speculation on Bierce's disappearance.[81] Bierce's trip to Mexico and disappearance provide the background for the vampire horror film From Dusk Till Dawn 3: The Hangman's Daughter (2000), in which Bierce's character plays a central role.[82] Bierce's fate is the subject of Gerald Kersh's "The Oxoxoco Bottle" (aka "The Secret of the Bottle"), which appeared in The Saturday Evening Post on December 7, 1957, and was reprinted in the anthology Men Without Bones. Bierce reappears in the future on Mount Shasta in Robert Heinlein's novella, "Lost Legacy". In the fall of 2001, An Occurrence Remembered, a theatrical retelling of Bierce's An Occurrence At Owl Creek Bridge and Chickamauga, premiered off-Broadway in New York City under the production and direction of Lorin Morgan-Richards and lead choreographer Nicole Cavaliere.[83] American composer Rodney Waschka II composed an opera, Saint Ambrose (2002), based on Bierce's life.[84] In 2002 the American Conservatory Theater in San Francisco premiered a one-act version of Bierce's ultra-short story "The Difficulty of Crossing a Field" by American composer David Lang. The opera has since been performed by other companies.[85] In 2005, author Kurt Vonnegut stated that he considered "An Occurrence at Owl Creek Bridge" the "greatest American short story" and a work of "flawless ... American genius".[86] "The Damned Thing" was adapted twice. First time in 1975, into a Yugoslav TV-movie Prokletinja. Second time, into a 2006 Masters of Horror episode of the same title directed by Tobe Hooper.[87] Don Swaim writes of Bierce's life and disappearance in The Assassination of Ambrose Bierce: A Love Story (2015).[88] Ambrose Bierce features as a character in Winston Groom's 2016 novel El Paso. In the novel, Bierce is personally executed by Pancho Villa.[89] Weird-fiction critic and editor S. T. Joshi has cited Bierce as an influence on his own work, and has praised him for his satirical wit, saying "Bierce will remain an equivocal figure in American and world literature chiefly because his dark view of humanity is, by its very nature, unpopular. Most people like writing that is cheerful and uplifting, even though a substantial proportion of the world's great literature is quite otherwise."[90][91] Works[edit] Volumes published[edit] Published during Bierce's lifetime[edit] The Fiend's Delight (as by "Dod Grile"). (London: John Camden Hotten, 1873). Stories, satire, journalism, poetry. Nuggets and Dust Panned Out in California (as by "Dod Grile"). (London: Chatto & Windus, 1873). Stories, satire, epigrams, journalism. Cobwebs from an Empty Skull (as by "Dod Grile"). (London and New York: George Routledge & Sons, 1874). Fables, stories, journalism. (with Thomas A. Harcourt) The Dance of Death (as by "William Herman"). (San Francisco: H. Keller & Co., 1877). Satire. Map of the Black Hills Region, Showing the Gold Mining District and the Seat of the Indian War (San Francisco: A. L. Bancroft & Co., 1877). Nonfiction: map. Tales of Soldiers and Civilians (San Francisco: E. L. G. Steele, 1891; many subsequent editions, some under the title In the Midst of Life). Fiction: stories. (with G. A. Danziger) The Monk and the Hangman's Daughter (Chicago: F.J. Schulte & Co., 1892). Fiction: novel (translation of Der Mönch von Berchtesgaden by Richard Voss). Black Beetles in Amber (San Francisco and New York: Western Authors Publishing, 1892). Poetry. Can Such Things Be? (New York: Cassell, 1893). Fiction: stories. How Blind Is He (San Francisco: F. Soulé Campbell, c. 1896). Poetry. Fantastic Fables (New York and London: G. P. Putnam's Sons, 1899). Fiction: fables. Shapes of Clay (San Francisco: W. E. Wood George Sterling, 1903). Poetry. The Cynic's Word Book (New York: Doubleday, Page & Co., 1906). Satire. A Son of the Gods and A Horseman in the Sky (San Francisco: Paul Elder, 1907). Fiction: stories. Write It Right: A Little Blacklist of Literary Faults (New York and Washington, D.C.: Neale Publishing, 1909). Nonfiction: precise use of words. The Shadow on the Dial and Other Essays S. O. Howes, ed. (San Francisco: A.M. Robertson, 1909). Collected journalism. The Collected Works of Ambrose Bierce (New York and Washington, D.C.: Neale Publishing, 1909–1912): Volume I: Ashes of the Beacon Volume II: In the Midst of Life: Tales of Soldiers and Civilians Volume III: Can Such Things Be? Volume IV: Shapes of Clay Volume V: Black Beetles in Amber Volume VI: The Monk and the Hangman's Daughter; Fantastic Fables Volume VII: The Devil's Dictionary Volume VIII: Negligible Tales; On with the Dance; Epigrams Volume IX: Tangential Views Volume X: The Opinionator Volume XI: Antepenultimata Volume XII: In Motley Published posthumously[edit] Fiction My Favorite Murder (New York: Curtis J. Kirch, 1916) A Horseman in the Sky: A Watcher by the Dead: The Man and the Snake (San Francisco: Book Club of California, 1920) Ten Tales (London: First Edition Club, 1925) Fantastic Debunking Fables (Girard, KS: Haldeman-Julius, 1926) An Occurrence at Owl Creek Bridge and Other Stories (Girard, KS: Haldeman-Julius, c. 1926) The Horseman in the Sky and Other Stories (Girard, KS: Haldeman-Julius, c. 1926) Tales of Ghouls and Ghosts (Girard, KS: Haldeman-Julius, c. 1927) Tales of Haunted Houses (Girard, KS: Haldeman-Julius, c. 1927) My Favorite Murder and Other Stories (Girard, KS: Haldeman-Julius, c. 1927) Ghost and Horror Stories, E. F. Bleiler, ed. (New York: Dover, 1964) The Complete Short Stories of Ambrose Bierce, Ernest Jerome Hopkins, ed. (Garden City, NY: Doubleday, 1970) The Stories and Fables of Ambrose Bierce, Edward Wagenknecht, ed. (Owings Mills, MD: Stemmer House, 1977) For the Ahkoond (West Warwick, RI: Necromomicon Press, 1980) A Horseman in the Sky (Skokie, IL: Black Cat Press, 1983) One Summer Night One of the Missing: Tales of the War Between the States (Covelo, CA: Yolla Bolly Press, 1991) Civil War Stories (New York: Dover, 1994) An Occurrence at Owl Creek Bridge and Other Stories (London: Penguin, 1995) The Moonlit Road and Other Ghost and Horror Stories (Mineola, NY: Dover, 1998) A Deoderizer of Dead Dogs, Carl Japikse, ed. (Alpharetta, GA: Enthea Press, 1998) The Collected Fables of Ambrose Bierce, S. T. Joshi, ed. (Columbus: Ohio State University Press, 2000) The Short Fiction of Ambrose Bierce: A Comprehensive Edition (3 vols.), S. T. Joshi, Lawrence I. Berkove, and David E. Schultz, eds. (Knoxville: University of Tennessee, 2006) Ambrose Bierce: Masters of the Weird Tale, S. T. Joshi, ed. (Lakewood, CO: Centipede Press, 2013) Satire Extraordinary Opinions on Commonplace Subjects (Girard, KS: Haldeman-Julius, c. 1927) A Cynic Looks at Life (Girard, KS: Haldeman-Julius, c. 1927) The Sardonic Humor of Ambrose Bierce, George Barkin, ed. (New York: Dover, 1963) The Fall of the Republic and Other Political Satires, S. T. Joshi and David E. Schultz, eds. (Knoxville: University of Tennessee, 2000) Poetry An Invocation (San Francisco: John Henry Nash/Book Club of California, 1928) The Lion and the Lamb (Berkeley: Archetype Press, 1939) A Vision of Doom: Poems by Ambrose Bierce , Donald Sidney-Fryer, ed. (West Kingston, RI: Donald M. Grant, Publisher 1980) Poems of Ambrose Bierce, M. E. Grenander, ed. (Lincoln: University of Nebraska, 1995) Journalism Selections from Prattle, Carroll D. Hall, ed. (San Francisco: Book Club of California, 1936) The Ambrose Bierce Satanic Reader, Ernest Jerome Hopkins, ed. (Garden City, NY: Doubleday, 1968) Skepticism and Dissent: Selected Journalism from 1898 to 1901, Lawrence I. Berkove, ed. (Ann Arbor: Delmas, 1980) Autobiography Iconoclastic Memories of the Civil War: Bits of Autobiography (Girard, KS: Haldeman-Julius, c. 1927) Battle Sketches (London: First Editions Club, 1930) A Sole Survivor: Bits of Autobiography, S. T. Joshi and David E. Schultz, eds. (Knoxville: University of Tennessee, 1998) Collections of mixed types of content The Collected Writings of Ambrose Bierce (New York: Citadel Press, 1946) Ambrose Bierce's Civil War, William McCann, ed. (Chicago: Gateway Editions, 1956) The Devil's Advocate: An Ambrose Bierce Reader, Brian St. Pierre, ed. (San Francisco: Chronicle Books, 1987) An Occurrence at Owl Creek Bridge and Selected Works (Des Moines: Perfection Form Co., 1991) Shadows of Blue and Gray: The Civil War Writings of Ambrose Bierce, Brian M. Thomsen, ed. (New York: Forge, 2002) Phantoms of a Blood-Stained Period: The Complete Civil War Writings of Ambrose Bierce, Russell Duncan and David J. Klooster, eds. (Amherst: University of Massachusetts, 2002) Ambrose Bierce: The Devil's Dictionary, Tales, and Memoirs, S. T. Joshi, ed. (Boone, IA: Library of America, 2011) Collected Essays and Journalism: Volume 1: 1867–1869, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2022) Collected Essays and Journalism: Volume 2: 1869–1870, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2022) Collected Essays and Journalism: Volume 3: 1870–1871, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2022) Collected Essays and Journalism: Volume 4: 1871–1872, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2022) Collected Essays and Journalism: Volume 5: 1872–1873, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2022) Collected Essays and Journalism: Volume 6: 1873–1874, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2023) Collected Essays and Journalism: Volume 7: 1874–1875, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2023) Collected Essays and Journalism: Volume 8: 1875–1876, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2023) Collected Essays and Journalism: Volume 9: 1877–1878, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2023) Collected Essays and Journalism: Volume 10: 1878–1880, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2023) Collected Essays and Journalism: Volume 11: 1881, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2023) Collected Essays and Journalism: Volume 12: 1882, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2023) Collected Essays and Journalism: Volume 13: 1883, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2023) Collected Essays and Journalism: Volume 14: 1833–1884, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2023) Collected Essays and Journalism: Volume 15: 1884–1885, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2023) Collected Essays and Journalism: Volume 16: 1885, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2023) Collected Essays and Journalism: Volume 17: 1886, David E. Schultz and S. T. Joshi, eds. (Seattle: Sarnath Press, 2023) Letters Containing Four Ambrose Bierce Letters (New York: Charles Romm, 1921) The Letters of Ambrose Bierce, Bertha Clark Pope [and George Sterling, uncredited], eds. (San Francisco: Book Club of California, 1922) Twenty-one Letters of Ambrose Bierce, Samuel Loveman, ed. (Cleveland: George Kirk, 1922) A Letter and a Likeness (n.p.: Harvey Taylor, [1930?]) Battlefields and Ghosts (Palo Alto: Harvest Press, 1931) Ambrose Bierce: "My Dear Rearden": a Letter. (Berkeley: Bancroft Library Press, 1997) A Much Misunderstood Man: Selected Letters of Ambrose Bierce, S. T. Joshi and David E. Schultz, eds. (Columbus: Ohio State University, 2003) My Dear Mac: Three Letters (Berkeley: Bancroft Library Press, 2006) Short stories[edit] Ambrose Bierce was a prolific writer of short fiction. He wrote 249 short stories,[92] 846 fables,[93] and more than 300 humorous Little Johnny stories.[94] The following list provides links to more information about notable stories by Bierce.[95] War stories Killed at Resaca (1887) One of the Missing (1888) A Tough Tussle (1888) A Horseman in the Sky (1889) An Occurrence at Owl Creek Bridge (1890) Supernatural stories A Psychological Shipwreck (1879) An Inhabitant of Carcosa (1886) An Unfinished Race (1888) One of Twins (1888) The Spook House (1889) The Man and the Snake (1890) The Realm of the Unreal (1890) The Middle Toe of the Right Foot (1890) The Boarded Window (1891) The Death of Halpin Frayser (1891) The Secret of Macarger's Gulch (1891) John Bartine's Watch (1893) The Eyes of the Panther (1897) The Moonlit Road (1907) Beyond the Wall (1907) Science fiction The Damned Thing (1893) Moxon's Master (1899) See also[edit] List of horror fiction authors List of people who disappeared List of authors in war List of American print journalists List of short-story authors List of satirists and satires Fable The Devil's Dictionary Tales of Soldiers and Civilians "An Occurrence at Owl Creek Bridge" "A Wine of Wizardry* References[edit] ^ McWilliams, Carey. Ambrose Bierce: A Biography. Hamden, CT: Archon Books, 1967, pp. 324–25. ^ a b c d e f g h Floyd 1999, p. 18. ^ D'Ammassa, Don (2006). Encyclopedia of Fantasy and Horror Fiction. New York: Facts On File, Inc. ^ "Franklin Library 100 Greatest Masterpieces of American Literature 1976–1984", Leather Bound Treasure. ^ "An Occurrence at Owl Creek Bridge: Ambrose Bierce." Short Story Criticism, v. 72, Joseph Palmisano, ed. Farmington Hills, MI: Thomson Gale, 2004, p. 2. ^ Adams, Frederick B.; Winterich, John T.; Johnson, Thomas H.; and McKay, George L. One Hundred Influential American Books Printed Before 1900: Catalogue and Addresses. New York: The Grolier Club, 1947, p. 124. ^ Grenander, M. E. Ambrose Bierce, Boston: Twayne, 1971, p. 10. ^ Mundt, Whitney R., "Ambrose Bierce" in Dictionary of Literary Biography v. 23: American Newspaper Journalists, 1873–1900, Ashley, Perry J., ed., Detroit: Gale Research, 1983, p. 25. See also Bierce, Ambrose, Skepticism and Dissent: Selected Journalism from 1898–1901, Lawrence I. Berkove, ed., Ann Arbor: Delmas, 1980; Lindley, Daniel, Ambrose Bierce Takes on the Railroad: The Journalist as Muckraker and Cynic, Westport, CT: Praeger, 1999; Ramirez, Salvador A.,A Clash of Titans: Ambrose Bierce, Collis Huntington and the 1896 Fight to Refund the Central Pacific's Debt to the Federal Government, San Luis Rey, Calif: Tentacled Press, 2010; Drabelle, Dennis, The Great American Railroad War: How Ambrose Bierce and Frank Norris Took on the Notorious Central Pacific Railroad, New York: St. Martin's, 2012; West, Richard Samuel, The San Francisco Wasp: An Illustrated History, Northampton, MA: Periodyssey Press, 2004, pp. 45–59, 310–11. ^ Grenander, M.E., "Ambrose Bierce" in Dictionary of Literary Biography v. 12: American Realists and Naturalists, Pizer, Donald and Harbert, Earl N., eds., Detroit: Gale Research, 1982, pp. 23–36. ^ Dirda, Michael, "Thirteen for Halloween", The American Scholar, October 28, 2015. ^ Kelley, Rich. "The Library of America interviews S. T. Joshi about Ambrose Bierce". The Library of America. September 2011. ^ Joshi, S. T. in Kelley, Rich, "The Library of America interviews S. T. Joshi about Ambrose Bierce," The Library of America e-Newsletter, Sept. 2011. ^ Grenander, M.E., "Ambrose Bierce" in Dictionary of Literary Biography v. 71: American Literary Critics and Scholars, 1880–1900, Rathbun, John W. and Grecu, Monica M., eds., Detroit: Gale Research, 1988, pp. 27–37. ^ Joshi, S.T., "Introduction," The Collected Fables of Ambrose Bierce, Columbus, OH: Ohio State University Press, 2000, p. xxi. ^ Grenander, M.E., "Introduction" to Poems of Ambrose Bierce, Lincoln and London: University of Nebraska Press, 1995, p. xiii. ^ Bierce letter from Chihuahua to Blanche Partington dated December 26, 1913. Printed in A Much Misunderstood Man: Selected Letters of Ambrose Bierce, S. T. Joshi and David E. Schultz, eds. Columbus: Ohio State University Press, 2003, pp. 244–46. ^ Ambrose Bierce: Alone in Bad Company By Roy Morris ^ The Collected Works of Ambrose Bierce, Volume 8 Epigrams, On With the Dance, Negligible Tales ^ An Ambrose Bierce Companion by Robert L. Gale p. 31 ^ Ambrose Bierce: Alone in Bad Company by Roy Morris p. 20 ^ Bleiler, E. F. (1964). "Introduction". Ghost and Horror Stories of Ambrose Bierce. New York: Dover. pp. vi. ISBN 0-486-20767-6. ^ Paul Fatout, "Ambrose Bierce, Civil War Topographer." American Literature 26.3 (1954): 391-400 online. ^ Bjorn Skaptason, "What I Saw of Shiloh: In the Footsteps of Ambrose Bierce." The Ambrose Bierce Project Journal 3 (2007): 1–32 online Archived February 21, 2016, at the Wayback Machine. ^ McWilliams, Jim (December 17, 2013). "Ambrose Bierce's Civil War". The New York Times. Retrieved August 16, 2018. ^ National Archives, RG 94, Entry243, Microfilm M688, Roll 235 ^ a b Keeler, Kyle (Summer 2019). "'I thought this is a bad dream and tried to cry out': Sleep as Trauma in the Fiction of Ambrose Bierce". Midwest Quarterly: A Journal of Contemporary Thought. 60: 451–468. ^ a b "1861–67. The Civil War", The Ambrose Bierce Project (timeline), archived from the original on September 4, 2009, retrieved May 27, 2009 ^ Bierce 2003, p. 8. ^ Morris 1999, p. 143. ^ Joshi, S. T. (2010). Student's Encyclopedia of Great American Writers: 1830 to 1900. Vol. 2. New York: Facts On File, Inc. ^ Beam, Alex (June 24, 2008). "Ambrose Bierce, mon amour". The Boston Globe. Retrieved April 5, 2015.(subscription may be required or content may be available in libraries) ^ "Ambrose Bierce". DC Writers’ Homes. August 21, 2017. Retrieved April 3, 2023. ^ Morris 1999, pp. 236–37. ^ M. E. Grenander. Ambrose Bierce. New York: Twayne Publishers, 1971. p. 55. ^ a b Ye Qi. Megashift from Plot to Character In American Short Fiction. ISBN 978-0983875369. p. 48. ^ Curran, Ronald T. (2016). "Bierce, Ambrose". World Book Advanced. World Book. Retrieved January 15, 2016. ^ "Ambrose Bierce's Civil War". Opinionator. December 17, 2013. Retrieved January 14, 2016. ^ A. Teodorescu. Death Representations in Literature. Cambridge Scholars Publishing, 2015. ISBN 978-1443872980. p. 143. ^ Jones, Stephen; Newman, Kim, eds. (1990). Horror: 100 Best Books. New York: Carroll and Graf. p. 74. ISBN 0881845949. ^ Morris, Roy. Ambrose Bierce: Alone in Bad Company. Oxford University Press, 1995, p.183. ^ Fusco, Richard. Maupassant and the American Short Story: The Influence of Form at the Turn of the Century. Penn State University Press, 2010. ISBN 978-0271041124. p. 112. ^ Judy Cornes. Madness and the Loss of Identity in Nineteenth Century Fiction. McFarland, 2007. ISBN 978-0786432240. p. 52. ^ H. Hendin, A. O. Haas. "Posttraumatic Stress Disorders in Veterans of Early American Wars." Psychohistory Review 12 (1984): 25–30. ^ Bierce, Ambrose (1984). The Complete Short Stories of Ambrose Bierce. Compiled with Commentary by Ernest Jerome Hopkins; Foreword by Cathy Davidson. University of Nebraska Press. p. 5. ISBN 0803260717. ^ s:Supernatural Horror in Literature/The Weird Tradition in America ^ McWilliams, Carey. Ambrose Bierce: A Biography. Hamden, CT: Archon Books, 1967, p. 219. ^ a b c d Floyd 1999, p. 19. ^ Morris 1999, pp. 206–08, 238. ^ "Along the Pacific Coast". Sacramento Daily Record-Union. July 27, 1889. p. 1. Retrieved December 11, 2015. ^ Donald T. Blume (2004). "The Boarded Window". Ambrose Bierce's Civilians and soldiers in context: a critical study. Kent State University Press. p. 323. ISBN 978-0873387781. Contrary to McWilliams's claim; however, in the public arena Bierce was not merely an agnostic, but a staunch unbeliever regarding the question of Jesus' divinity. ^ Floyd 1999, pp. 19–20. ^ Varhola, Michael (2011). Texas Confidential: Sex, Scandal, Murder, and Mayhem in the Lone Star State (First ed.). Cincinnati: Clerisy Press. p. 176. ISBN 978-1578604586. ^ Starrett, Vincent (1920), Ambrose Bierce, WM Hill, p. 39. ^ Bierce 2003, pp. 244f. ^ Day, Leon (August 8, 2007). "My Hunt For Ambrose Bierce". The Ambrose Bierce Site. Retrieved April 6, 2016. ^ Abrams, Garry (June 25, 1991). "Stranger Than Fiction : Mystery: The case of Ambrose Bierce, the disappearing author, may have been solved by the publisher of a new collection of the writer's short stories". Los Angeles Times. Retrieved January 22, 2022. ^ Ambrose Bierce is Missing: And Other Historical Mysteries By Joe Nickell. p. 28. ^ Nickell, Joe (2021). "Incredible vanishings and the case of Ambrose Bierce". Skeptical Inquirer. 45 (2): 14–16. ^ Katz, Friedrich (1998). The Life and Times of Pancho Villa. Stanford: Stanford University Press. p. 865. ^ Lienert, James (2004), "Monument in the Sierra Mojada cemetery", The Ambrose Bierce Site, with inscription stating that Bierce was shot there. ^ Bradbury, Ray (1949) "The Mad Wizards of Mars," Maclean's, Sept. 15; revised as "The Exiles," Magazine of Fantasy & Science Fiction, v. 1 n. 2, Winter-Spring 1950; revised again and included in The Illustrated Man (1951). Print. Bierce assists Edgar Allan Poe, other fantasy writers, and their fictional characters—all exiled to Mars because Earth has forbidden and destroyed every fantasy book—in a last-ditch attempt to prevent an expedition from Earth from obliterating them. ^ Finney, Jack (1955) "Of Missing Persons," Good Housekeeping, March. Print. In one of Finney's most often reprinted stories, Bierce is mentioned but never seen. Nevertheless, he plays an important symbolic role. A man tells about his visit to a seemingly ordinary travel agency that secretly arranges for discontented people to leave Earth and travel to the utopian planet of Verna. Bierce is the only specific character named as having disappeared from Earth to move to Verna, and his activities and new home on Verna are described. ^ Shorris, Earl (October 27, 1985). "The New York Times: Book Review Search Article". archive.nytimes.com. Retrieved September 13, 2020. ^ O'Hanlon, Morgan (October 12, 2016). "Author Winston Groom returns to fiction unsuccessfully with "El Paso"". The Daily Texan. Archived from the original on September 22, 2017. Retrieved September 13, 2020. ^ "AlphaDictionary Free Online Dictionaries * Ambrose Bierce Devil's Dictionary". www.alphadictionary.com. Retrieved September 13, 2020. ^ Rhiminee, Seregil of (May 8, 2016). "A review of Don Swaim's The Assassination of Ambrose Bierce: A Love Story". www.risingshadow.net. Retrieved September 13, 2020. ^ Shaw, Deborah A., "Best Sellers". Encyclopedia of Latin American Literature, Smith, Verity, ed. London and Chicago: Fitzroy Dearborn, 1997, p. 115. ^ Lee Weinstein (2017). "The King in Yellow". In Matt Cardin (ed.). Horror Literature through History: An Encyclopedia of the Stories that Speak to Our Deepest Fears. ABC-CLIO. p. 513. ISBN 9781440842023. ^ "Suite Elegiaque," Smart Set v. 57 n. 2 (October 1918), p. 144; reprinted in H. L. Mencken on American Literature, S. T. Joshi, ed., Athens, OH: Ohio University Press, 2002. ^ Vidor, Charles (September 22, 2009), The Bridge, retrieved April 11, 2016 ^ Enrico, Robert (May 1, 1962), Occurrence at Owl Creek Bridge, retrieved April 11, 2016 ^ Enrico, Robert (February 28, 1964), An Occurrence at Owl Creek Bridge, retrieved April 11, 2016 ^ Stevenson, Robert (January 1, 2000), An Occurrence at Owl Creek Bridge, retrieved April 11, 2016 ^ "The Quotable Fort: Part 2". Retrieved February 13, 2017. ^ "The Paper Dynasty on Death Valley Days". Internet Movie Database. March 1, 1964. Retrieved August 7, 2015. ^ Fuentes, Carlos, Gringo Viejo (Planeta, 2004) ISBN 978-968-6941-67-8 ^ Rohter, Larry, "From One Civil War to Another". New York Times, October 27, 1985. ^ Black, Noel (November 26, 1989), The Eyes of the Panther, retrieved April 11, 2016 ^ Barton, Michael (August 10, 2007), The Eyes of the Panther, retrieved April 11, 2016 ^ Latiolais, Michelle. "In Memoriam Oakley Hall". University of California. Archived from the original on May 12, 2014. Retrieved October 29, 2013. ^ Cline-Márquez, Marcos (January 1, 2000), Ah! Silenciosa, retrieved April 11, 2016 ^ Pesce, P. J. (January 18, 2000), From Dusk Till Dawn 3: The Hangman's Daughter, retrieved April 11, 2016 ^ Civil War Times Illustrated, December 2001 ^ Waschka II, Rodney, Saint Ambrose, Capstone Records. ^ Lang, David. "The Difficulty of Crossing a Field". davidlangmusic.com. Retrieved October 27, 2020. ^ Vonnegut, Kurt, A Man Without a Country, pp. 7–8, And I consider anybody a twerp who hasn't read the greatest American short story, which is "Occurrence at Owl Creek Bridge," by Ambrose Bierce. ...It is a flawless example of American genius... ^ Hooper, Tobe (October 27, 2006), The Damned Thing, retrieved April 11, 2016 ^ "Fiction book review". Publishers Weekly. Retrieved July 28, 2017. ^ Vitale, Tom. "Why It Took 'Forrest Gump' Author Nearly 20 Years To Write A New Novel". NPR Books. NPR. Retrieved August 30, 2018. ^ "Book Interview: S.T. Joshi on Ambrose Bierce — The Underappreciated Genius of Being Grim". The Arts Fuse. January 24, 2012. Retrieved December 8, 2019. ^ "Introduction to A Sole Survivor: Bits of Autobiography by Ambrose Bierce". stjoshi.org. Retrieved December 8, 2019. ^ The Short Fiction of Ambrose Bierce: A Comprehensive Edition (3 volumes.), S. T. Joshi, Lawrence I. Berkove, and David E. Schultz, eds. (Knoxville: University of Tennessee, 2006) ^ The Collected Fables of Ambrose Bierce, S. T. Joshi, ed. (Columbus: Ohio State University Press, 2000) ^ S. T. Joshi and David E. Schultz, Ambrose Bierce: An Annotated Bibliography of Primary Sources, Westport, CT and London: Greenwood Press, 1999, pp. 326–27. ^ Dates given for short stories are the earliest publication dates in magazines and newspapers according to S. T. Joshi and David E. Schultz, Ambrose Bierce: An Annotated Bibliography of Primary Sources. Westport, CT: Greenwood Press, 1999. Bibliography[edit] Bleiler, Everett (1948). The Checklist of Fantastic Literature. Chicago: Shasta Publishers. pp. 32, 147. Cozzens, Peter. 1996. "The Tormenting Flame: What Ambrose Bierce Saw in a Fire-Swept Thicket at Shiloh Haunted Him for the rest of his Life." Civil War Times Illustrated. April 1996. Volume XXXV (1). pp. 44–54. De Castro, Adolphe (1929). Portrait of Ambrose Bierce (New York and London: Century). Eckhardt, Jason. "Across the Borderlands of Conjecture with Mr Bierce." Studies in Weird Fiction 4 (Fall 1988), 26–31. Fatout, Paul. Ambrose Bierce: The Devil's Lexicographer. Norman: University of Oklahoma Press, 1951. Floyd, E Randall (1999). The Good, the Bad, and the Mad: Some Weird People in American History. New York: Barnes & Noble. ISBN 978-0-7607-6600-2. Grenander, M.E. Ambrose Bierce. NY: Twayne Publishers, 1971. McWilliams, Carey (1929; reprinted 1967). Ambrose Bierce: A Biography, Archon Books. Morris, Roy (1999) [1995]. Ambrose Bierce: alone in bad company. US: Oxford University Press. ISBN 978-0-19-512628-0. Nickell, Joseph 'Joe' (1992). Ambrose Bierce Is Missing and Other Historical Mysteries. ISBN 978-0813117669. O'Connor, Richard (1967). Ambrose Bierce: a Biography, with illustrations, Boston, Little, Brown and Company. [ISBN missing] Primary sources[edit] Bierce, Ambrose. (2010) The Collected Works of Ambrose Bierce (3 vol 1910) online Bierce, Ambrose. The Civil War Short Stories of Ambrose Bierce (U of Nebraska Press, 1988). online Bierce, Ambrose (2003). Joshi, ST; Shultz, David E (eds.). A Much Misunderstood Man: Selected Letters of Ambrose Bierce. Ohio State University Press. Bierce, Ambrose. The complete short stories of Ambrose Bierce (1970; reprint U of Nebraska Press, 1984). online The Ambrose Bierce Papers, 1872–1913 (2 linear ft.) and Foster family collection of Ambrose Bierce materials (3 linear feet) are housed in the Department of Special Collections and University Archives at Stanford University Libraries. The Ambrose Bierce Papers, ca. 1894–1913 and the Collection of Ambrose Bierce Papers, 1875–1925, bulk 1890–1913 are housed at The Bancroft Library. External links[edit] Ambrose Bierce at Wikipedia's sister projects Media from CommonsQuotations from WikiquoteTexts from WikisourceData from Wikidata Works by Ambrose Bierce in eBook form at Standard Ebooks Works by Ambrose Bierce at Project Gutenberg Works by or about Ambrose Bierce at Internet Archive Ambrose Bierce at the Internet Speculative Fiction Database Works by Ambrose Bierce at LibriVox (public domain audiobooks) Ambrose Bierce at IMDb The Ambrose Bierce Site The Ambrose Bierce Project Archived March 24, 2005, at the Wayback Machine Ambrose Bierce at PoetryFoundation.org One of Bierce's last letters Collected journalism of Ambrose Bierce at the Archive of American Journalism Authority control databases International FAST ISNI 2 3 VIAF 2 National Norway Spain France 2 BnF data 2 Argentina Catalonia Germany Italy Israel United States Sweden Latvia Japan Czech Republic Australia Greece Korea Croatia Netherlands Poland Portugal Vatican Academics CiNii Artists MusicBrainz People Deutsche Biographie Trove Other SNAC IdRef

A HORSEMAN IN THE SKY

"General Lee and Traveller" by Bob Travis is licensed under CC by-NC 2.0.

One sunny afternoon in the autumn of the year 1861 a soldier lay in a clump of laurel by the side of a road in western Virginia. He lay at full length upon his stomach, his feet resting upon the toes, his head upon the left forearm. His extended right hand loosely grasped his rifle. But for the somewhat methodical disposition of his limbs and a slight rhythmic movement of the cartridge-box at the back of his belt, he might have been thought to be dead. He was asleep at his post of duty. But if detected he would be dead shortly afterward, death being the just and legal penalty of his crime.

The clump of laurel in which the criminal lay was in the angle of a road which after ascending southward a steep acclivity to that point turned sharply to the west, running along the summit for perhaps one hundred yards. There it turned southward again and went zigzagging downward through the forest. At the salient of that second angle was a large flat rock, jutting out northward, overlooking the deep valley from which the road ascended. The rock capped a high cliff; a stone dropped from its outer edge would have fallen sheer downward one thousand feet to the tops of the pines. The angle where the soldier lay was on another spur of the same cliff. Had he been awake he would have commanded a view, not only of the short arm of the road and the jutting rock, but of the entire profile of the cliff below it. It might well have made him giddy to look.

The country was wooded everywhere except at the bottom of the valley to the northward, where there was a small natural meadow, through which flowed a stream scarcely visible from the valley's rim. This open ground looked hardly larger than an ordinary door-yard, but was really several acres in extent. Its green was more vivid than that of the enclosing forest. Away beyond it rose a line of giant cliffs similar to those upon which we are supposed to stand in our survey of the savage scene, and through which the road had somehow made its climb to the summit. The configuration of the valley, indeed, was such that from our point of observation it seemed entirely shut in, and one could but have wondered how the road which found a way out of it had found a way into it, and whence came and whither went the waters of the stream that parted the meadow more than a thousand feet below.

No country is so wild and difficult but men will make it a theatre of war; concealed in the forest at the bottom of that military rat-trap, in which half a hundred men in possession of the exits might have starved an army to submission, lay five regiments of Federal infantry. They had marched all the previous day and night and were resting. At nightfall they would take to the road again, climb to the place where their unfaithful sentinel now slept, and descending the other slope of the ridge fall upon a camp of the enemy at about midnight. Their hope was to surprise it, for the road led to the rear of it. In case of failure, their position would be perilous in the extreme; and fall they surely would should accident or vigilance apprise the enemy of the movement.

The sleeping sentinel in the clump of laurel was a young Virginian named Carter Druse. He was the son of wealthy parents, an only child, and had known such ease and cultivation and high living as wealth and taste were able to command in the mountain country of western Virginia. His home was but a few miles from where he now lay. One morning he had risen from the breakfast-table and said, quietly but gravely: 'Father, a Union regiment has arrived at Grafton. I am going to join it.'

The father lifted his leonine head, looked at the son a moment in silence, and replied: 'Go, Carter, and whatever may occur, do what you conceive to be your duty. Virginia, to which you are a traitor, must get on without you. Should we both live to the end of the war, we will speak further of the matter. Your mother, as the physician has informed you, is in a most critical condition; at the best she cannot be with us longer than a few weeks, but that time is precious. It would be better not to disturb her.'

So Carter Druse, bowing reverently to his father, who returned the salute with a stately courtesy that masked a breaking heart, left the home of his childhood to go soldiering. By conscience and courage, by deeds of devotion and daring, he soon commended himself to his fellows and his officers; and it was to these qualities and to some knowledge of the country that he owed his selection for his present perilous duty at the extreme outpost. Nevertheless, fatigue had been stronger than resolution and he had fallen asleep. What good or bad angel came in a dream to rouse him from his state of crime, who shall say? Without a movement, without a sound, in the profound silence and the languor of the late afternoon, some invisible messenger of fate touched with unsealing finger the eyes of his consciousness-whispered into the ear of his spirit the mysterious awakening word which no human lips ever have spoken, no human memory ever has recalled. He quietly raised his forehead from his arm and looked between the masking stems of the laurels, instinctively closing his right hand about the stock of his rifle.

His first feeling was a keen artistic delight. On a colossal pedestal, the cliff, motionless at the extreme edge of the capping rock and sharply outlined against the sky, was an equestrian statue of impressive dignity. The figure of the man sat on the figure of the horse, straight and soldierly, but with the repose of a Grecian god carved in the marble which limits the suggestion of activity. The gray costume harmonized with its aerial background; the metal of accoutrement and caparison was softened and subdued by the shadow; the animal's skin had no points of high light. A carbine strikingly foreshortened lay across the pommel of the saddle, kept in place by the right hand grasping it at the 'grip;' the left hand, holding the bridle rein, was invisible. In silhouette against the sky the profile of the horse was cut with the sharpness of a cameo; it looked across the heights of air to the confronting cliffs beyond. The face of the rider, turned slightly away, showed only an outline of temple and beard; he was looking downward to the bottom of the valley. Magnified by its lift against the sky and by the soldier's testifying sense of the formidableness of a near enemy the group appeared of heroic, almost colossal, size.

For an instant Druse had a strange, half-defined feeling that he had slept to the end of the war and was looking upon a noble work of art reared upon that eminence to commemorate the deeds of an heroic past of which he had been an inglorious part. The feeling was dispelled by a slight movement of the group: the horse, without moving its feet, had drawn its body slightly backward from the verge; the man remained immobile as before. Broad awake and keenly alive to the significance of the situation, Druse now brought the butt of his rifle against his cheek by cautiously pushing the barrel forward through the bushes, cocked the piece, and glancing through the sights covered a vital spot of the horseman's breast. A touch upon the trigger and all would have been well with Carter Druse. At that instant the horseman turned his head and looked in the direction of his concealed foeman-seemed to look into his very face, into his eyes, into his brave, compassionate heart.

Is it then so terrible to kill an enemy in war-an enemy who has surprised a secret vital to the safety of one's self and comrades-an enemy more formidable for his knowledge than all his army for its numbers? Carter Druse grew pale; he shook in every limb, turned faint, and saw the statuesque group before him as black figures, rising, falling, moving unsteadily in arcs of circles in a fiery sky. His hand fell away from his weapon, his head slowly dropped until his face rested on the leaves in which he lay. This courageous gentleman and hardy soldier was near swooning from intensity of emotion.

It was not for long; in another moment his face was raised from earth, his hands resumed their places on the rifle, his forefinger sought the trigger; mind, heart, and eyes were clear, conscience and reason sound. He could not hope to capture that enemy; to alarm him would but send him dashing to his camp with his fatal news. The duty of the soldier was plain: the man must be shot dead from ambush-without warning, without a moment's spiritual preparation, with never so much as an unspoken prayer, he must be sent to his account. But no-there is a hope; he may have discovered nothing-perhaps he is but admiring the sublimity of the landscape. If permitted, he may turn and ride carelessly away in the direction whence he came. Surely it will be possible to judge at the instant of his withdrawing whether he knows. It may well be that his fixity of attention-Druse turned his head and looked through the deeps of air downward, as from the surface to the bottom of a translucent sea. He saw creeping across the green meadow a sinuous line of figures of men and horses-some foolish commander was permitting the soldiers of his escort to water their beasts in the open, in plain view from a dozen summits!

Druse withdrew his eyes from the valley and fixed them again upon the group of man and horse in the sky, and again it was through the sights of his rifle. But this time his aim was at the horse. In his memory, as if they were a divine mandate, rang the words of his father at their parting: 'Whatever may occur, do what you conceive to be your duty.' He was calm now. His teeth were firmly but not rigidly closed; his nerves were as tranquil as a sleeping babe's-not a tremor affected any muscle of his body; his breathing, until suspended in the act of taking aim, was regular and slow. Duty had conquered; the spirit had said to the body: 'Peace, be still.' He fired.

An officer of the Federal force, who in a spirit of adventure or in quest of knowledge had left the hidden bivouac in the valley, and with aimless feet had made his way to the lower edge of a small open space near the foot of the cliff, was considering what he had to gain by pushing his exploration further. At a distance of a quarter-mile before him, but apparently at a stone's throw, rose from its fringe of pines the gigantic face of rock, towering to so great a height above him that it made him giddy to look up to where its edge cut a sharp, rugged line against the sky. It presented a clean, vertical profile against a background of blue sky to a point half the way down, and of distant hills, hardly less blue, thence to the tops of the trees at its base. Lifting his eyes to the dizzy altitude of its summit the officer saw an astonishing sight-a man on horseback riding down into the valley through the air!

Straight upright sat the rider, in military fashion, with a firm seat in the saddle, a strong clutch upon the rein to hold his charger from too impetuous a plunge. From his bare head his long hair streamed upward, waving like a plume. His hands were concealed in the cloud of the horse's lifted mane. The animal's body was as level as if every hoof-stroke encountered the resistant earth. Its motions were those of a wild gallop, but even as the officer looked they ceased, with all the legs thrown sharply forward as in the act of alighting from a leap. But this was a flight!

Filled with amazement and terror by this apparition of a horseman in the sky-half believing himself the chosen scribe of some new Apocalypse, the officer was overcome by the intensity of his emotions; his legs failed him and he fell. Almost at the same instant he heard a crashing sound in the trees-a sound that died without an echo, and all was still.

The officer rose to his feet, trembling. The familiar sensation of an abraded shin recalled his dazed faculties. Pulling himself together he ran rapidly obliquely away from the cliff to a point distant from its foot; thereabout he expected to find his man; and thereabout he naturally failed. In the fleeting instant of his vision his imagination had been so wrought upon by the apparent grace and ease and intention of the marvelous performance that it did not occur to him that the line of march of aerial cavalry is directly downward, and that he could find the objects of his search at the very foot of the cliff. A half-hour later he returned to camp.

This officer was a wise man; he knew better than to tell an incredible truth. He said nothing of what he had seen. But when the commander asked him if in his scout he had learned anything of advantage to the expedition he answered:

'Yes, sir; there is no road leading down into this valley from the southward.'

The commander, knowing better, smiled.

After firing his shot, Private Carter Druse reloaded his rifle and resumed his watch. Ten minutes had hardly passed when a Federal sergeant crept cautiously to him on hands and knees. Druse neither turned his head nor looked at him, but lay without motion or sign of recognition.

'Did you fire?' the sergeant whispered.

'Yes.'

'At what?'

'A horse. It was standing on yonder rock-pretty far out. You see it is no longer there. It went over the cliff.'

The man's face was white, but he showed no other sign of emotion. Having answered, he turned away his eyes and said no more. The sergeant did not understand.

'See here, Druse,' he said, after a moment's silence, 'it's no use making a mystery. I order you to report. Was there anybody on the horse?'

'Yes.'

'Well?'

'My father.'

The sergeant rose to his feet and walked away. 'Good God!' he said.

Current Page: 1

GRADE:9

Additional Information:

Rating: C Words in the Passage: 1090 Unique Words: 877 Sentences: 115
Noun: 679 Conjunction: 167 Adverb: 126 Interjection: 2
Adjective: 229 Pronoun: 222 Verb: 374 Preposition: 373
Letter Count: 10,802 Sentiment: Positive / Positive / Positive Tone: Neutral (Slightly Formal) Difficult Words: 532
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